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Estelle M. Hurll's 'Tuscan Sculpture of the Fifteenth Century' is a comprehensive and captivating exploration of the artistic achievements of the Tuscan sculptors during the Renaissance period. Hurll delves into the intricate details of the sculptures created in this era, analyzing their form, technique, and symbolism. Through her detailed descriptions and insightful commentary, Hurll transports the reader to a time when sculpture was a vital form of artistic expression in Italy. Her scholarly approach provides a deeper understanding of the cultural and historical significance of these sculptures, making this book a valuable resource for art historians and enthusiasts alike. The book's meticulous research and elegant prose elevate it beyond a mere art history book, making it a compelling read for anyone interested in the evolution of Renaissance art. Estelle M. Hurll's expertise in art history and her passion for the subject shine through in this meticulously researched and beautifully written book. Her dedication to bringing the art of the fifteenth century Tuscan sculptors to life is evident on every page, making 'Tuscan Sculpture of the Fifteenth Century' a must-read for anyone with an appreciation for art and history.
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
"The Garden of Love is an important subject in secular art of the fifteenth century, both in Italy and in northern Europe. The chief Italian examples were all painted in Tuscany in the late fourteenth and early fifteenth centuries. They depict a landscape consisting of a flowery meadow, a grove, and a great marble fountain, where lovers gather to sing, dance, and make love. Allied to the Garden of Love are variations on a horticultural theme--gardens for lovers celebrated in history, fountains of love, hunts set in a forest that conclude alongside a fountain. Sometimes, too, the Garden of Love becomes the setting for narratives and romances. In all these instances the Garden is more than a pleasing tapestry like backdrop: it serves as a visible symbol of the nature of love itself. This book illustrated with 97 excellent photographs, attempts to do two things ; to chart the history of the Garden of Love, and explain the significance it once had." -- Book jacket.
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Newly retired and looking for more than a vacation, John and Nancy Petralia intrepidly pack a few suitcases and head to the "perfect" Italian city for a year. Within days their dream becomes a nightmare. After residing in two Italian cities, negotiating the roads and health care, discovering art, friends, food and customs, the Petralias learn more than they anticipate -- about Italy, themselves, what it means to be American, and what's important in life.
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
English translations of the author's most important articles.
The glazed terracotta technique invented by Luca della Robbia, along with his exceptional skill as a sculptor, placed him firmly in the first rank of Renaissance artists in the fifteenth century. This quintessentially Florentine art - taking the form of dazzling multicoloured ornaments for major buildings, delicately modelled and ingeniously constructed freestanding statues, serene blue-and-white devotional reliefs, charming portraits of children, and commanding busts of rulers, along with decorative and liturgical objects - flowed in abundance from the Della Robbia workshops for a hundred years. Developed further by each generation, the closely held technique achieved new heights of refinement and durability in modelling and colour, combining elements of painting and sculpture into a new and all but eternal medium. In the 19th century, revived interest in the Renaissance and in the Della Robbia brought their works into major collections beyond Italy, particularly in England and the United States. Recently, renewed attention from art historians, backed by sophisticated technical studies, has reintegrated the Della Robbia into the mainstream of Renaissance art history and illuminated their originality and accomplishments. This beautifully illustrated book invites readers to experience one of the great inventions of the Renaissance and the enduring beauty it captured.
Renaissance sculptor Bertoldo di Giovanni was a student of Donatello, a teacher of Michelangelo, and a favorite of Lorenzo de' Medici "il Magnifico," his principal patron. Bertoldo was one of the first sculptors to create statuettes in bronze. With an overview of the artist's entire oeuvre, this major scholarly catalogue is the most substantial text on Bertoldo ever produced.