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The first book-length study to examine the materials and techniques used in the fabrication and painting of the American pop artist Roy Lichtenstein’s outdoor sculpture. Vibrant color was essential to the paintings of the American pop artist Roy Lichtenstein (1923–1997), and when he began exploring the creation of outdoor sculpture in the late 1970s, vivid hues remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of Lichtenstein’s studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes. The book concludes with a chapter showing various options for the care, conservation, and restoration of his sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.
Eugene McCarthy was one of the most fascinating political figures of the postwar era: a committed liberal anti-Communist who broke with his party’s leadership over Vietnam and ultimately helped take down the political giant Lyndon B. Johnson. His presidential candidacy in 1968 seized the hearts and fired the imaginations of countless young liberals; it also presaged the declining fortunes of liberalism and the rise of conservatism over the past three decades. Dominic Sandbrook traces Eugene McCarthy’s rise to prominence and his subsequent failures, and makes clear how his story embodies the larger history of American liberalism over the last half century. We see McCarthy elected from Minnesota to the House and then to the Senate, part of a new liberal movement that combined New Deal domestic policies and fierce Cold War hawkishness, a consensus that produced huge electoral victories until it was shattered by the war in Vietnam. As the situation in Vietnam escalated, many liberals, like McCarthy, found themselves increasingly estranged from the anti-Communism that they had supported for nearly two decades. Sandbrook recounts McCarthy’s growing opposition to President Johnson and his policies, which culminated in McCarthy’s stunning near-victory in the New Hampshire presidential primary and Johnson’s subsequent withdrawal from the race. McCarthy went on to lose the nomination to Hubert Humphrey at the infamous 1968 Democratic National Convention in Chicago, which secured his downfall and led to Richard Nixon’s election, but he had pulled off one of the greatest electoral upsets in American history, one that helped shape the political landscape for decades. These were tumultuous times in American politics, and Sandbrook vividly captures the drama and historical significance of the period through his intimate portrait of a singularly interesting man at the center of it all.
A critically acclaimed practitioner of conceptual and installation art, David Ireland has taken the concept of art itself as one of his subjects. This book accompanies a full-scale retrospective of his work and offers an overview of more than 30 years ofhis accomplishments.
This catalogue brings together for the first time 81 of Robert Morris's Blind Time Drawings, selected from the six series that make up the corpus of this work to which Morris has dedicated more than 30 years. The entire range is present from the early drawings of 1973 up to the Moral Drawings of 2000, with a particular emphasis on the fourth series, a group of works inspired by the writings of the philosopher Donald Davidson. Visually striking, the Blind Time Drawings, as the name implies, were executed by the artist with his eyes covered. Consisting of stark black-and-white contrasts, explosions of graphite, and obsessive markings that move organically throughout the page, the works are anything but haphazard. Morris followed a strict plan when doing the works, and his writing, which describes his process, is instrumental to understanding them. In addition, these works are placed within the context of Morris's Minimalist and Conceptualist masterpieces such as Card File (1962), Mirrored Cubes (1965) and Portland Mirrors (1977).
Examines presidential power within the context of U.S. history and the ongoing relationships presidents and ex-presidents formed with one another.
Arranged in five thematic parts, "The Oral History Reader" covers key debates in the post-war development of oral history.
This edition of the “brief, yet subtle and penetrating account” of the CIA includes a new prologue covering the agency’s more recent history (Christian Science Monitor). Now in its third edition, Rhodri Jeffreys-Jones’s comprehensive history of the Central Intelligence Agency is widely acclaimed for its thorough and even-handed analysis. A renowned U.S. intelligence expert, Jeffreys-Jones chronicles the evolution of the agency from its beginning in 1947 to the present day. With clarity and acuity, he examines the CIA’s activities during some of the most dramatic episodes in American history, from McCarthyism to the Bay of Pigs, the assassination of John F. Kennedy, the Iran-Contra affair, and many others. A new prologue by the author also covers the CIA’s history from the end of the Cold War to the terror attacks of September 11th, 2001. A landmark of intelligence history since its first edition in 1989, The CIA and American Democracy is “a judicious and reasonable...sophisticated study” (David P. Calleo, New York Times Book Review).