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Argues that Keat's six odes form a sequence, identifies their major themes, and provides detailed interpretations of the poems' philosophy, mythological references, and lyric structures.
This last volume of Lady Diana Cooper's memoirs covers the years of the Second World War and its aftermath, when her husband Duff Cooper served as Minister of Information and then in various diplomat posts around the world. We accompany the Coopers on their travels from the Dorchester Hotel during the breathless days of the Blitz, to a happy sojourn farming in Sussex, to Singapore and Algiers and eventual retirement to France, all told with Diana's unique perspective and enchanting style.
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This is the first biography of Sir Robert Brooke-Popham, a key figure in the early development of airpower, whose significant and varied achievements have been overlooked because of his subsequent involvement in the fall of Singapore. It highlights Brooke-Popham’s role in developing the first modern military logistic system, the creation of the Royal Air Force Staff College and the organizational arrangements that underpinned Fighter Command’s success in the Battle of Britain. Peter Dye challenges longstanding views about performance as Commander-in-Chief Far East and, based on new evidence, offers a more nuanced narrative that sheds light on British and Allied preparations for the Pacific War, inter-service relations and the reasons for the disastrous loss of air and naval superiority that followed the Japanese attack. “The Man Who Took the Rap” highlights the misguided attempts at deterrence, in the absence of a coordinated information campaign, and the unprecedented security lapse that betrayed the parlous state of the Allied defenses.
This is a collection of previously published book reviews of modern poetry. The poets discussed include John Ashbery, Donald Davie, Allen Ginsberg, Seamus Heaney, Ted Hughes, Sylvia Plath, Anne Sexton and Wallace Stevens.
Presents a collection of critical essays on the works of John Keats.
This historiographic study of K'tut Tantri - alias Vannen Walker, the journalist from the Isle of Man; Muriel Pearson, the unhappy wife; and Surabaya Sue, the notorious revolutionary - compares her romantic and colorful autobiography, Revolt in Paradise, with other versions of her past, including those of her fellow Bali colonists and her revolutionary comrades, as well as her foes, the Dutch, and various intelligence organizations. These alternatives accounts of her past question the image of K'tut Tantri as hero, portraying her instead as dishonest, unstable, egotistical, and immoral. Such criticisms have overshadowed proper recognition of her role in the development of modern Indonesia, both as a bohemian hotelier in between-wars Bali and later as propaganda broadcaster and adviser to Indonesian revolutionary leaders including Soekarno, Sutomo, and Syarifuddin. Focusing on the nature of biography and autobiography, this book analyses K'tut Tantri's self-defeating battle to use history - in text and film script - to define her identity and reappropriate her past. An examination of the use of ideas of "truth" and "fiction" in understanding the past leads to broader consideration of the nature of history and its uses. Finally, an attempt is made to reconcile the deconstruction of K'tut Tantri's autobiography with both an acceptance of the validity of "alternative" historical genres and an acceptance of the problems inherent in writing a history of a living person. ABOUT THE AUTHOR Timothy Lindsey is Professor of Law, Director of the Asian Law Centre, Director of the Centre for Islamic Law and Society and Federation Fellow in the Law School at the University of Melbourne.