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Allura's Secret Allura McClellan is horrified by her father’s decision to take out an ad in the Times awarding her to the man strong enough and smart enough to win her hand and uncover her secrets. However, he is the first to refuse to concede defeat and pursue her despite her attempts to disguise her true appearance. Amorica's Wager Amorica Hepburn was sent to London to find a husband. However, finding a man was the last item on her agenda. With her two cousins, Amorica wagers she can dissuade her suitor before the others. Despite her efforts she discovers a chemistry that cannot be denied. Damian Andrews couldn't afford to trust the emerald-eyed spitfire who happened upon his secret. Amorica's hatred of all men of his kind only inflames the war that rages between them. Ravyn's Marriage of Inconvenience When the duchess decides to wed her to a wastrel and a fop, Ravyn Grahm takes matters into her own hands and declares her engagement to another man. Instead of fessing up and telling her great aunt what she has done, she goes through with the pretense. Aric Lakeland is the bastard son of an earl and has a dangerous reputation. But Ravyn is willing to do most anything to keep the duchess from discovering the lie. Christel's Sunrise Life has thrown Christel McClellan some experiences that could have devastated a less determined woman. Beautiful, self-assured and fiercely independent, she is trying to forget the loss of her stillborn child. But is the child alive? Life is carefree for Ryder MacLaren who loves to see what is on the other side of the sunrise. Laird of Clan MacLaren, he is wealthy, handsome and happily unencumbered...until stunning Christel McClellan enters his life. When he hears her story, he believes the child she thought dead has been sold to a wealthy buyer.
Since her first book, Beauty: A Retelling of the Story of Beauty and the Beast, was published in 1978, Robin McKinley has enchanted young adult readers for more than thirty years. This study is the first in-depth analysis of McKinley's works, including her award-winning books The Blue Sword (Newbery Honor, 1983) and The Hero and the Crown (Newberry Medal, 1985). In Robin McKinley: Girl Reader, Woman Writer, Evelyn Perry examines McKinley's novels and short stories as grouped into three categories: those set in Damar, which introduce and develop the rich geographic, social, political, and linguistic history of McKinley's secondary world; the retellings of folk and fairy tales, which reveal not only McKinley's encyclopedic knowledge of source stories but her respectful and highly literate approach to their contemporary adaptation; and her other works, less easily categorized but generally most recent, written for more mature readers, and featuring a diverse set of influences from vampires to homeopathy. Perry also explores the feminist articulation of character and social settings that are dominant themes running through McKinley's works. Anyone interested in Robin McKinley and her work, including secondary and post-secondary students, faculty, and librarians, will find Robin McKinley: Girl Reader, Woman Writer a valuable resource.
"Once upon a time, a king had twelve beautiful daughters who danced in secret every night..." The king is mystified by their secret, and issues a challenge to the men of his kingdom - find out what his daughters are up to! Of course, one good-hearted young man succeeds - but at what cost? This story, recognizable to any defiant teenager or exasperated parent, is about the walls we build between each other, and how the power of love and communication can tear them down. This play provides an excellent opportunity for ensemble acting and dances.
The King is at his wit's end; twelve daughters and every morning their shoes are torn to ribbons! Nobody can tell him why, so he promises that whoever uncovers their secret will inherit his kingdom. The reward is huge - but the price of failure is their head. Who will risk it all for a dance with the princesses? This story is a magic bean. It may not look much like a bean, but I can promise you that it is. For if you plant it in a young mind, it will grow into a love of story and reading. These beans are favourite fairytales and legends that will delight, thrill and thoroughly entertain. Each story has been brilliantly crafted by one of the best-loved writers for children. This story was published by David Fickling Books as part of the Magic Beans anthology. The complete anthology is available in hardback and in ebook format.
More than two dozen traditional stories from Scandinavia, France, Russia, and beyond, with an enlightening introduction by two folklorists. Alfred David and Mary Elizabeth Meek have compiled a collection of fairy tales that ranges from the Grimm brothers’ inimitable recreations of archetypal folktales to the modern prose charm of James Thurber’s Many Moons. The appeal of the stories is wide and varied: the refined intelligence of Perrault, the wondrous imagination of Andersen, the descriptive power of Ruskin, the bittersweet melancholy of Wilde. These are but a few of the artists represented in this remarkably inclusive selection of works from Germany, Russia, France, Scandinavia, England, and America. Many are in new translations in the modern idiom and all testify eloquently to the unceasing vitality of this literary genre.
In Decolonizing Cultures in the Pacific, Susan Y. Najita proposes that the traumatic history of contact and colonization has become a crucial means by which indigenous peoples of Oceania are reclaiming their cultures, languages, ways of knowing, and political independence. In particular, she examines how contemporary writers from Hawai‘i, Samoa, and Aotearoa/New Zealand remember, re-tell, and deploy this violent history in their work. As Pacific peoples negotiate their paths towards sovereignty and chart their postcolonial futures, these writers play an invaluable role in invoking and commenting upon the various uses of the histories of colonial resistance, allowing themselves and their readers to imagine new futures by exorcising the past. Decolonizing Cultures in the Pacific is a valuable addition to the fields of Pacific and Postcolonial Studies and also contributes to struggles for cultural decolonization in Oceania: contemporary writers’ critical engagement with colonialism and indigenous culture, Najita argues, provides a powerful tool for navigating a decolonized future.