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Written and performed during a time of political upheaval and fierce religious polemics, early modern Ukrainian plays both entertained their audiences and helped to educate and shape a national and religious identity. This rich body of serious, mostly religious, dramas and of comic intermedia was remarkable for the original ways it elaborated on and transformed the models of the European Renaissance and Baroque theater. Paulina Lewin's Ukrainian Drama and Theater in the Seventeenth and Eighteenth Centuries is the first English-language general history of the subject. Relying on her thorough knowledge of the primary sources and cultural legacies of early modern Ukraine, Russia, and Poland, Lewin analyzes how drama and theater functioned in Ukrainian society in the 17th and 18th centuries. Having thoroughly studied the extant dramatic texts and handbooks of rhetoric and poetics, she elucidates the deeper structures of meaning in the dramas and reconstructs the techniques and atmosphere of their contemporary performances.
Although present-day Ukraine has only been in existence for something over two decades, its recorded history reaches much further back for more than a thousand years to Kyivan Rus’. Over that time, it has usually been under control of invaders like the Turks and Tatars, or neighbors like Russia and Poland, and indeed it was part of the Soviet Union until it gained its independence in 1991. Today it is drawn between its huge neighbor to the east and the European Union, and is still struggling to choose its own path… although it remains uncertain of which way to turn. Nonetheless, as one of the largest European states, with considerable economic potential, it is not a place that can be readily overlooked. The problem is, or at least was, where to find information on this huge modern Ukraine, and since 2005 the answer has been the Historical Dictionary of Ukraine in its first edition, and now even more so with this second edition. It now boasts a dictionary section of about 725 entries, these covering the thousand years of history but particularly the recent past, and focusing on significant persons, places and events, political parties and institutions as well as more broadly international relations, the economy, society and culture. The chronology permits readers to follow this history and the introduction is there to make sense of it. It also features the most extensive and up-to-date bibliography of English-language writing on Ukraine.
The monograph realigns political culture and countermeasures against slave raids, which increased during the breakup of the Golden Horde. By physical defense of the open steppe border and by embracing the New Israel symbolism in which the exodus from slavery in Egypt prefigures the exodus of Russian captives from Tatar captivity, Muscovites found a defensive model to expand empire. Recent scholarly debates on slaving are innovatively applied to Russian and imperial history, challenging entrenched perceptions of Muscovy.
A New York Times bestseller, this definitive history of Ukraine is “an exemplary account of Europe’s least-known large country” (Wall Street Journal). As Ukraine is embroiled in an ongoing struggle with Russia to preserve its territorial integrity and political independence, celebrated historian Serhii Plokhy explains that today’s crisis is a case of history repeating itself: the Ukrainian conflict is only the latest in a long history of turmoil over Ukraine’s sovereignty. Situated between Central Europe, Russia, and the Middle East, Ukraine has been shaped by empires that exploited the nation as a strategic gateway between East and West—from the Romans and Ottomans to the Third Reich and the Soviet Union. In The Gates of Europe, Plokhy examines Ukraine’s search for its identity through the lives of major Ukrainian historical figures, from its heroes to its conquerors. This revised edition includes new material that brings this definitive history up to the present. As Ukraine once again finds itself at the center of global attention, Plokhy brings its history to vivid life as he connects the nation’s past with its present and future.
"Russian literature has always been inseparably linked to Russian history. D. S. Mirsky, in dealing with this fact, constantly keeps in mind the ever-colorful and ever-changing aspects of the one in discussing the other. Mirsky's book is essential reading for anyone interested in Russian literature. A History of Russian Literature: From its Beginnings to 1900 contains all of the author's History of Russian Literature and the first two chapters of his Contemporary Russian Literature."--BOOK JACKET.
Substantial and through critical annotations of works on all important aspects of Ukranian history and culture, including monographs, dissertations, books, symposia, pamphlets, and journal articles. Spanning the period from the early 1950s to mid-1989, the numbered entries are arranged by broad subject categories, each category beginning with a brief introduction to the most important authors and their works. Annotation copyrighted by Book News, Inc., Portland, OR
This book, first published in 1949, is an abridged version of Mirsky’s classic two texts on Russian literature, updated with a postscript by the editor assessing the development of Soviet literature. Beautifully written, Mirsky’s analyses of Russian writers and literature go hand in hand with his takes on Russian history. From the birth of Russian literature to its Soviet form, this book is a lively and comprehensive examination by one of its leading scholars.