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"The author discusses the profile and development of the festivals in ancient Israel in the light of the evidence from the Hebrew Bible (Old Testament). Particular attention is paid to the sukkot festival, which seems to have been a predominant festival in exilic and post-exilic times. This book contains two parts. The first part is a study of the festival calendar in Leviticus 23, the second deals with texts related to the sukkot festival (the festival of booths) in the Hebrew Bible. Thus, focusing on the last festival of the year mentioned in Leviticus 23, the second part of the book is closely connected to the first. Contents include: Introduction, ""A Sabbath of Complete Rest"" Lev. 23:3, Passover and the massot Festival Lev. 23:5-8, The Grain Festival Lev. 23:10-22, The Trumpet Blasts Lev. 23:24-25, The Day of Atonement Lev. 23:27-32, The sukkot Festival Lev. 23:34-36, Additions to the sukkot Legislation Lev. 23:39-43, The Dedication of the First Temple and the Festival in the Seventh Month. 1 Kings 8, The Psalms and the sukkot Festival, Zech 14:16-21 and the sukkot Festival."
Festivals have always been part of city life, but their relationship with their host cities has continually changed. With the rise of industrialization, they were largely considered peripheral to the course of urban affairs. Now they have become central to new ways of thinking about the challenges of economic and social change, as well as repositioning cities within competitive global networks. In this timely and thought-provoking book, John and Margaret Gold provide a reflective and evidence-based historical survey of the processes and actors involved, charting the ways that regular festivals have now become embedded in urban life and city planning. Beginning with David Garrick’s rain-drenched Shakespearean Jubilee and ending with Sydney’s flamboyant Mardi Gras celebrations, it encompasses the emergence and consolidation of city festivals. After a contextual historical survey that stretches from Antiquity to the late nineteenth century, there are detailed case studies of pioneering European arts festivals in their urban context: Venice’s Biennale, the Salzburg Festival, the Cannes Film Festival and Edinburgh’s International Festival. Ensuing chapters deal with the worldwide proliferation of arts festivals after 1950 and with the ever-increasing diversifycation of carnival celebrations, particularly through the actions of groups seeking to assert their identity. The conclusion draws together the book’s key themes and sketches the future prospects for festival cities. Lavishly illustrated, and copiously researched, this book is essential reading not just for urban geographers, social historians and planners, but also for anyone interested in contemporary festival and events tourism, urban events strategy, urban regeneration regeneration, or simply building a fuller understanding of the relationship between culture, planning and the city.
This illustrated reference work covers a wide range of festivals that have sacred origins and are, or have been, part of a folk tradition, a world religion, or a major civilization. Traditional Festivals: A Multicultural Encyclopedia travels around the world and across the centuries to uncover an often unexpected richness of meaning in some of the major sacred festivals of the world's religions, the hallowed calendars of ancient civilizations, and the seasonal celebrations of tribal cultures. From Akitu to Yom Kippur, its 150+ entries look at the content and context of these festivals from a number of perspectives (including those relating to theology, anthropology, folklore, and social theory), tracing their historical development and variations across cultures. Readers will get a vivid sense of what each festival means to the people celebrating it; how each captures its culture's beliefs, hopes and fears, founding myths, and redemptive visions; and how each expresses the universal need of humans to connect their lives to a timeless spiritual dimension.
This volume compares the religious and social functions of the Ancient Egyptian festivals of Opet, the Valley, and the New Year. Until now, detailed study of the New Year Festival has only been carried out with reference to the Greco-Roman period; this study turns its attention to the New Kingdom.
Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
"I think I can, I think I can, I think I can..." Discover the inspiring story of the Little Blue Engine as she makes her way over the mountain in this beloved classic—the perfect gift to celebrate the special milestones in your life, from graduations to birthdays and more! The kindness and determination of the Little Blue Engine have inspired millions of children around the world since the story was first published in 1930. Cherished by readers for over ninety years, The Little Engine That Could is a classic tale of the little engine that, despite her size, triumphantly pulls a train full of wonderful things to the children waiting on the other side of a mountain.
Starting from the seminal work of the French scholar Annie Jaubert on the date of the Last Supper, the present work revisits known - and identifies new - calendrical issues in the literature of Second Temple Judaism. The research supports the conclusion that all known calendrical traditions functioned on the tenet that orthopraxis in ancient Judaism meant close interconnection between cultic and agricultural cycles. From this perspective the book removes the calendrical objection leveled at the Jaubertian theory. Further, the research brings new light on current debates about Qumran calendrical documents and proposes the identification of a previously unknown calendrical polemic in the Astronomical Book of Enoch concerning the synchronization of the 364DY tradition with the lunar cycle.
Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory. The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years. Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city. In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability. Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.