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'Freedom of speech is the freedom to offend and that means the freedom to offend anyone.' - Bill Leak. A new collection of the art and observations of cartoonist, painter and all-round contrarian - the incomparable Bill Leak. The public has rarely held politicians and the practice of politics in such contempt. Luckily Bill Leak is here to guide us through the darkness. UnAustralian of the Year contains Leak's best editorial cartoons since 2007 and is a satirical history of an extraordinary period in Australian politics: from the enthusiastic popular mandate enjoyed by Kevin Rudd's Labor after the 2007 federal election to the brutal merry-go-round of party leaders culminating in the rancour and instability surrounding Julia Gillard's minority government. In a series of reflections Leak writes with his customary directness and acerbic wit on a range of topics: his recent accident and recovery from brain damage; the blessings of manic-depression for the creative artist; the art of editorial cartooning and his commitment to free expression; portrait painting and the contemporary art scene.
Asian - Australians have often been written about by outsiders, as outsiders. In this collection, compiled by award - winning author Alice Pung, they tell their own stories with verve, courage and a large dose of humour. These are not predictable tales of food, festivals and traditional dress. The food is here in all its steaming glory - but listen more closely to the dinner - table chatter and you might be surprised by what you hear. Here are tales of leaving home, falling in love, coming out and finding one's feet. A young Cindy Pan vows to win every single category of Nobel Prize. Tony Ayres blows a kiss to a skinhead and lives to tell the tale. Benjamin Law has a close encounter with some angry Australian fauna, and Kylie Kwong makes a moving pilgrimage to her great - grandfather's Chinese village. Here are well - known authors and exciting new voices, spanning several generations and drawn from all over Australia. In sharing their stories, they show us what it is really like to grow up Asian, and Australian. Contributors include: Shaun Tan, Jason Yat - Sen Li, John So, Annette Shun Wah, Quan Yeomans, Jenny Kee, Anh Do, Khoa Do, Caroline Tran and many more.
Permanent migration has long been vital to the story of Australia. From the arrival of early settlers to waves of post-war immigration, the symbolic moment of disembarking onto Australian soil is an image deeply embedded in our nation’s consciousness. Today, there are more than million temporary migrants living in Australia. They work, pay tax and abide by our laws, yet they remain unrecognised as citizens. All the while, this rise in temporary migration is redefining Australian society, from wage wars and healthcare benefits, to broader ideas of national identity and cultural diversity. In Not Quite Australian, award-winning journalist Peter Mares draws on case studies, interviews and personal stories to investigate the complex realities of this new era of temporary migration. Mares considers such issues as the expansion of the 457 work visa, the unique experience of New Zealand migrants, the internationalisation of Australia's education system and our highly politicised asylum-seeker policies to draw conclusions about our nation's changing landscape. Not Quite Australian is packed with fresh insight and challenging new ideas for understanding Australia’s growing culture of temporary migration. Peter Mares is an independent writer and researcher. He is a contributing editor with the online magazine Inside Story and a senior moderator with The Cranlana Programme. Peter was a broadcaster with the ABC for twenty-five years, serving as a foreign correspondent based in Hanoi and presenting national radio programs. He is the author of the award-winning book Borderline: Australia's Response to Refugees and Asylum Seekers in the Wake of the Tampa and has written about migration for many media outlets including the Age, Australian Financial Review and Griffith Review. Peter lives in Melbourne with his wife and son. ‘Mares is indefatigable in his data gathering and scrupulously even-handed in weighing the evidence. He strikes an exquisite balance between the personal and scholarly, the humane and tough-mindedness. Not Quite Australian is big-picture storytelling with a pulse, always keeping ideals, blunt realities and people—the exposed who want a place and the lucky ones entrenched here—in the frame.’ Australian ‘An important and timely contribution to the debate about how Australia should handle the migration of people to its territory, and I highly recommend it.’ Australian Book Review ‘Compellingly readable...[Mares’] research is comprehensive, intellectually deft, ethically and philosophically grounded—but digestible, and personally attested...This is on-the-ground, people-focused journalism of the highest kind.’ Sydney Morning Herald ‘Mares has once again presented a controversial and complicated topic with clarity and humanity. At a time when a national conversation about what it means to be Australian (or unAustralian) seems daily social media fodder, Not Quite Australian is an important contribution. And a reminder of the importance of thorough, slow-burn journalism in the hot-takes age.’ Big Issue ‘This detailed, careful and topical book is illuminated by the personal stories of individuals and families caught up in a complex and bureaucratic system, and it leaves a lasting impression of an Australia that is becoming a two-tiered country...Powerful and persuasive.’ Overland ‘This book is one which should be read by policymakers and concerned citizens alike.’ Spectator ‘One of the most important books published in Australia in 2016. An impressive account of one of the biggest scandals in contemporary Australia; how we’ve sleepwalked into a policy environment that encourages the systemic exploitation of an underclass of millions of temporary migrants in our country.’ Tim Watts
Welcome to 2020. Brexit, Trump, leadership challenges- those were the days. The Morrison government, after delivering its promised tax cuts, had only one thing on its policy mind- protecting its presumptive budget surplus. Sure, avoiding questions about such trifles as sports rorts, robodebt cock-ups, and water scams required an inordinate amount of energy. But, all in all, it must have seemed like a good time to take a holiday. Anyway, other people were on the fire hoses - terrified, exhausted, selfless - as south-east Australia gave us a glimpse of the looming slow-motion catastrophe of a rapidly heating world. Meanwhile, in a wet market in Wuhan, events were unfolding that would shake all our societies to the core and change our world forever. The mantle and burden of heroism was about to be passed to a new cast of ordinary people on a very different front line. Is this a time for joking? Too soon? Maybe we need the penetrating satirical intelligence and the dark, challenging humour of our political cartoonists more than ever. Featuring Dean Alston, Peter Broelman, Pat Campbell, Andrew Dyson, John Farmer, First Dog on the Moon, Matt Golding, Fiona Katauskas, Mark Knight, Jon Kudelka, Alan Moir, David Pope, David Rowe, Andrew Weldon, Cathy Wilcox, and many more ...
Un-Australian Fictions sets out to analyse a subset of Australian literary fictions published between 1988 and 2008 – from the bicentenary of British settlement to the global financial crisis and into a new millennium. During a new transnational era, Australians faced sober and unsettling times. Already accorded the status of national obsession, issues of national identity were vigorously contested. Concepts such as the nation, multiculturalism and globalisation became topics for heated discussion in the public sphere. Australia’s literary communities were not immune or isolated from these ongoing discussions. The “un-Australian fictions” which this book studies represent the challenges which these texts, in their own unique way, bring to the Australian national ethos and the national mythology, which is predicated on traditions such as masculism; a bush ethos; the pre-eminence of white colonial settlement; connectedness to an imaginative European geography; as well as an unbreakable tie to Britain. As un-Australian fictions, these texts reflect the destabilisation of what were once certain, spatial and psychic borders and orders of Australianness. They affect as well as reflect, the wider conversation that continues today about what being Australian means in a new millennium.
This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.
Girt. No word could better capture the essence of Australia ... In this hilarious history, David Hunt reveals the truth of Australia's past, from megafauna to Macquarie - the cock-ups and curiosities, the forgotten eccentrics and Eureka moments that have made us who we are. Girt introduces forgotten heroes like Mary McLoghlin, transported for the crime of "felony of sock", and Trim the cat, who beat a French monkey to become the first animal to circumnavigate Australia. It recounts the misfortunes of the escaped Irish convicts who set out to walk from Sydney to China, guided only by a hand-drawn paper compass, and explains the role of the coconut in Australia's only military coup. Our nation's beginnings are steeped in the strange, the ridiculous and the frankly bizarre. Girt proudly reclaims these stories for all of us. Not to read it would be un-Australian. About the author: David Hunt is an unusually tall and handsome man who likes writing his own biographical notes for all the books he has written (one). He has worked as an historical consultant and comedy writer for television, and also has a proper job. "A sneaky, sometimes shocking peek under the dirty rug of Australian history." John Birmingham "Hilarious and insightful -- Hunt has found the deep wells of humour in Australia's history." Chris Taylor, The Chaser
‘I’m the binge-drinking health reporter. During the week, I write about Australia’s booze-soaked culture. At the weekends, I write myself off.’ Booze had dominated Jill Stark’s social life ever since she had her first sip of beer, at 13. She thought nothing could curb her love of big nights. And then came the hangover that changed everything. In the shadow of her 35th year, Jill made a decision: she would give up alcohol. But what would it mean to stop drinking in a world awash with booze? This lively memoir charts Jill’s tumultuous year on the wagon, as she copes with the stress of the newsroom sober, tackles the dating scene on soda water, learns to watch the footy minus beer, and deals with censure from friends and colleagues, who tell her that a year without booze is ‘a year with no mates’. In re-examining her habits, Jill also explores Australia’s love affair with alcohol, meeting alcopop-swigging teens who drink to fit in, beer-swilling blokes in a sporting culture backed by booze, and marketing bigwigs blamed for turning binge drinking into a way of life. And she tracks the history of this national obsession: from the idea that Australia’s new colonies were drowning in drink to the Anzac ethos that a beer builds mateship, and from the six o’clock swill that encouraged bingeing to the tangled weave of advertising, social pressure, and tradition that confronts drinkers today. Will Jill make it through the year without booze? And if she does, will she go back to her old habits, or has she called last drinks? This is a funny, moving, and insightful exploration of why we drink, how we got here, and what happens when we turn off the tap.
Longing for Belonging among the Marginalized in Urban Australia examines how Indigenous people, African refugees, and impoverished Whites in urban Australia, who are deemed “undesirable citizens” under neoliberal governance, experience citizenship in their everyday lives. Drawing on ethnography conducted in Adelaide and Sydney from 2014 to 2020, along with digital ethnography, it elucidates a new sense of belonging being developed across these groups that is mediated by their shared experiences of displacement and predicaments. While individuals of these groups are marginalized due to the reinforcement of race and homogenization of welfare beneficiaries as morally deficient and are ashamed to be aware of their norm violations, a cross-group sense of belonging has emerged that transverses racial and ethnic differences. It is based on mutual care, compassion, and empathy or a community mediated by the ethics of care, fostering a sense of belonging among members who, according to other paradigms of relatedness, might be seen as separate or unequal. Ritsuko Kurita maintains that this new sense of belonging, rooted in caring for others, can contribute to the development of horizontal citizenship by temporarily bridging differences in race, ethnicity, class, and gender, which can challenge neoliberal citizenship that values economic rationality, self-autonomy, and individualism.