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El proyecto histórico de Occidente denominado Modernidad en el ámbito de lo jurídico, ha legado una construcción metafísica del concepto de Derecho, desde el cual se construyen los sistemas jurídicos occidentales. Sin embargo, esa concepción metafísica ha dado lugar a una construcción ontológica del Derecho que abre paso a una concepción fundamental, a un fundamento último, y que tal construcción permite una concepción totalitaria. Una superación metafísica del Derecho, es una exposición de la forma en que se ha llegado a una concepción metafísica y ontológica del Derecho, y una propuesta para poder lograr su superación en la afirmación de un proyecto democrático y libertario.
El proyecto histórico de Occidente denominado Modernidad en el ámbito de lo jurídico, ha legado una construcción metafísica del concepto de Derecho, desde el cual se construyen los sistemas jurídicos occidentales. Sin embargo, esa concepción metafísica ha dado lugar a una construcción ontológica del Derecho que abre paso a una concepción fundamental, a un fundamento último, y que tal construcción permite una concepción totalitaria. Una superación metafísica del Derecho, es una exposición de la forma en que se ha llegado a una concepción metafísica y ontológica del Derecho, y una propuesta para poder lograr su superación en la afirmación de un proyecto democrático y libertario.
Obra que se cuestiona ¿tiene la metafísica alguna importancia en el derecho? Cuatro autores debates sobre el tema para responder. Además de los coordinadores de la obra, participan Ulises Campbell Manjarrez y Adrián Rentería Díaz. En términos generales, tienden a negar su importancia. Se trata de una obra necesaria para entender el concepto del derecho.
Este libro emblemático de Adolfo Bonilla y San Martín, es una obra fundamental que ha tenido una gran influencia en el mundo del derecho. Esta obra profundiza en la naturaleza del derecho, incluyendo el análisis de los conceptos fundamentales, la relación del derecho con la moral y la función del derecho en la sociedad. Es una obra crítica, clara e indispensable para cualquiera que busque una comprensión más profunda de la teoría del derecho. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto—which sparked lively debate in Italy and beyond—offers a wiser realism with social and political relevance.
From today’s vantage point it can be denied that the confidence in the abilities of globalism, mobility, and cosmopolitanism to illuminate cultural signification processes of our time has been severely shaken. In the face of this crisis, a key concept of this globalizing optimism as World Literature has been for the past twenty years necessarily is in the need of a comprehensive revision. World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise offers a wide range of contributions approaching the blind spots of the globally oriented Humanities for phenomena that in one way or another have gone beyond the discourses, aesthetics, and political positions of liberal cosmopolitanism and neoliberal globalization. Departing basically (but not exclusively) from different examples of Latin American literatures and cultures in globalized contexts, this volume provides innovative insights into critical readings of World Literature and its related conceptualizations. A timely book that embraces highly innovative perspectives, it will be a mustread for all scholars involved in the field of the global dimensions of literature.
This book proposes that Spanish author Luis Martín-Santos’ work focuses on the effects of patriarchy and hegemonic masculinity on men, to actively contribute to freeing both men and women from the yoke of patriarchy. It aims for a new resonance of Luis Martín-Santos. It analyzes the influence of Heidegger, Freud and Sartre in Martín-Santos’ psychiatric essays and his fictional works: the novel Tiempo de silencio (Time of Silence), the collection of short stories Apólogos, and the posthumous fragment Tiempo de destrucción (Time of Destruction). It demonstrates that alongside the political critique of Franco’s dictatorship, Martín-Santos’ creative writings are an attempt to destroy the prevalent masculine myths of Western patriarchy, and a proposal to create new myths for the future.
I the Supreme imagines a dialogue between the nineteenth-century Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself and ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.” Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a darkly comic, deeply moving meditation on power and its abuse—and on the role of language in making and unmaking whole worlds.