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The Kentucky Encyclopedia's 2,000-plus entries are the work of more than five hundred writers. Their subjects reflect all areas of the commonwealth and span the time from prehistoric settlement to today's headlines, recording Kentuckians' achievements in art, architecture, business, education, politics, religion, science, and sports. Biographical sketches portray all of Kentucky's governors and U.S. senators, as well as note congressmen and state and local politicians. Kentucky's impact on the national scene is registered in the lives of such figures as Carry Nation, Henry Clay, Louis Brandeis, and Alben Barkley. The commonwealth's high range from writers Harriette Arnow and Jesse Stuart, reformers Laura Clay and Mary Breckinridge, and civil rights leaders Whitney Young, Jr., and Georgia Powers, to sports figures Muhammad Ali and Adolph Rupp and entertainers Loretta Lynn, Merle Travis, and the Everly Brothers. Entries describe each county and county seat and each community with a population above 2,500. Broad overview articles examine such topics as agriculture, segregation, transportation, literature, and folklife. Frequently misunderstood aspects of Kentucky's history and culture are clarified and popular misconceptions corrected. The facts on such subjects as mint juleps, Fort Knox, Boone's coonskin cap, the Kentucky hot brown, and Morgan's Raiders will settle many an argument. For both the researcher and the more casual reader, this collection of facts and fancies about Kentucky and Kentuckians will be an invaluable resource.
Bob Thompson (1937-1966) was a figurative expressionist painter active in literary, musical, and artistic circles in New York and Europe from the late 1950s until his death in 1966. In the first book devoted solely to Thompson, the life and work of this pivotal figure in modern American art history and African American culture receive the attention they deserve. Judith Wilson situates Bob Thompson within the context of both contemporary artistic production and cultural trends of the fifties and sixties. She uses interviews, Thompson's diary entries and letters to his family, and his work to give a thoughtful and thorough interpretation of his art and persona. She traces Thompson's development--psychologically, socially, and artistically--effectively portraying his first encounters with art and bohemian culture and his intensely active period in Europe shortly before his death in Rome at the age of 29. Bob Thompson's life intersects several important currents in recent American culture, and his work reveals an unfinished quest for communal identity, says Wilson. His use of postmodern techniques of appropriation and pastiche embraced both the Western tradition and cultural resources specific to the African American experience. The publication of Bob Thompson recognizes the important role of the artist in the vanguard of twentieth-century American art. Bob Thompson (1937-1966) was a figurative expressionist painter active in literary, musical, and artistic circles in New York and Europe from the late 1950s until his death in 1966. In the first book devoted solely to Thompson, the life and work of this pivotal figure in modern American art history and African American culture receive the attention they deserve. Judith Wilson situates Bob Thompson within the context of both contemporary artistic production and cultural trends of the fifties and sixties. She uses interviews, Thompson's diary entries and letters to his family, and his work to give a thoughtful and thorough interpretation of his art and persona. She traces Thompson's development--psychologically, socially, and artistically--effectively portraying his first encounters with art and bohemian culture and his intensely active period in Europe shortly before his death in Rome at the age of 29. Bob Thompson's life intersects several important currents in recent American culture, and his work reveals an unfinished quest for communal identity, says Wilson. His use of postmodern techniques of appropriation and pastiche embraced both the Western tradition and cultural resources specific to the African American experience. The publication of Bob Thompson recognizes the important role of the artist in the vanguard of twentieth-century American art.
For twenty-five years after the president's death William Herndon, his law partner, conducted interviews with and solicited letters from dozens of persons who knew Lincoln personally.
"Drawing on previously unexploited primary sources, Belko illuminates the wide-ranging influence of Duff Green as land speculator, entrepreneur, lawyer, militia officer, politician, and newspaper editor. Disputing common assumption, Green is portrayed as a political moderate and independent westerner who played a fundamental role in the shaping of Jacksonian America"--Provided by publisher.
Kentucky is richly blessed with rivers. This book tells the stories of three of the most beautiful and historic: the Rolling Fork, the Nolin, and the Rough. Each is an unpredictable force of nature flowing through a land that varies from wide, sunny meadows to dark, rock-bound hollows. Chapters describe the people who lived in the river valleys, including pioneers, frontier preachers, a future president, cave explorers, Confederate and Union soldiers, desperate killers, hardscrabble farmers, and inspired visionaries. Sometimes they were wasteful and violent and vain; at other times they were inventive and graceful and kind. Their descendants realized that survival had come to mean something new: living in harmony with the land and the rivers.
The governing purpose for A Family Portrait from beginning to end has been to delineate the kinds of people the writer's forebears were-their characters, their habits and values, successes and failures-and to trace in their lives the history that encompassed them. Their significance lies in their brilliant ordinariness. In them we come to see the continuity of human life which funnels the past through us to the future. The author writes about those generations before her, "no matter how different we are from each other, our experience is inevitably the same. We know happiness and grief, hope and despair, love and the kind of resentment and fear that grow into hate. We know disappointment and humiliation, exhilaration and the pride that comes from small triumphs. We are selfish and cowardly but all of us have moments of heroism when our own generosity and courage take us by surprise. Our families help us see these things. Imperfect as they were, they believed in us and loved us without reservation in our own imperfection. These gifts we keep and use and pass along to the next generation, hoping they are improved but knowing that our best-we hope we have done our best--shifts with each new perspective. This is what it means to be a part of the communion of saints, and these are the saints that sustain us."
The Louisville & Nashville Railroad was completed just as the first salvos of the Civil War erupted. As one of the few railroads linking the North and South, the L&N was valuable to both the Union and the Confederacy. Consequently, its route became a fiercely contested corridor of fire and blood. This history recounts the numerous military events along the L&N in the years 1861 through 1865, and also examines the still-resonant theme of the relationship between a major corporation and the government during a time of national crisis.
The diary of Anton Reiff Jr. (c. 1830–1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera Troupe, a company run by English sisters Susan and Louisa Pyne and their business partner, tenor William Harrison, hired Reiff, then freelancing in New York, to serve as musical director and conductor for the company’s American itinerary. The grueling tour began in November 1855 in Boston and then proceeded to New York, Philadelphia, Baltimore, Pittsburgh, and Cincinnati, where, after a three-week engagement, the company boarded a paddle steamer bound for New Orleans. It was at that point that Reiff started to keep his diary. Diligently transcribed and annotated by Michael Burden, Reiff’s diary presents an extraordinarily rare view of life with a foreign opera company as it traveled the country by river and rail. Surprisingly, Reiff comments little on the Pyne-Harrison performances themselves, although he does visit the theaters in the river towns, including New Orleans, where he spends evenings both at the French Opera and at the Gaiety. Instead, Reiff focuses his attention on other passengers, on the mechanics of the journey, on the landscape, and on events he encounters, including the 1856 Mardi Gras and the unveiling of the statue of Andrew Jackson in New Orleans's Jackson Square. Reiff is clearly captivated by the river towns and their residents, including the enslaved, whom he encountered whenever the boat tied up. Running throughout the journal is a thread of anxiety, for, apart from the typical dangers of a river trip, the winter of 1855–1856 was one of the coldest of the century, and the steamer had difficulties with river ice. Historians have used Reiff’s journal as source material, but until now the entire text, which is archived in Louisiana State University’s Special Collections in Hill Memorial Library, has only been available in its original state. As a primary source, the published journal will have broad appeal to historians and other readers interested in antebellum riverboat travel, highbrow entertainment, and the people and places of the South.
A look at the lesser-known heroics of Kentucky soldiers, from the French and Indian War to World War II. Daniel Boone is celebrated as a Kentucky frontiersman, but what about his service in the French and Indian War? Custer’s Last Stand in the Great Sioux War is legendary, but few remember Custer’s “next-to-last-stand” in Elizabethtown, where he was sent to suppress the Ku Klux Klan and hunt down moonshiners just before heading to the Montana Territory and into history. Join Kentucky historian Berry Craig as he unearths the forgotten heroics of Kentucky soldiers, beginning with the French and Indian War and ending with World War II. Featuring tales of warriors from a diverse range of backgrounds, Hidden History of Kentucky Soldiers honors generations of Kentuckians who put their lives on the line for their country.