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Scripts for small to medium, or fringe, theatres. Casts of up to eight, some reliance placed on props and effects.
Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."
"These cautionary tales are provocative, highly instructive, occasionally brutal, and, from a safe distance, downright hilarious, making Second Act Trouble the perfect Broadway bedtime reader - unless you are prone to nightmares."--BOOK JACKET.
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More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
Alexander Wheelock Thayer's 'The Life of Ludwig van Beethoven' is a monumental three-volume biography that delves deep into the personal and professional life of the legendary composer. Thayer's meticulous research and comprehensive documentation provide readers with a detailed account of Beethoven's trials and triumphs, offering insights into his revolutionary compositions and enduring legacy. Written in a scholarly but approachable style, this biography sheds light on Beethoven's complex personality and the social and cultural context in which he created his immortal music. Thayer's work is not only a biography but also a valuable historical and artistic resource for anyone interested in classical music and the life of one of its greatest composers. Alexander Wheelock Thayer, a dedicated music historian, spent years studying Beethoven's life and works, collecting extensive materials to create this definitive account. His passion for Beethoven's music and commitment to accuracy shine through in every page of this meticulously researched biography. Thayer's expertise and deep understanding of Beethoven's music and life make 'The Life of Ludwig van Beethoven' a must-read for scholars, musicians, and music lovers alike. I highly recommend 'The Life of Ludwig van Beethoven' to anyone seeking a comprehensive and engaging exploration of Beethoven's life, music, and lasting influence on classical music. Thayer's scholarly approach and detailed analysis provide a rich and rewarding reading experience for those interested in the life and works of one of the greatest composers in history.