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Tour the Twilight Saga Book One is the first of four guidebooks designed to help you travel to Twilight-Saga-related sites. Book One takes Twilighters to the real-world places mentioned in Stephenie Meyer's novels, places found within the Olympic Peninsula of Washington State (USA). Visit www.TourTheTwilightSaga.com to learn more about Tour the Twilight Saga travel guidebooks. Read a Free Sample of Book One, peruse its Table of Contents, and access the free TwiTips and Twi Travel Supplements. Forks, Washington, became the primary setting for Stephenie Meyer's first novel, Twilight, after she Googled, "What place has the most rainfall in the U.S.?" Her reaction after finding Forks: "It couldn't have been more perfect if I had named it myself." The Quileute Nation Reservation is home to several Twilight-Saga-related points of interest that aren't included in Twilight bus tours--such as the magnificent tide pools that Bella loved so much. We'll take you to as many of these sites as you wish to visit. Seattle, Washington, is the gateway to the Olympic Peninsula. It's also the birthplace of Victoria's newborn army and the home of J. Jenks. In Port Angeles, Washington, you can relive Bella and Edward's first date at the real-world Bella Italia Restaurant (and nosh on Bella's Mushroom Ravioli), then visit other Twilight-related sites, such as the movie theater frequented by Forks' teens. Tour the Twilight Saga Book One is the only travel guidebook you'll need to purchase in order to plan and enjoy the most Twilicious holiday possible! No other single source--no Internet website or previously published guidebook--provides as much Twi-important information in one place. Even if you're not yet ready to embark upon a Twilight Saga trip, each Tour the Twilight Saga travel guidebook is fun to read! Nowhere else will you find such interesting information about each and every Twilight-related site. Tour the Twilight Saga travel guidebooks are part of the A Novel Holiday Travel Guidebook family. www.ANovelHoliday.com
Following Last of the Cold War Warriors and Last of the Cold War Warriors II, the author tracks the career of anti-hero Adam Collins of the Secret Intelligence Service aka MI6. On a high-risk operation ranging across Europe, their brief is to recover or render inoperable the US National Security Agency’s new – and missing – cyber warfare programme, codenamed TERRAMAX. The body bag count inexorably rises, complicated by the involvement of other ‘hostile’ intelligence teams, also intent on gaining possession of the new cyber warfare system at any cost. Adam’s joint operation team, comprising the SIS, NSA and NCS, find themselves playing a cat-and-mouse game with the anonymous ‘Auctioneer’, leading to a personal tragedy for Adam. After Adam’s resignation from ‘the Office’, the story continues four years later – two of them having seen Adam in prison – as the SIS reappears in his life, making him an offer he knows he can’t refuse. With a new partner, once again Adam finds himself crossing international time zones in a race against time to find the SIS ‘mole’ responsible for the elimination of several service officers and assets worldwide – with more to follow. With a brief to locate and extract or eliminate the ‘mole’, the operation will culminate in a virtual suicide mission in the People’s Republic of China. .
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
An author immerses herself in the frenzied fandom of Twilight, the young-adult vampire romance series that has captivated women of all ages Twilight, Stephenie Meyer’s young-adult vampire romance series, has captivated women of all ages, from teenagers who swoon over the film adaptations to college-educated women who devour the novels as a guilty pleasure. All told, over 110 million copies of the books have been sold worldwide, with translations into 37 languages, and the movies are some of the highest-grossing of all time. Twilight is a bona fide cultural phenomenon that has inspired a vast and unimaginably fertile fan subculture—the “fanpire,” as the members describe it. Just what is it about Twilight that has enchanted so many women? Tanya Erzen—herself no stranger to the allure of the series—sets out to explore the irresistible pull of Twilight by immersing herself in the vibrant and diverse world of “Twi-hards,” from Edward-addition groups and “Twi-rock” music to Cullenism, a religion based on the values of Edward’s family of vegetarian vampires. Erzen interviews hundreds of fans online and in person, attends thousand-strong conventions, and watches the film premiere of New Moon with Twilight moms in Utah. Along the way, she joins a tour bus on a pilgrimage to Twilight-inspired sites, struggles through a Bella self-defense class, and surveys the sub-universe of Twilight fan-fiction (including E. L. James’s enormously popular “Master of the Universe” story, the basis for her erotic novel Fifty Shades of Grey). Erzen also takes a deeper look at the appeal of traditional gender roles in a postfeminist era saturated with narratives of girl power. If Twilight’s fantasies of romance and power reflect the fears, insecurities, and longings of the women who love it, the fanpire itself, Erzen shows, offers a space for meaningful bonding, mutual understanding, and friendship. Part journalistic investigation and part cultural analysis, Fanpire will appeal to obsessed fans, Twilight haters, and bemused onlookers alike.
The most important modern reference work for Middle English studies
Following on from the 50th anniversary of the birth of Theatre in Education in Britain in 2015, this is an essential and timely companion to the story of TIE. It contextualizes it within the political and educational landscape of the last fifty years and examines its legacy today. Through this, Roger Wooster offers insights into future possibilities and applications in the field of Applied Theatre, drama in schools and pedagogical theory. With examples and analysis of international developments in TIE, and a foreword by Philip Taylor (NYU, USA), the volume provides a wide-ranging account of past and current practice. Across its three sections the volume examines the origins, work and legacy of TIE, considering for the first time its practical details. Each section features an Afterword by a leading practitioner reflecting on the work (including Warwick Dobson, Chris Vine and Anthony Jackson), and chapters draw on case studies and interviews with key practitioners. Chapter summaries and a companion website further enhance the text as a valuable teaching resource for theatre educators.