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FROM the vivid drama of its opening scene to the tense unfolding on its final page this finely fashioned mystery-adventure holds the reader in its sway. Why did men kill, steal, weave plot and counterplot because of two small ivory idols? Why did they pursue them through storm and ship-wreck and why did the possession of one of them nearly wreck life and love for beautiful Verna Lyle? A story of rich atmosphere and quick event, of intrigue and of bravery, of mystery and its unfolding.
Subhash Kapoor was a New York-based antique dealer whose pieces can be seen in every major museum of the world. In October 2011 when he presented his passport at immigration in Germany, Kapoor was unceremoniously whisked away into Interpol custody. India had weeks earlier issued a red-corner notice for his arrest after connecting him to audacious idol thefts in two Tamil Nadu temples. And when the US authorities subsequently raided Kapoor's warehouses in New York more skeletons came tumbling out of his closet. They recovered no less than $100 million worth of stolen Indian art! This was just Kapoor's inventory - he had been in business for close to four decades and the true scale of his loot is incalculable. The US declared Kapoor one of the most prolific commodities smugglers in the world. This is the unbelievable true story of how Kapoor was caught, told by one of the men who had for years been chasing Kapoor and is still tracking idols that have passed through his hands. From complicit police officers to corrupt museum officials to jilted girlfriends and from two-faced academics to shady temple looters and smugglers - this book has it all. Prepare to be shocked at the 21st-century pillaging of India's temples by a glittering cast of suave criminals
A hair-raising collection of adventure stories that's so big and enthralling if you open it you may never be seen again: enter at your own risk. Everyone loves adventure, and Otto Penzler has collected the best adventure stories of all time into one mammoth volume. With stories by Jack London, O. Henry, H. Rider Haggard, Alastair MacLean, Talbot Mundy, Cornell Woolrich, and many others, this wide-reaching and fascinating volume contains some of the best characters from the most thrilling adventure tales, including The Cisco Kid; Sheena, Queen of the Jungle; Bulldog Drummond; Tarzan; The Scarlet Pimpernel; Conan the Barbarian; Hopalong Cassidy; King Kong; Zorro; and The Spider. Divided into sections that embody the greatest themes of the genre—Sword & Sorcery, Megalomania Rules, Man vs. Nature, Island Paradise, Sand and Sun, Something Feels Funny, Go West Young Man, Future Shock, I Spy, Yellow Peril, In Darkest Africa—it is destined to be the greatest collection of adventure stories ever compiled. Featuring: Lawless open seas Ferocious army ants Deadeyed gunmen Exotic desert islands Feverish jungle adventures Including: The story that introduced The Cisco Kid The complete novel of Tarzan the Terrible
Part 1, Books, Group 1, v. 25 : Nos. 1-121 (March - December, 1928)
Did he ever play Hamlet? Has she worked in television? What was the title of his first novel? Under whom did she study? How many children has he? Answers to such questions about contemporary Canadian artists have often been difficult, even impossible, to find. This series has been created to provide the answers; it covers creative and performing artists who have contributed as individuals to the culture of Canada in the twentieth century. Each volume in the series presents a cross-section of many different kinds of artists: authors of imaginative works, artists and sculptors, musicians (performers, composers, conductors, and directors), and performing artists in ballet, modern dance, radio, theatre, television, and motion pictures; directors, designers, and producers in theatre, cinema, radio, television, and the dance; choreographers and, for cinema, cartoonists and animators. Within each category of art is included a selection of those who have achieved national and international recognition; those who have been recognized locally, and some, now deceased, who markedly influenced their contemporaries locally, nationally, or internationally. This is not a critical compilation; rather it is an objective and factual reference work for those interested in contemporary Canadian culture. Information was collected by painstaking research in a wide variety of sources, and wherever possible it has been verified by the artist to make each entry as accurate and comprehensive as possible.
Twin sisters, Meera and Tara Singh, find themselves in the middle of a string of strange incidents involving a man with fluorescent green shoes and drugs, a little Lama and stolen idols, an American in search of spirituality and nirvana, and a lot more, during their summer vacation. As they try to unravel the mystery, with their cousin Samir and his friend Anurag, they only get deeper into a whirlwind adventure. An old, dilapidated and forgotten monastery may hold some answers, but they have to follow more than just the visible clues. Set in the picturesque hill station Dharamshala, this is one journey that the young sleuths take on their very own. It is a journey they will never forget.
As collective violence erupts in many regions throughout the world, we often hear media reports that link the outbreaks to age-old ethnic or religious hostilities, thereby freeing the state, its agents, and its political elites from responsibility. Paul Brass encourages us to look more closely at the issues of violence, ethnicity, and the state by focusing on specific instances of violence in their local contexts and questioning the prevailing interpretations of them. Through five case studies of both rural and urban public violence, including police-public confrontations and Hindu-Muslim riots, Brass shows how, out of many possible interpretations applicable to these incidents, government and the media select those that support existing relations of power in state and society. Adopting different modes--narrator, detective, and social scientist--Brass treats incidents of collective violence arising initially out of common occurrences such as a drunken brawl, the rape of a girl, and the theft of an idol, and demonstrates how some incidents remain localized while others are fit into broader frameworks of meaning, thereby becoming useful for upholders of dominant ideologies. Incessant talk about violence and its implications in these circumstances contributes to its persistence rather than its reduction. Such treatment serves in fact to mask the causes of violence, displace the victims from the center of attention, and divert society's gaze from those responsible for its endemic character. Brass explains how this process ultimately implicates everyone in the perpetuation of systems of violence.
India S Cultural Heritage Lies Among Others In Its Art-Paintings, Sculptures And Architecture. For Centuries Through Their Medium The Country S Inspired Men And Women Have Created Works Of Art Which Represent Truth And Beauty. The Glory Of These Can Be Seen Practically In Every State. However, Unfortunately The Vandals Have Played Havoc With This Repository Of The Country S Cultural Heritage. They Have Not Only Disfigured The Monuments, But Also Indulged In Thieving Of Art Pieces And Smuggling These Beyond The National Borders. The Greater Awareness Of The Beauty Of Indian Art, The Craze For Their Possession And The Fantastic Money These Fetch In Sales Abroad Are Basically Some Of The Causes That Prompt This Plunder Of Works Of Art.