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The joy of food and tradition brings a family together Translated by Janet Hong Madang is an artist and new father who moves to a quiet home in the countryside with his wife and young baby, excited to build a new life full of hope and joy, complete with a garden and even snow. But soon reality sets in and his attention is divided between his growing happy family and his impoverished parents back in Seoul in a dingy basement apartment. With an ailing mother in and out of the hospital and an alcoholic father, Madang struggles to overcome the exhaustion and frustration of trying to be everything all at once: a good son, devoted father, and loving husband. To cope, he finds himself reminiscing about their family meals together, and particularly his mother's kimchi, a traditional dish that is prepared by the family and requires months of fermentation Memories of his mother's glorious cooking—so good it would prompt a young Madang and his brother into song—soothe the family. With her impending death, Madang races to learn her recipes and bring together the three generations at the family table while it's still possible. A beautiful and thoughtful meditation on how the kitchen and communal cooking—both past, present and future—bind a family together amidst the inevitable. Umma’s Table is translated by Janet Hong, a writer and translator based in Vancouver, Canada. She received the TA First Translation Prize and the 16th LTI Korea Translation Award for her translation of Han Yujoo’s The Impossible Fairy Tale, which was a finalist for both the PEN Translation Prize and the National Translation Award, and longlisted for the 2019 International Dublin Literary Award. She has translated Ha Seong-nan’s Flowers of Mold, Ancco’s Bad Friends, and Keum Suk Gendry-Kim’s Grass.
When the gentler pace and stillness of the countryside replace the roar of the city, but your editor keeps calling With gorgeously detailed yet minimal art, cartoonist Yeon-Sik Hong explores his move with his wife to a small house atop a rural mountain, replacing the high-rent hubbub of Seoul with the quiet murmur of the country. With their dog, cats, and chickens by their side, the simple life and isolation they so desperately craved proves to present new anxieties. Hong paints a beautiful portrait of the Korean countryside, changing seasons, and the universal relationships humans have with each other as well as nature, both of which are sometimes frustrating but always rewarding. Uncomfortably Happily is translated by American cartoonist Hellen Jo from the acclaimed Manhwa Today award-winning Korean edition.
Drawing on previously unavailable archival material, this book argues that Indonesian nationalism rested on Islamic ecumenism heightened by colonial rule and the pilgrimage. The award winning author Laffan contrasts the latter experience with life in Cairo, where some Southeast Asians were drawn to both reformism and nationalism. After demonstrating the close linkage between Cairene ideology and Indonesian nationalism, Laffan shows how developments in the Middle East continued to play a role in shaping Islamic politics in colonial Indonesia.
This book argues that the Arab states in the Middle East have failed to provide security for their citizens or define themselves along the lines of traditional nation states. Due to continuous war, they have been unable to foster development and prosperity. The author argues that these failures have led to the development of an Islamic political theory that is based around the non-territorial concepts of the Umma and Dawla. Each concept is explored in detail and the author explains how crucial they are in explaining the difference between Western policy and the priorities and the identity of the Arab world. This unique book should be required reading for students of Middle East international relations and Islamic political theory.
This book analyzes Islam as a form of 'travelling theory' in the context of contemporary global transformations such as diasporic communities, transnational social movements, global cities and information technologies. Peter Mandaville examines how 'globalization' is manifested as lived experience through a discussion of debates over the meaning of Muslim identity, political community and the emergence of a 'critical Islam'. This radical book argues that translocal forces are leading the emergence of a wider Muslim public sphere. Now available in paperback, it contains a new preface setting the debates in the context of September 11th.
How can we live together without alienation, avoidance, and fear? How can we complement one another such that each of us can uniquely contribute to the making of our societies? To address these and other questions, Katrin A. Jomaa examines the moral, political, and spiritual understanding of the Qur'anic term ummah, which is commonly used to refer to the worldwide Muslim community but is employed more broadly in the Qur'an itself. Drawing on theology, history, philosophy, and political science, Jomaa argues that ummah, while often defined as a group of people united by ethnicity or religion, is, in its ideal sense, a community that demands active commitment and a conscious and continuous dedication to the highest moral ideals of that community rather than mere affiliation with a particular set of religious doctrines and practices. Jomaa begins by chronologically and thematically analyzing the word "ummah" in the Qur'an, a comprehensive study currently missing from Islamic scholarship, in order to propose a novel understanding of the term that connects all its different meanings. She then compares this new definition to the Aristotelean polis, which highlights the political features of ummah, thereby situating it within contemporary discourses on liberal politics and community and creating the space for an alternative sociopolitical order to the nation-state, both as a local unit and a global system.
A discussion of how Muslim NGOs function and their global impact in disaster relief and development.
Complementing a burgeoning area of interest and academic study, Roc the Mic Right explores the central role of language within the Hip Hop Nation (HHN). With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic. Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language. A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.
Please Love Umma is a story about an eleven-year old Korean-American girl named Jenna Kim, who experiences the dichotomy of being raised under an overprotective mother and an understanding father, parents who both love her very much but don't seem to love each other at all. Through her experiences, she struggles and overcomes issues with death, culture, and religion as she copes with her own anxiety issues. Jenna's mother, Umma, has died at the beginning of the story, and the novel unfolds as she reflects on the past year. She explores the relationships within her family and begins to see that, having been so close to her father her whole life, her mother had always been left out. But it's too late to turn back time. In this beautifully bittersweet coming-of-age story, author Gracie Kim weaves an unforgettable tale of identity, love, and the many pains involved in growing up. The setting is the Koreatown district of Los Angeles, California before and during the Los Angeles Riots.
This book discusses the role of Islam in the political and social developments in the Balkans after the fall of communism. It explores comparatively the transformations of Muslim identities under the influence of various national and transnational, domestic and global factors.