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Johnny Cash has succeeded in chasing the wind and he eventually bottled it when he got hitched to Joy. They had gotten married and lived together as husband and wife in the bottled wind. As with many marriages what one sees on the surface did not reflect the exact thing that was going on beneath. It was a happy marriage but Joy used to be a very loose character and she was ready to get unhitched. The marriage was alright to her but she wanted out of it. It took a couple of intrigues and plots to get out of it. The love was still there, but the love for a freer and loose life was stronger. She plotted to take off with a large chunk of his estate but he was equal to the task while she was making use of another co-worker in his company where she now worked too. At the end she did not quite get what she wanted, monetarily, but the divorce was granted and that was how the wind got unbottled.
An exploration of bottled water's impact on social justice and sustainability, and how diverse movements are fighting back. In just four decades, bottled water has transformed from a luxury niche item into a ubiquitous consumer product, representing a $300 billion market dominated by global corporations. It sits at the convergence of a mounting ecological crisis of single-use plastic waste and climate change, a social crisis of affordable access to safe drinking water, and a struggle over the fate of public water systems. Unbottled examines the vibrant movements that have emerged to question the need for bottled water and challenge its growth in North America and worldwide. Drawing on extensive interviews with activists, residents, public officials, and other participants in controversies ranging from bottled water's role in unsafe tap water crises to groundwater extraction for bottling in rural communities, Daniel Jaffee asks what this commodity's meteoric growth means for social inequality, sustainability, and the human right to water. Unbottled profiles campaigns to reclaim the tap and addresses the challenges of ending dependence on packaged water in places where safe water is not widely accessible. Clear and compelling, it assesses the prospects for the movements fighting plastic water and working to ensure water justice for all.
A life-changing guide for going alcohol-free, manifesting success, and planting the seeds for an extraordinary life. As sober personal development coach Amanda Kuda can attest, you don’t need to have a drinking problem for alcohol to be holding you back. Like a lot of successful young professionals, her life was a carousel of opportunities to drink that ultimately left her feeling unfulfilled in her spirit, relationships, and career. She didn’t hit “rock bottom” or need a recovery program, but she did need a change. It was only when Kuda tried Dry January that she realized sobriety was the linchpin for a better life. In a culture that treats alcohol as a cure-all to subdue anxiety, grieve, and celebrate, she found that cutting it out helped her—and later, her clients—feel truly well and finally reach her full potential. Whether you are looking to break up with the bottle or just find a less volatile relationship with alcohol, this meditation manifesto will set a solid foundation for you to: renegotiate how you feel about drinking connect to your inner child set new boundaries finally achieve your relationship and career goals With an approach rooted in psychology and spiritual study, Unbottled Potential will challenge you to open your mind to the extraordinary possibilities of an alcohol-free life.
Can one make sunscreen from saffron? Can hemp oil help heal acne? How does madder root help cure hyperpigmentation? Beauty Unbottled is a unique DIY guide on how to use herbs and plants to turn your kitchen into a beauty lab. Learn how to treat hair loss, frizz, dandruff and premature greying with powerful Ayurvedic kitchen herbs. Create your own masks, moisturizers, serums and shampoos with superfoods like neem, tulsi, jasmine and sandalwood-herbs that are revered in Ayurveda. Explore the alchemy of Ayurveda and its long-lost, forgotten beauty secrets with simple step-by-step skin and hair recipes (with vegan options) in this definitive guide and self-help book. This book will also guide you to read and understand labels, have a balanced diet for a healthy body and choose ingredients that are super effective yet gentle on you and mother earth. Kavita Khosa, the founder of the award-winning skincare brand Purearth, brings to this book her years of experience in Ayurveda and expertise as an organic cosmetic science formulator. Beauty Unbottled debunks urban beauty myths, drawing upon scientific research and time-honoured classic Ayurvedic texts. Rooted in Ayurveda, this book invites you to celebrate the skin you are in!
A thrilling fantasy series about a twelve year old girl who sets out to save her Shinto goddess mother—and the world—by facing down demons intent on bringing chaos. “A grand adventure.” —Brandon Mull, #1 New York Times bestselling author of Fablehaven “A wild ride of a novel…hilarious.” —Sayantani DasGupta, New York Times bestselling author of The Kingdom Beyond All Momo wants for her twelfth birthday is an ordinary life—like everyone else's. At home, she has to take care of her absentminded widowed mother. At school, kids ridicule her for mixing up reality with the magical stories her mother used to tell her. But then Momo’s mother falls gravely ill, and a death hag straight out of those childhood stories attacks Momo at the mall, where she’s rescued by a talking fox . . . and “ordinary” goes out the window. It turns out that Momo's mother is a banished Shinto goddess who used to protect a long-forgotten passageway to Yomi—a.k.a. the land of the dead. That passageway is now under attack, and countless evil spirits threaten to escape and wreak havoc across the earth. Joined by Niko the fox and Danny—her former best friend turned popular jerk, whom she never planned to speak to again, much less save the world with—Momo must embrace her (definitely not "ordinary") identity as half human, half goddess to unlock her divine powers, save her mother’s life, and force the demons back to Yomi.
In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as “Stride Piano,” “Gutbucket,” and “Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion (“To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love (“No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young’s voice is pure American: joyous in its individualism and singing of the self at its strongest.
With the power of the changewinds, the horned demon of the snows, Klittichorn, schemes to destroy all of Akahlar. His evil minions search for the beautiful Storm Princess in the Kudaan Wastes. Run like the wind ... or fight magic with magic. The fate of all worlds depends on it ...
How does analyzing video games as hypertexts expand the landscape of research for video game rhetoricians and games studies scholars? This is the first book to focus on how hypertext rhetoric impacts the five canons of rhetoric, and to apply that hypertext rhetoric to the study of video games. It also explores how ludonarrative agency is seized by players seeking to express themselves in ways that game makers did not necessarily intend when making the games that players around the world enjoy. This book takes inspiration from The Legend of Zelda, a series which players all over the world have spent decades deconstructing through online playthroughs, speedruns, and glitch hunts. Through these playthroughs, players demonstrate their ability to craft their own agency, independent of the objectives built by the makers of these games, creating new rhetorical situations worthy of analysis and consideration.
Includes parodies of Tennyson, Longfellow, Bret Harte, Thomas Hood, Swinburne, Browning, Shakespeare, Milton, Poe, Shelley, Cowper, Coleridge, Herrick, Carroll, Lever, Lover, Burns, Scott, Goldsmith, Kingsley, Byron and many others.
A passionate meditation on the consolations and disappointments of religion and poetry