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Tracing the metaphor of America as the Book of Revelation’s New Jerusalem, Yii-Jan Lin shows how apocalyptic narratives have been used to exclude unwanted immigrants America appeared on the European horizon at a moment of apocalyptic expectation and ambition. Explorers and colonizers imagined the land to be paradise, the New Jerusalem of the Bible’s Book of Revelation. This groundbreaking volume explores the conceptualization of America as the New Jerusalem from the time of Columbus to the Puritan colonists, through U.S. expansion, and from the eras of Reagan to Trump. While the metaphor of the New Jerusalem has been useful in portraying a shining, God-blessed refuge with open gates, it has also been used to exclude, attack, and criminalize unwanted peoples. Yii-Jan Lin shows how newspapers, political speeches, sermons, cartoons, and novels throughout American history have used the language of Revelation to define immigrants as God’s enemies who must be shut out of the gates. This book exposes Revelation’s apocalyptic logic at work in the history of Chinese exclusion, the association of the unwanted with disease, the contradictions of citizenship laws, and the justification for building a U.S.-Mexico wall like the wall around the New Jerusalem. This book is a fascinating analysis of the religious, biblical, and apocalyptic in American immigration history and a damning narrative that weaves together American religious history, immigration and ethnic studies, and the use of biblical texts and imagery.
This volume brings together scholars from New Testament studies and classics, whose fields of study have much in common but are not often in in conversation. The contributors explore how the ancient works they study can be resources for thinking critically and creatively about issues that matter today. The essays address our obligation to take positive moral stands on divisive issues of both the past and the present, including empire, racial/ethnic and religious difference, economic inequality, gender and sexuality, slavery, and disability. Contributors include Douglas Boin, Denise Kimber Buell, Gay L. Byron, Allen Dwight Callahan, Joy Connolly, Jennifer A. Glancy, Shelley P. Haley, Caroline Johnson Hodge, Katherine Lu Hsu, Timothy Joseph, Tat-siong Benny Liew, Yii-Jan Lin, Dominic Machado, Joseph A. Marchal, Thomas R. Martin, Candida R. Moss, Laura Salah Nasrallah, Jorunn Økland, and Abraham Smith.
Fifty years ago, in the fall of 1957, two thirteen-year-old boys were enrolled at an elite, boys-only New England boarding school. One of them, descended from wealth and eminence, would go on to Yale, then to a career as a navy officer and Vietnam war hero, and finally to the U.S. Senate, from where he would fall just short of the White House. The other was a scholarship student, a misfit giant of a boy from a Pennsylvania farm town who would suffer shameful debasements at the hands of his classmates, then go on to a solitary and largely anonymous life as a salesman of encyclopedias and trailer parts--before dying, alone, twelve months after his classmate's narrow loss on Election Day 2004. It is around these two figures, John Kerry and a boy known here only as Arthur, the bookends of a class of one hundred boys, that Geoffrey Douglas--himself a member of that boarding-school class--builds this remarkable memoir. His portrait of their lives and the lives of five others in that class--two more Vietnam veterans with vastly divergent stories, a federal judge, a gay New York artist who struggled for years to find his place in the world, and Douglas himself--offers a memorable look back to a generation caught between the expectations of their fathers and the sometimes terrifying pulls of a society driven by war, defiance, and self-doubt. The class of 1962 was not so different from any other, with its share of swaggerers and shining stars, outcasts and scholarship students. Its distinction was in its timing: at the precise threshold of the cultural and political upheavals of the late 1960s. The world these boys had been trained to enter and to lead, a world very similar to their fathers', would be exploded and recast almost at the moment of their entrance--forcing choices whose consequences were sometimes lifelong. Douglas's chronicle of those times and choices is both a capsule history of an era and a literary tour de force.