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This publication, part of the ongoing mandate of the Canadian Architectural Archives to examine the characteristics of Canadian architecture as reflected in the collections of the University of Calgary Library, examines twelve architect-created houses designed between the 1940s and the 1980s for several distinct regions of Canada. The architects chosen number among the most prolific and best known in Canada who were working during this period, including Raymond T. Affleck, Raymond Moriyama, Arthur Erickson, Douglas Cardinal, John B. Parkin Associates, and Patkau Architects.Other architects with perhaps a more regional reputation have also been included, such as the Vancouver-based firm of McCarter & Nairne, Calgary's Jack Long, and Edmonton's Peter Hemingway.Apart from the documentation of the twelve houses (drawings and photos), there are interpretative essays on each. A co-authored introductory essay explores several related themes: modernity, the contemporary house, approaches to landscape, and the role of drawings in contemporary practice.
The first collection of scholarly essays on women and art in Canadian history.
The first survey of the classic twentieth-century houses that defined American Midwestern modernism. Famed as the birthplace of that icon of twentieth-century architecture, the skyscraper, Chicago also cultivated a more humble but no less consequential form of modernism--the private residence. Modern in the Middle: Chicago Houses 1929-75 explores the substantial yet overlooked role that Chicago and its suburbs played in the development of the modern single-family house in the twentieth century. In a city often associated with the outsize reputations of Frank Lloyd Wright and Ludwig Mies van der Rohe, the examples discussed in this generously illustrated book expand and enrich the story of the region's built environment. Authors Susan Benjamin and Michelangelo Sabatino survey dozens of influential houses by architects whose contributions are ripe for reappraisal, such as Paul Schweikher, Harry Weese, Keck & Keck, and William Pereira. From the bold, early example of the "Battledeck House" by Henry Dubin (1930) to John Vinci and Lawrence Kenny's gem the Freeark House (1975), the generation-spanning residences discussed here reveal how these architects contended with climate and natural setting while negotiating the dominant influences of Wright and Mies. They also reveal how residential clients--typically middle-class professionals, progressive in their thinking--helped to trailblaze modern architecture in America. Though reflecting different approaches to site, space, structure, and materials, the examples in Modern in the Middle reveal an abundance of astonishing houses that have never been collected into one study--until now.
A riveting and superbly illustrated account of the enigmatic House Beautiful editor’s profound influence on mid-century American taste From 1941 to 1964, House Beautiful magazine’s crusading editor-in-chief Elizabeth Gordon introduced and promoted her vision of “good design” and “better living” to an extensive middle-class American readership. Her innovative magazine-sponsored initiatives, including House Beautiful’s Pace Setter House Program and the Climate Control Project, popularized a “livable” and decidedly American version of postwar modern architecture. Gordon’s devotion to what she called the American Style attracted the attention of Frank Lloyd Wright, who became her ally and collaborator. Gordon’s editorial programs reshaped ideas about American living and, by extension, what consumers bought, what designers made, and what manufacturers brought to market. This incisive assessment of Gordon’s influence as an editor, critic, and arbiter of domestic taste reflects more broadly on the cultures of consumption and identity in postwar America. Nearly 200 images are featured, including work by Ezra Stoller, Maynard Parker, and Julius Shulman. This important book champions an often-neglected source—the consumer magazine—as a key tool for deepening our understanding of mid-century architecture and design.
This collection of documents follows the same format as Pope and Hoyle’s British Economic Performance (1984), to provide a survey of the main developments in social welfare. Students of economic and social history and of social policy and administration are being required to do more and more work with original documents, and this collection is tailored to meet their needs. The primary sources are presented in two sections, covering the periods 1885-c. 1940 and c. 1940 to 1985. During the former, ideas on, and the scope of, welfare provision, broadened greatly. There was a sense of progress. Developments though were piecemeal. There was no conception of a ‘Welfare State’. The second period begins with the changes associated with the assumption that Britain was establishing a Welfare State. But the hopes of 1940 have not been fulfilled, and there has been growing speculation about the value of such an organisation of society. The extracts reflect these changes. They are grouped under the headings to facilitate reference. Students at all levels, especially A-level, first degree and professional training courses, will find the book a valuable resource. Materials included are drawn from minutes of evidence, newspapers, political party publications and professional bodies and groups.