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Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolved from the overtly religious The Rock and Murder in the Cathedral through such symbolic drawing-room plays as The Family Reunion, The Cocktail Party, and The Confidential Clerk, to Eliot’s latest study of human and divine love in The Elder Statesman. Carol H. Smith explores Eliot’s interest in the jazz rhythms of the English music hall, in the mythical method of Yeats and Joyce, and in the work of the Cambridge School of Classical Anthropology. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This Is A Comprehensive Study Of The Whole Æuvre Of T.S. Eliot, His Poetry, Criticism, Drama And Social Writings From The Pen Of A Penetrating Scholar. The Writings Of Eliot Still Form Major Documents Of Twentieth Century English Literature Presenting Challenges And Problems To The Reader. Using The Tools Of 'Background' And 'Domain' Assumptions, The Author Has Brought Out Eliot'S Philosophical Moorings And Sociological Preoccupations. A Study Of This Book Is A Must If Eliot'S Esoteric Doctrines And Poetry Have To Be Seen As A Systematic Whole.
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
An Established Literary Giant Of All Times, T.S. Eliot Has Attracted Immense Amount Of Critical Attention. This Book Discusses The Plays Of T.S. Eliot In General And The Role Of Chorus In Them In Particular. The Plays Discussed Herein Include Sweeney Agonistes, The Rock, Murder In The Cathedral, The Family Reunion, The Cocktail Party, The Confidential Clerk And The Elder Statesman. Each Play Has Been Taken Separately And Its Salient Features And The Role Of Chorus In It Have Been Methodically Studied. Written In Lucid Language And With A Straightforward Approach, The Book Is Expected To Be Of Special Value To Students And Researchers Of English Literature And To Particularly Those Interested In T.S. Eliot.
Listing and commenting on almost 2700 items, the work provides the only annotated bibliography of a major contemporary author that is virtually complete. Includes three indexes.
Widely Acclaimed By Eliot Critics Both At Home And Abroad, The Book Has Been Mentioned In Various Reference Books Of International Renown, Such As The Dictionary Of Literary Biography (Gale Research Company, Detroit, Michigan, 1982, Vol. 10, Part-I), The International Authors And Writers Who S Who (International Biographical Centre, Cambridge, May 2000), A History Of Indian English Literature By M.K. Naik (Sahitya Akademi, 1982), Indian Journal Of American Studies (Vol. 18, No. 2, 1988), T.S. Eliot Centenary Number (American Studies Research Centre) And Various Other Books Of Reference.Professor Dame Helen Gardner From Oxford Wrote In 1974: I Have Read Your Book Now. It Seems To Me Well-Informed And Sensible And Sympathetic To Eliot S Aims While Recognizing His Defects As A Playwright. I Feel At Least Until The Letters Are Published, There Is Not A Great Deal More To Say. Dr. W.M. Merchant Of Exeter University Describes This Study As: Astonishing And Meticulous. Professor Amalendu Bose Says: The Present Work, Fruit Of Several Years Of Concentrated Study, Will Intensify The Eliot Admirer S Response As Much To The Poetry-Drama Relationship In The Master S Work As To The Variety And Beauty Of The Dramas Themselves. Professor K. Viswanatham Of Andhra University Wrote In 1973: I Am Sure Every Student Of Eliot Drama Will Look Into Your Book. It Is Scrupulously, Compellingly Documented.
First Published in 1998. Volume 12 in the Library of Anthropology series. This text traces the influence of Jane Ellen Harrison, a brilliant classicist and one of the 'Cambridge Anthropologists' on Jams Joyce, T.S. Eliot and Virginia Woolf. Decade of critical over-emphasis on Sir James Frazer's influence on modernism have obscured the more important contributions of Harrison, who explored the chthonic Greek matriarchal cults prior to patriarchal Olympianism and originated the 'ritual theory', finding the origins of Greek drama- and ultimately of all art, in religious ritual. Harrison's images of matriarchal divinity and the feminist principles they embodied inspired these modernist writers to envision the young artist reborn as creator through symbolic union with the semiotic body.
Reflecting the surge of critical interest in Eliot renewed in recent years, A Companion to T.S. Eliot introduces the 'new' Eliot to readers and educators by examining the full body of his works and career. Leading scholars in the field provide a fresh and fully comprehensive collection of contextual and critical essays on his life and achievement. It compiles the most comprehensive and up-to-date treatment available of Eliot's work and career It explores the powerful forces that shaped Eliot as a writer and thinker, analyzing his body of work and assessing his oeuvre in a variety of contexts: historical, cultural, social, and philosophical It charts the surge in critical interest in T.S. Eliot since the early 1990s It provides an illuminating insight into a poet, writer, and critic who continues to define the literary landscape of the last century