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I am Turtle. My eyes are black, my shell is green. Wide ocean calls me, as I lie curled in the dark. Tides roar in my blood, surf pounds in my heart. A lyrical journey of the life of a Green Turtle from hatchling beneath the sand of a coral beach, through wanderings at sea, to adulthood and returning to lay eggs of its own. Award winning illustrator Kim Toft's magnificent silk painting perfectly capture the precarious life of the Green Turtle, while author Alan Brown's poignant, mythical story sounds a hymn to this ancient but now endangered creature.
When he hears their plaintive songs, the sea god turns Rani and her mother into sea turtles to keep them from being kidnapped.
All of nature argues about the forms of God, so people are sent as a reminder of all that God is, although they do not seem to understand the message themselves.
Little Turtle hatches on the beach and struggles to make a perilous journey down to the sea.
Contains poems by fifty-two contributors from thirty-five different native American nations.
Discografie van een eeuw Noord-Amerikaanse indiaanse volksmuziek en van populaire muziek van musici met indiaans bloed of met indiaanse thema's.
It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.
A fascinating collection of fifty historic American love songs and ballads. the songs are arranged in piano/vocal format with guitar chords shown and range from sentimental Southern Mountain ballads to jazzy Tin Pan Alley numbers.