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Truly Nolen is an iron lung polio survivor who started his own pest control business in Tucson, Arizona in 1955 which is now a 72-million dollar enterprise with locations across the United States and in 38 countries.In addition to recounting notable aspects of Truly Nolen's life, this book offers inspiration blended with advice on starting and growing entreprenurial ventures.An 8-page full color reproduction of a selection from his large Classic Cars Collection is also included.
This is a book for low budgets and high ambition. Read it and you will learn how to put images of things onto other things. You will start by rolling up your sleeves. Your shirt will be stained anyways. At some point, you will harness the power of the sun. Go ahead, look inside. You will see that you do not need a fancy studio to print a T-shirt or a picnic blanket. There is no specialized machine required to print anything you want in any room you want. A mural, a dartboard, a deck of cards, these are all possible. In a week or a month, you will wake up to find you know words like acetate and substrate. You will be comfortable talking about ink and shopping at military supply stores. Perhaps most important of all, you will be printing images of things onto other things.
“Cander is a smart, deft storyteller.” —New York Times Book Review From the nationally bestselling author of The Weight of the Piano comes a novel that “like D. H. Lawrence’s Sons and Lovers, is about love that finds its object, and love that misses its mark.” —Charles Baxter Set in a small coal-mining town, a debut novel full of secrets, love, betrayal, and suspicious accidents, where Catholicism casts a long shadow and two courageous women make choices that will challenge our own moral convictions. One morning in Verra, a town nestled into the hillsides of West Virginia, the young Myrthen Bergmann is playing tug-of-war with her twin, when her sister is killed. Unable to accept her own guilt, Myrthen excludes herself from all forms of friendship and affection and begins a twisted, haunted life dedicated to God. Meanwhile, her neighbor Alta Krol longs to be an artist even as her days are taken up caring for her widowed father and siblings. Everything changes when Myrthen marries the man Alta loves. Fourteen years later, we meet Lidia, a teenage girl in the same town, and her precocious son, Gabriel. When Gabriel starts telling eerily prescient stories that hint at Verra’s long-buried secrets, it’s not long before the townspeople begin to suspect that the boy harbors evil spirits—an irresistible state of affairs for Myrthen and her obsession with salvation.
In Religion and Nothingness the leading representative of the Kyoto School of Philosophy lays the foundation of thought for a world in the making, for a world united beyond the differences of East and West. Keiji Nishitani notes the irreversible trend of Western civilization to nihilism, and singles out the conquest of nihilism as the task for contemporary philosophy. Nihility, or relative nothingness, can only be overcome by being radicalized to Emptiness, or absolute nothingness. Taking absolute nothingness as the fundamental notion in rational explanations of the Eastern experience of human life, Professor Nishitani examines the relevance of this notion for contemporary life, and in particular for Western philosophical theories and religious believes. Everywhere his basic intention remains the same: to direct our modern predicament to a resolution through this insight. The challenge that the thought of Keiji Nishitani presents to the West, as a modern version of an Eastern speculative tradition that is every bit as old and as variegated as our own, is one that brings into unity the principle of reality and the principle of salvation. In the process, one traditional Western idea after another comes under scrutiny: the dichotomy of faith and reason, of being and substance, the personal and transcendent notions of God, the exaggerated role given to the knowing ego, and even the Judeo-Christian view of history itself. Religion and Nothingness represents the major work of one of Japan's most powerful and committed philosophical minds.
Hegel is widely regarded as one of the major thinkers of the modern era, if not the entire tradition of philosophy. Hegel, like many philosophers, took seriously traditional philosophical perplexities about God, but unlike many modern philosophers he claimed to take the specific characteristic of Christianity into account in his philosophizing. This book presents a new examination, interpretation and critical engagement with Hegel's philosophy of religion, and with his concept of God in particular. William Desmond explores the distinctive stresses of Hegel's approach to God, the influence it has exerted, and the fundamental problems that his approach exhibits.
An integrative introduction to the theories and themes in research on creativity, the second edition of Creativity is both a reference work and text for courses in this burgeoning area of research. The book begins with a discussion of the theories of creativity (Person, Product, Process, Place), the general question of whether creativity is influenced by nature or nurture, what research has indicated of the personality and style of creative individuals from a personality analysis standpoint, and how social context affects creativity. This wide-ranging work then proceeds to coverage of issues such as gender differences, whether creativity can be enhanced, if creativity is related to poor mental or physical health, and much more. The book contains boxes covering special interest items, including one-page biographies of famous creative individuals, and activities for a group or individual to test or encourage creativity, as well as references to Internet sites relating to creativity. - Includes all major theories and perspectives on creativity - Consolidates recent research into a single source - Includes key terms defined and text boxes with interesting related material - Single authored for clarity and consistency of presentation
Addressing the immensely important topic of research credibility, Raymond Hubbard’s groundbreaking work proposes that we must treat such information with a healthy dose of skepticism. This book argues that the dominant model of knowledge procurement subscribed to in these areas—the significant difference paradigm—is philosophically suspect, methodologically impaired, and statistically broken. Hubbard introduces a more accurate, alternative framework—the significant sameness paradigm—for developing scientific knowledge. The majority of the book comprises a head-to-head comparison of the "significant difference" versus "significant sameness" conceptions of science across philosophical, methodological, and statistical perspectives.