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A treasure trove of choral pedagogy! This step-by-step guide will take beginners from unison to two-part singing by focusing on the underlying aural and developmental skills necessary for success. Sequential chapters on unison, echo, round, and partner singing serve as benchmarks along the way to full harmony. Each of ten carefully curated songs is prefaced with a two-page rehearsal guide that targets essential objectives and suggests exercises and activities designed to introduce, explore, and master the pieces. Learn how to anticipate and address musical challenges for this repertoire, then transfer these masterful techniques to your entire program.
The Basic Rudiments Music Theory Answer Book (Ultimate Music Theory) is easy to use and is identical to the Basic Rudiments Music Theory Workbook. Basic Music Theory Answer Book (148 pages) features these concepts and more! MATCHING BOOK - Same orientation and page numbers as workbook EASY FORMAT - Hand written answers to provide effortless reading SAVES TIME - Quick and accurate marking during lesson time CONVENIENT RESOURCE - Instant access to handy answer pages Ultimate Music Theory's time saving accelerated learning techniques will empower you to: Learn Music Faster - Proven Step-by-Step System! Master Musicianship Skills - Excellence in Online Courses! Teach with Passion - UMT Techniques Build Confidence! Make More Money - UMT Certification Course for Teachers! Build Knowledge - Online Music Courses, Music Theory Workbooks & Answers, Theory Exams & Answer Books, Ultimate Music Theory App and More!"Enriching Lives Through Music Education"
-- Stanley Persky, City University of New York
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Children are inherently musical. They respond to music and learn through music. Music expresses children's identity and heritage, teaches them to belong to a culture, and develops their cognitive well-being and inner self worth. As professional instructors, childcare workers, or students looking forward to a career working with children, we should continuously search for ways to tap into children's natural reservoir of enthusiasm for singing, moving and experimenting with instruments. But how, you might ask? What music is appropriate for the children I'm working with? How can music help inspire a well-rounded child? How do I reach and teach children musically? Most importantly perhaps, how can I incorporate music into a curriculum that marginalizes the arts?This book explores a holistic, artistic, and integrated approach to understanding the developmental connections between music and children. This book guides professionals to work through music, harnessing the processes that underlie music learning, and outlining developmentally appropriate methods to understand the role of music in children's lives through play, games, creativity, and movement. Additionally, the book explores ways of applying music-making to benefit the whole child, i.e., socially, emotionally, physically, cognitively, and linguistically.
(Music Instruction). This two-book series includes a wealth of material used to teach harmony and theory in college-level courses by George Heussenstamm, author of the Norton Manual of Musical Notation . Part 2 Chromatic introduces readers to modulation and more advanced harmonies, covering: secondary dominants; borrowed chords; the Neapolitan 6th chord; augmented 6th chords; 9th, 11th and 13th chords; and more. In addition to text, the book features many musical examples that illustrate the concepts, and exercises that allow readers to test and apply their knowledge.
A heartfelt middle-grade novel from New York Times bestselling author Barbara O’Connor about a boy whose life is upended after the loss of his older brother—timeless, classic, and whimsical. Walter Tipple is looking for adventure. He keeps having a dream that his big brother, Tank, appears before him and says, “Let’s you and me go see my world, little man.” But Tank went to the army and never came home, and Walter doesn’t know how to see the world without him. Then he meets Posey, the brash new girl from next door, and an eccentric man named Banjo, who’s off on a bodacious adventure of his own. What follows is a summer of taking chances, becoming braver, and making friends—and maybe Walter can learn who he wants to be without the brother he always wanted to be like. Halfway to Harmony is an utterly charming story about change and growing up. Don't miss Barbara O'Connor's other middle-grade work—like Wish; Wonderland; How to Steal a Dog; Greetings from Nowhere; Fame and Glory in Freedom, Georgia; The Fantastic Secret of Owen Jester; and more!
“In this one-of-a-kind celebration of singing with others, I’d call her pitch nearly perfect.”—The Atlantic For Stacy Horn, regardless of what is going on in the world or her life, singing in an amateur choir—the Choral Society of Grace Church in New York—never fails to take her to a place where hope reigns and everything good is possible. She’s not particularly religious, and her voice is not exceptional (so she says), but like the 32.5 million other chorus members throughout this country, singing makes her happy. Horn brings us along as she sings some of the greatest music humanity has ever produced, delves into the dramatic stories of conductors and composers, unearths the fascinating history of group singing, and explores remarkable discoveries from the new science of singing, including all the unexpected health benefits. Imperfect Harmony is the story of one woman who has found joy and strength in the weekly ritual of singing and in the irresistible power of song.
INCLUDES: free life-time access to on-line quizzes and assignments for each lesson. Learn the fundamentals of four-part writing in this, the latest book in a series of books on music by award-winning composer, Jonathan Peters. A great way to begin learning the fundamentals of four-part harmony is to study four-part vocal writing. Even if you do not intend to write for voice, much of what you learn in four-part vocal writing can also be applied to instrumental music. WHAT ARE THE REQUIREMENTS FOR THIS COURSE? A computer or portable device with internet connection. A printer if you wish to print the assignments. A basic knowledge of music theory and music composition. If you do not already have a rudimentary understanding of music theory and music composition, it is recommended that you take a theory and composition course before beginning this course. (See "Music Theory", "Music Composition 1" and "Music Composition 2" by the same author.) Paper and pencil or some type of music notation software. Finale NotePad software is free. You can read more about NotePad and download it at: www.finalemusic.com/NotePad Although not a necessity, it is very beneficial to have some ability to play the piano (or other instrument) WHAT AM I GOING TO GET OUT OF THIS COURSE? Free life-time access to on-line quizzes and assignments for each lesson. .You will learn the basic guidelines and techniques of four-part writing. By the end of the course you will be writing assignments for four parts. WHO SHOULD TAKE THIS COURSE? Anyone wanting to learn how to write for four-parts. Every student of music! Beginning Composers/Songwriters (this is a beginning level course) Visit the author's web site at: www.ComposerJonathanPeters.com