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“Those who build walls are their own prisoners. I am going to go fulfill my proper function in the social organism. I’m going to go unbuild walls.” —Ursula K. Le Guin, The Dispossessed Drawing from over twenty years of activism on local and national levels, this striking book offers an organizer’s perspective on the intersections of immigrant rights, racial justice, and prison abolition. In the wake of post-9/11 xenophobia, Obama’s record-level deportations, Trump’s immigration policies, and the 2020 uprisings for racial justice, the US remains entrenched in a circular discourse regarding migrant justice. As organizer Silky Shah argues in Unbuild Walls, we must move beyond building nicer cages or advocating for comprehensive immigration reform. Our only hope for creating a liberated society for all, she insists, is abolition. Unbuild Walls dives into US immigration policy and its relationship to mass incarceration, from the last forty years up to the present, showing how the prison-industrial complex and immigration enforcement are intertwined systems of repression. Incorporating historical and legal analyses, Shah’s personal experience as an organizer, as well as stories of people, campaigns, organizations, and localities that have resisted detention and deportation, Shah assesses the movement’s strategies, challenges, successes, and shortcomings. Featuring a foreword by Amna A. Akbar, Unbuild Walls is an expansive and radical intervention, bridging the gaps between movements for immigrant rights, racial justice, and prison abolition.
A major study of the major and minor fiction, poetry, and children's books of SF and fantasy writer Ursula K. Le Guin. As Le Guin herself writes, "It is written in English, not academese, and will be of interest to a wide spectrum of students, scholars, and interested readers."
Description of the seductions - and snares - of self-managed communist or, in other words, anarchist society. This title, an edited collection of original essays on "Le Guin's The Dispossessed", represents an exploration of the political ramifications of this work by a wide interdisciplinary swath of scholars from around the world.
Anarchism may be the most misunderstood political ideology of the modern era, and one of the least studied social movements by English-speaking scholars. Black flags and social movements addresses this deficit with an in-depth analysis of contemporary anarchist movements as interpreted by social movement theories and political sociology. Using unique data gathered by anarchists themselves, Williams presents longitudinal and international analyses that focus upon who anarchists are, and where they may be found. Social movement ideas including political opportunity, new social movements, and social capital theory, are relevant and adaptable to understanding anarchist movements. Due to their sometimes limited numbers and identities as radical anti-authoritarians, anarchists often find themselves collaborating with numerous other social movements, bringing along their values, ideas and tactics.
Critically assesses how literary and cinematic eutopias and dystopias have imagined and evaluated surveillance.Imagining Surveillance presents the first full-length study of the depiction and assessment of surveillance in literature and film. Focusing on the utopian genre (which includes positive and negative worlds), this book offers an in-depth account of the ways in which the most creative writers, filmmakers and thinkers have envisioned alternative worlds in which surveillance in various forms plays a key concern. Ranging from Thomas Mores genre-defining Utopia to Spike Jones provocative film Her, Imagining Surveillance explores the long history of surveillance in creative texts well before and after George Orwells iconic Nineteen Eighty-Four. It fits that key novel into a five hundred year narrative that includes some of the most provocative and inventive accounts of surveillance as it is and as it might be in the future. The book explains the sustained use of these works by surveillance scholars, but goes much further and deeper in explicating their brilliant and challenging diversity. With chapters on surveillance studies, surveillance in utopias before Orwell, Nineteen Eighty-Four itself, and utopian texts post-Orwell that deal with visibility, spaces, identity, technology and the shape of things to come, Imagining Surveillance sits firmly in the emerging cultural studies of surveillance.Key Features:The first sustained account of the representation of surveillance in eutopian and dystopian literature and filmCharts surveillances historical development and creative responses to that developmentProvides a detailed critical account of the ways that surveillance studies has utilised utopias to formulate its ideasOffers new readings of literary texts and films from Mores Utopia through George Orwells Nineteen Eighty-Four to Margaret Atwoods Oryx and Crake and films from Fritz Langs Metropolis to Neil Blomkamps Elysium and beyond
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle 'A well told tale signifying a good deal; one to be read again and again' THE TIMES 'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle 'Le Guin is a writer of phenomenal power' OBSERVER 'There was a wall. It did not look important - even a child could climb it. But the idea was real. Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on...' Shevek is brilliant scientist who is attempting to find a new theory of time - but there are those who are jealous of his work, and will do anything to block him. So he leaves his homeland, hoping to find a place of more liberty and tolerance. Initially feted, Shevek soon finds himself being used as a pawn in a deadly political game. With powerful themes of freedom, society and the natural world's influence on competition and co-operation, THE DISPOSSESSED is a true classic of the 20th century.
Qingyun Wu's work is a unique discovery in literary studies in the West. Chinese utopian literature paired with its English counterparts form an original and valuable contribution to world literature. In widely varying historical and cultural texts that span the last five centuries, Wu analyzes the theme of female rule, including a critique of patriarchy and emphasizing a vision for women. To date, Chinese utopias have been insufficiently explored and unavailable to Western scholars. Wu's theories of the politics of female rule, as seen in Chinese and English literature since the end of the sixteenth century, are predicated on three significant changes that have taken place during those periods. These include an outright rejection of rule by women to rule by women in the guise of men, from individual to collective female rule, and from an idealized matrilineality to anarchism by the female principle. Works examined include Edmund Spenser's The Faerie Queen, Luo Maodeng's Sanbao's Expedition to the Western Ocean, Florence Dixie's Gloriana, Charlotte Perkins Gilman's Herland, Ursula K. LeGuin's The Dispossessed, Chen Duansheng's The Destiny of the Next Life, Li Ruzhen's The Flowers in the Mirror, and Bai Hua's The Remote Country of Women. This critical view of the development of feminist utopias in both the East and West will be of interest to scholars of women's studies, political science, and anthropology as well as to those in literature for both the classical and modern periods.
Science fiction captures contemporary sentiment with its faith in a scientific/technological future, its explorations of the ultimate meaning of man's existence. Kreuziger is interested particularly in the apocalyptic visions of science fiction compared to the biblical revelations of John and Daniel. For some time our confidence has been placed largely in science, which has practically become a religion. Science fiction articulates the consequences of a faith in a technological future.
Awaken the dormant dreams in your heart and start paving a path with this faith-based guide for freedom and healing. ​ Sometimes life smacks us upside the head while we are looking the other way. We get knocked down and struggle to get back up. But your past struggles do not determine your future. Using the pain of her past, Nicole Crank walks you through the hurdles meant to keep you down, which will, in turn, bring you closer to God. I Will Thrive gives you the courage to look at your past and be able to declare freedom from fear--allowing a daring spirit to rise up in those who have forgotten how to be brave. This freedom awakens the fight that's inside of you to stand up to the enemy and dream again. Regardless of what happened to you or even because of you, God's plan for you always has a hope and a future, and it never changes. You'll learn to find healing and happiness in every day.
A beautifully-written, broadly accessible, and forthright argument for a solution to the migration crisis: open the gates. Because of restrictive borders, human beings suffer and die. Closed borders force migrants seeking safety and dignity to journey across seas, trudge through deserts, and clamber over barbed wire. In the last five years alone, at least 60,000 people have died or gone missing while attempting to cross a border. As we deny, cast out, and crack down, we have stripped borders of their creative potential — as lines of contact, catalyst, and blend — turning our thresholds into barricades. Brilliant and provocative, The Case for Open Borders deflates the mythology of national security through border lockdowns by revisiting their historical origins; it counters the conspiracies of immigration’s economic consequences; it urgently considers the challenges of climate change beyond the boundaries of narrow national identities. This book grounds its argument in the experiences and thinking of those on the frontlines of the crisis, spanning the world to do so. In each chapter, through detailed reporting, journalist and translator John Washington profiles a character impacted by borders. He adds to those portraits provocative analyses of the economics and ethics of bordering, concluding that if we are to seek justice or sustainability we must fight for open borders. In recent years, important thinkers have begun to urge a profoundly different approach to migration, but no book has made the argument as accessible or as compelling. Washington’s case shines with the multitudinous voices of people on the move, a portrait in miniature of what a world with open borders will give to our common future.