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This “irresistible novel” of Chinese immigrants navigating the American dream is “startling [and] heartrending, without ever losing its comic touch” (Entertainment Weekly). Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. But when the Communists assume control of China in 1949, Ralph Chang, his sister Theresa, and his wife Helen find themselves in a crisis, struggling to cling to their old-world ideas of themselves. But soon they begin to dream the American dream of self-invention. They transform, poignantly and ironically, from people who disparage all that is “typical American” to people who aspire to the American ideal. With droll humor and a deep empathy for her characters, Gish Jen creates a superbly engrossing story that sparkles with wit while challenging the reader to reconsider what it means to be a typical American. “No paraphrase could capture the intelligence of Gish Jen’s prose, its epigrammatic sweep and swiftness . . . . The author just keeps coming at you line after stunning line.” —The New York Times Book Review
From the highly acclaimed, award-winning author of Mona in the Promised Land and Thank You, Mr. Nixon comes a comic masterpiece, an insightful novel of immigrants experiencing the triumphs and trials of American life. Gish Jen reinvents the American immigrant story through the Chang family, who first come to the United States with no intention of staying. When the Communists assume control of China in 1949, though, Ralph Chang, his sister Theresa, and his wife Helen, find themselves in a crisis. At first, they cling to their old-world ideas of themselves. But as they begin to dream the American dream of self-invention, they move poignantly and ironically from people who disparage all that is “typical American” to people who might be seen as typically American themselves. With droll humor and a deep empathy for her characters, Gish Jen creates here a superbly engrossing story that resonates with wit and wisdom even as it challenges the reader to reconsider what a typical American might be today.
supports the death penalty, that half of all marriages end in divorce, and that four out of five prefer a particular brand of toothpaste. But remarkably, such data--now woven into our social fabric--became common currency only in the last century. With a bold and sophisticated analysis, Sarah Igo demonstrates the power of scientific surveys to shape Americans' sense of themselves as individuals, members of communities, and citizens of a nation.
From the massively talented, award-winning author of Thank You, Mr. Nixon comes “a big story ... about families and identity and race and the American Dream.... Jen’s most ambitious and emotionally ample work yet” (The New York Times). The Wongs describe themselves as a “half half” family, but the actual fractions are more complicated, given Carnegie’s Chinese heritage, his wife Blondie’s WASP background, and the various ethnic permutations of their adopted and biological children. Into this new American family comes a volatile new member. Her name is Lanlan. She is Carnegie’s Mainland Chinese relative, a tough, surprisingly lovely survivor of the Cultural Revolution, who comes courtesy of Carnegie’s mother’s will. Is Lanlan a very good nanny, a heartless climber, or a posthumous gift from a formidable mother who never stopped wanting her son to marry a nice Chinese girl? Rich in insight, buoyed by humor, The Love Wife is a hugely satisfying work.
One cannot comprehend America until they comprehend the Negro. The writer's great-grandfather once said that the Negro was just like a hog they don't endure to the end. Wash them up, dress them proudly and tie a red ribbon around their neck but as soon as they see a mud hole they will wallow. Where their spirit is where they will reside The writer's great-great-great-grandfather who was a very wealthy Slave owner, a judge, and a teacher to future slave owners said it best, that hope was evil. He told his students to acknowledge power, and to give the slave hope. The Slave owner would be in power.
This book unleashes years of frustration stemming from the ostensible and sheer ignorance of Americans concerning not only the outside world, but even matters apposite to their immediate vicinity. I have lived in Tallahassee, Boston, Miami, and College Station. There has been a common thread pervasive in all of these living experiences: the exposure to an increasingly decadent, desultory and vapid American culture. In geography, the concept is called placelessness. Apparently it seems like a felicitous word to describe the blase nature of an American culture that has become enslaved to the beer bottle, the boob tube, the Botox injections, the silicon breast enhancements, the marijuana, cigarette smoking, and an ecumenically gilded culture of scapegraces. So much of American culture is being diluted by adherence to political correctness and hackneyed professional standards. What ever happened to the media serving as the watchdogs of government? Now the media is more concerned with actually promoting dogs and dog-like behavior from shallow celebrities. The book attempts to compile the dilapidated schemas, illogical double standards, and slipshod behavior of Americans in a sarcastic (yet humorous) and informative (yet satirical) fashion.
The Average American Marriage, the long-awaited sequel to Chad Kultgen’s much debated, always controversial The Average American Male, is a matter-of-fact foray into the male mind and sexual fantasy. Now married with children, Kultgen's lewd and sex-obsessed narrator once again offers up his deep (and not so deep) thoughts on love, marriage, kids, and (naturally) sex: from birthday sex to interns to parenting, The Average American Male looks upon the institution of marriage with the same deadpan smirk he has brought to the rest of his sex-addled, perennially disaffected life.
Before a post-divorce road trip Chris Ames had been ensconced in French domesticity, with a wife, two children, and a regular job. Returning to Paris after that trip, he became an American vagabond and seeker who, lacking sufficient means and motivation to pay the rent and invest again in permanence, opted for homelessness. He soon found an unexpected place to pitch his tent--an abandoned golf course. Ames recounts a full year spent living there, with little baggage, through snow and heat, while commuting to his job as an English teacher in the city. Developing his urban-survivor skills, he rekindles relationships, starts others, offers glimpses of Parisian society--homeless and not--and ruminates on direction and the lack thereof. Ames circles serious questions, rarely losing a sense of irony, bewilderment, or amusement, especially at his circumstances, with their inherent discomforts, risks, and not-so-reassuring self-revelation. As readers see him stumble into renewed social bonds, his skewed searching and unconventional existence will engage and sometimes befuddle them. "I'm not saying become homeless, but do understand it opens many doors, and helps us appreciate the doors we can close."--from the introduction Winner of the Nonfiction Award in the Utah Division of Arts and Museums Original Writing Competition
“I can’t figure out if this book is a heart-felt dispatch from the front line in the battle of the sexes or a brilliant send-up of the way in which the male point of view has been misrepresented by militant feminists. I suspect it may be both.” --Toby Young, New York Times bestselling author of How to Lose Friends and Alienate People An offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly realizes he thinks that all women are pretty much the same, that his true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.
"A candid, heartfelt love story set in contemporary California that challenges the idea of what it means to be American, liberated, and in love"--