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In Twenty Years of Life, Suzanne Bohan exposes the ugly truth that health is largely determined by zip code. Life expectancies in wealthy versus poor neighborhoods can vary by as much as twenty years. Bohan chronicles a bold experiment to challenge that inequity. The California Endowment, one of the nation's largest health foundations, is upending the old-school, top-down charity model and investing $1 billion over ten years to help distressed communities advocate for their own interests. With compassion and insight, Bohan shares stories of students and parents, former street shooters, urban farmers, and a Native American tribe who are tapping into their latent political power to make their neighborhoods healthier. Their stories will fundamentally change how we think about the root causes of disease and the prospects for healing.
"The marriage memoir--from Elizabeth Gilbert's Committed to Isabel Gillies's It happens every day--has been a balm to beleaguered wives everywhere. But who speaks for the husbands? In this ... glimpse into a very unusual marriage, sensitive, decent, shell-shocked James Braly earns the job. His marriage to a woman he finds truly bewitching ... is by turns fascinating and casually shocking"--Dust jacket flap.
Winner of the 2014 John Collier Jr. Award Winner of the Jo Anne Stolaroff Cotsen Prize Life at Home in the Twenty-First Century cross-cuts the ranks of important books on social history, consumerism, contemporary culture, the meaning of material culture, domestic architecture, and household ethnoarchaeology. It is a distant cousin of Material World and Hungry Planet in content and style, but represents a blend of rigorous science and photography that these books can claim. Using archaeological approaches to human material culture, this volume offers unprecedented access to the middle-class American home through the kaleidoscopic lens of no-limits photography and many kinds of never-before acquired data about how people actually live their lives at home. Based on a rigorous, nine-year project at UCLA, this book has appeal not only to scientists but also to all people who share intense curiosity about what goes on at home in their neighborhoods. Many who read the book will see their own lives mirrored in these pages and can reflect on how other people cope with their mountains of possessions and other daily challenges. Readers abroad will be equally fascinated by the contrasts between their own kinds of materialism and the typical American experience. The book will interest a range of designers, builders, and architects as well as scholars and students who research various facets of U.S. and global consumerism, cultural history, and economic history.
Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin and invited Weschler to his studio to discuss it, initiating a series of engrossing dialogues, gathered here for the first time. Weschler chronicles Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an exploration of "the structure of seeing" itself.
Told through the eyes of a longtime Montana fishing guide and itinerant fishing bum, A Good Life Wasted offers a unique perspective on an implausible period in the recent history of human civilization. When Dave Ames started guiding, Rocky Mountain locals rode horses and dug camas roots; now they’re trading stock options on cell phones. The collision of stone and computer ages was short-lived, but the deep-rooted themes of this book remain. A Good Life Wasted--a chronicle and celebration of the fishing-guide life--is poignant and spiritual; it’s Blackfoot Indians and copper miners’ daughters; it’s fiddles and guitars and the fabric of space; it’s about what happens to wild people when the wilderness is gone. From the first chapter--in which Dave Ames recalls bluffing his way into a job as a fishing guide to the rich and famous (after barely managing to suppress the overwhelming urge to go postal at the federal agency where he suffered his first, and only, “real” job in a cubicle farm)--we’re hooked. We gladly follow Ames as he describes the rite of tasting clouds of mating midges to better match the hatch, tells the story of a fabled Blackfoot fishing guide, and shares his further adventures as a guy with no job, no office, and no stress. A Good Life Wasted spins a fascinating, compelling web--a web that entices the deskbound salary slave to make a break for it, and head west to big sky and fast, cold water, ASAP.
Ever wonder what it’s like to interview famous athletes and coaches? For twenty years, sportscaster Jessie Garcia has done just that. In My Life with the Green & Gold she brings fans to the sidelines at Lambeau Field, inside the locker room, aboard the Packers bus, and into the host’s chair at The Mike McCarthy Show. A self-proclaimed “terrible athlete” born without sports in her blood, Garcia reported on Wisconsin’s beloved Green Bay Packers during the Holmgren, Rhodes, Sherman, and McCarthy years. She’s been a Packers sideline reporter for preseason games and covered the team during their Super Bowl showdowns against the Patriots, Broncos, and Steelers. She’s traveled with the team to Tokyo and the White House and to schools and retirement homes, where the gridiron heroes interacted with their fans. She’s visited the hometowns of players and coaches, she’s met their proud parents and their pets, she’s interviewed the team trainer about their strength exercises. My Life with the Green & Gold also features up-close and personal stories about other teams and athletes she’s covered, from the Badgers and Brewers to Wisconsin Olympians such as Bonnie Blair and Casey FitzRandolph. Garcia’s expertise is capturing behind-the-scenes, human-interest stories. In My Life with the Green & Gold, she shares a personal and humorous insider’s look at many Wisconsin sports heroes from the perspective of a female sports journalist who has ridden the adrenaline rush to be on the air at 5:00 a.m., 10:00 p.m., and any hour in between, while also juggling the many demands of family life. Not many parents can say they’ve changed their child’s diaper in the tunnel at Lambeau, but Jessie Garcia can.
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I was born on Flag Day, 1935, the same year Social Security was enacted. Consequently, I have always felt a tug of birthday patriotism and as a child I secretly hoped the flags might be flying for my benefit. Growing up with the SS system has been a comfort, as well. I didn't mind contributing to the pot all during my working years and I cretainly appreciate the pay out during retirement. Graduating from journalism school and working for ten years as a newspaper reporter and magazine editor gave me a chance to write about and promote what's right with America. My generation saw dramatic changes throughout the 30s, 40s and 50s, which paralleled my coming of age over a 20 year span. Recounting some of these events and how they impacted me as an only child with a bit of an attitude, is the theme of the momoir.