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Excerpt from Typographia Scoto-Gadelica: Or Books Printed in the Gaelic of Scotland From the Year 1567 to the Year 1914, With Bibliographical and Biographical Notes About the middle of last century the need for a Bibliography of Gaelic Literature was much felt by scholars and others interested in that language. Since John Reid published his Bibliotheca Scoto-Celtica in Glasgow in 1832, a great many new books appeared in Gaelic from the printing-presses of Edinburgh, Glasgow, and other places, but hitherto there has been no work of reference available to guide the student in his selection of suitable books. Reid's work dealt with Gaelic Literature under several different subjects, and although it possessed considerable merit, so backward was the state of education over the Highlands and Islands of Scotland at the time of its appearance and for many years afterwards that the book was hardly known even to those who had a fair knowledge of the Gaelic language. About sixteen years ago I resolved to compile a Bibliography of Books printed in the Gaelic of Scotland from their Incunabula to the present year. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Includes separately paged "Junior union section."
During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author João Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.