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During her distinguished career, submarine HMS Saracen was responsible for sinking thousands of tons of Axis shipping. But in August 1943 her luck ran out when she was mortally wounded by depth charges from two Italian corvettes, the last Allied submarine to be sunk by the Italians. Forced to surface, she was scuttled by her crew who were taken prisoner. But HMS Saracen's story is more than the story of a submarine. It is the story of her crew and their experiences both before and after her loss. From the cat and mouse games of war at sea to their harrowing escape from their stricken ship, from being sent to Dachau to finding themselves on a POW train bombed by the Americans, from being shot by the Germans to being assisted by the Rome Escape Line, from being sheltered by Italian families to joining the partisans, their stories of escape, of flight, of capture, are as varied as the men themselves. But their shared goal was to return home safely to their families and sadly some never did.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the "master of the intimate revue" for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals.
Show Tunes fully chronicles the shows, songs, and careers of the major composers of the American musical theatre, from Jerome Kern's earliest interpolations to the latest hits on Broadway. Legendary composers like Gershwin, Rodgers, Porter, Berlin, Bernstein, and Sondheim have been joined by more recent songwriters like Stephen Schwartz, Stephen Flaherty, Michael John LaChiusa, and Adam Guettel. This majestic reference book covers their work, their innovations, their successes, and their failures. Show Tunes is simply the most comprehensive volume of its kind ever produced, and this newly revised and updated edition discusses almost 1,000 shows and 9,000 show tunes. The book has been called "a concise skeleton key to the Broadway musical" (Variety) and "a ground-breaking reference work with a difference" (Show Music)-or, as the Washington Post observed, "It makes you sing and dance all over your memory." The eagerly anticipated Fourth Edition, updated through May, 2009, features the entire theatrical output of forty of Broadway's leading composers, in addition to a wide selection of work by other songwriters. The listings include essential production data and statistics, the most extensive information available on published and recorded songs, and lively commentary on the shows, songs, and diverse careers. Based on meticulous research, the book also uncovers dozens of lost musicals-including shows that either closed out of town or were never headed for Broadway-and catalogs hundreds of previously unknown songs, including a number of musical gems that have been misplaced, cut, or forgotten. Informative, insightful, and provocative, Show Tunes is an essential guide for anyone interested in the American musical.
On the road to easy living, Twister and Chuckaluck ride straight into a heapin’ mess of mystery and intrigue Twister Malone and Chuckaluck Thompson can’t catch a break. These two wisecracking friends—the first lean and clever, the second stout and tough—have ridden together from the Rocky Mountains to the deserts of West Texas. All they want is a trail to follow straight through to Mexico, where a ranching job offers honest work, peace, and quiet. But no matter how fast they ride, trouble keeps hot on their heels. A gunshot breaks the silence of the lonely wagon road. By the time Twister and Chuckaluck reach the corpse, the killer is long gone. In the victim’s pocket they find a letter from a woman begging for help, a woman whose savior now lies dead in the alkali dust. Twister and Chuckaluck have no choice but to take up his mission—even if it means facing down the quickest draw they’ve ever been up against. Death Rides the Pecos is the 2nd book in the Twister and Chuckaluck Mysteries, but you may enjoy reading the series in any order.
The year 1807 starts out badly for Captain Alan Lewrie, Royal Navy. In The King's Marauder, his frigate HMS Reliant has a new captain, he's living at his father's estate at Anglesgreen, among spiteful neighbors and family, and he's recovering from a wound suffered in the South Atlantic. At last, there's a bright spot. When fit, Admiralty awards him a new commission; not a frigate but a clumsy, slow two-decker Fourth Rate 50. Are his frigate days over for good? Lewrie's ordered to Gibraltar, but Foreign Office Secret Branch's spies and manipulators have use for him, again! HMS Sapphire is the wrong ship for the task, raising chaos and mayhem along the Spanish coasts, and servicing agents and informers. And, what he's ordered to do needs soldiers, landing craft, and a transport ship, all of which he doesn't have, and must find a way to finagle it all. He could beg off and say that it's asking too much, but . . . Alan Lewrie is not a man to admit failure and defeat, and his quest might prove the most daunting of his long naval career. For fans of historical fiction, Dewey Lambdin's Alan Lewrie series ranks alongside such greats as Patrick O'Brian and C.S. Forester for its terrific period detail and irresistible hero.