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Alan Dundes defines myth as a sacred narrative that explains how the world and humanity came to be in their present form. This new volume brings together classic statements on the theory of myth by the authors. The twenty-two essays by leading experts on myth represent comparative, functionalist, myth-ritual, Jungian, Freudian, and structuralist approaches to studying the genre.
This volume examines Tsimshian culture from the prehistoric period to the recent past and includes contributions from such diverse perspectives as archaeology, linguistics, and social anthropology. The contributors demonstrate a balance between current fieldwork and careful archival analysis, as they build on the voluminous materials that are a legacy of the scholarship of such major figures as Boas, Barbeau, Tate, and Garfield. The book includes chapters on the crest system and participation of the Tsimshian in the 'non-Native' economy of the region and introduces much original material on shamanism, basket making, and feasting.
Originally told to explain the mysteries of the world—such as creation, divine will, fertility, death, and love—myths are a major part of many cultures throughout the world, and each area has its own myths. Organized by geographic region, each myth is placed within the civilization’s history and context. The key elements of world mythology, such as the hero, his divine connection, the labyrinth, the initiation, and the transformation,are explored in boxes and features throughout the book. Philip Wilkinson has more than 50 titles to his credit in the fields of mythology, history, and the arts, including DK’s Illustrated Dictionaries of Mythology and Religions. Neil Philip is the author of many books on folklore and mythology, including The Illustrated Book of Myths and Myths and Legends Explained. Synopses of the great myths that have inspired human creativity from antiquity to the present Covers mythology around the globe, from the classic Greek to lesser known Malaysian Catalogs of gods by subject enable comparisons of distant civilizations
Designed to provoke controversy, the papers in this volume concentrate on two main themes: the study of myth and totemism. Starting with an English translation of La Geste d'Asdiwal, which is widely considered to be the most brilliant of all of Lévi-Strauss's shorter expositions of his technique of myth analysis, the volume also contains criticism of this essay. The second part of the volume discusses how far Lévi-Strauss's treatment of totemism as a system of category formation can be correlated with the facts that an ethnographer encounters in the field. First published in 1967.
Designed to provoke controversy, the papers in this volume concentrate on two main themes: the study of myth and totemism. Starting with an English translation of La Geste d'Asdiwal, which is widely considered to be the most brilliant of all of Lévi-Strauss's shorter expositions of his technique of myth analysis, the volume also contains criticism of this essay. The second part of the volume discusses how far Lévi-Strauss's treatment of totemism as a system of category formation can be correlated with the facts that an ethnographer encounters in the field. First published in 1967.
The formative years of American anthropology were characterized by intellectual energy and excitement, the identification of key interpretive issues, and the beginnings of a prodigious amount of fieldwork and recording. The American Anthropological Association (AAA) was born as anthropology emerged as a formal discipline with specialized subfields; fieldwork among Native communities proliferated across North America, yielding a wealth of ethnographic information that began to surface in the flagship journal, the American Anthropologist; and researchers increasingly debated and probed deeper into the roots and significance of ritual, myth, language, social organization, and the physical make-up and prehistory of Native Americans. The fifty-five selections in this volume represent the interests of and accomplishments in American anthropology from the establishment of the American Anthropologist through World War I. The articles in their entirety showcase the state of the subfields of anthropology?archaeology, linguistics, physical anthropology, and cultural anthropology?as they were imagined and practiced at the dawn of the twentieth century. Examples of important ethnographic accounts and interpretive debates are also included. Introducing this collection is a historical overview of the beginnings of American anthropology by A. Irving Hallowell, a former president of the AAA.
Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska features more than 200 objects representing the masterful artistry and design traditions of twenty Alaska Native peoples. Based on a collaborative exhibition created by Alaska Native communities, the Smithsonian's National Museum of Natural History, the Smithsonian's National Museum of the American Indian, and the Anchorage Museum at Rasmuson Center, this richly illustrated volume celebrates both the long-awaited return of ancestral treasures to their native homeland and the diverse cultures in which they were created. Despite the North's transformation through globalizing change, the objects shown in these pages are interpretable within ongoing cultural frames, articulated in languges still spoken. They were made for a way of life on the land that is carried on today throughout Alaska. Dialogue with the region's First Peoples evokes past meanings but focuses equally on contemporary values, practices, and identities. Objects and narratives show how each Alaska Native nation is unique—and how all are connected. After introductions to the history of the land and its people, universal themes of “Sea, Land, Rivers,” “Family and Community,” and “Ceremony and Celebration” are explored referencing exquisite masks, parkas, beaded garments, basketry, weapons, and carvings that embody the diverse environments and practices of their makers. Accompanied by traditional stories and personal accounts by Alaska Native elders, artists, and scholars, each piece featured in Living Our Cultures, Sharing Our Heritage evokes both historical and contemporary meaning, and breathes the life of its people.