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People of all times and in all cultures have produced and consumed fiction in a variety of forms, not only for entertainment, but also to spread knowledge, religious or political beliefs. Furthermore, fiction has taken part in reflecting and shaping the cultural identity of communities as well as the identity of individuals. This volume aims to explore the concept and the use of fiction from different epochs, in different cultures and in different forms, both ancient and more recent. It covers a broad field of interests, from ancient literature, art, philosophy and theater to Bollywood productions, television series and modern electronic media. Twenty-three scholars from ten countries and from different areas and fields of interests in the Humanities assembled in Stockholm on a conference in August 2012 to exchange views on "Fiction in Global Contexts". This volume presents the results of their discussions. It contains fresh perspectives on issues and topics such as: the nature of fiction fiction and its relationship to "truth" the demand for and the function and uses of fiction the development of fiction from ancient to modern times different forms of fiction fiction in social contexts or in a gender perspective
With the same irreverent, entertaining, and independent voice that brings 25,000 hits daily to GNN's Web site, "True Lies" examines how the corporate media is failing the public.
With the same irreverent, entertaining, and independent voice that brings 25,000 hits daily to GNN's Web site, True Lies examines how the corporate media is failing the public.
Concerned with the nature of the medium and the borders between fact and fiction, reflexivity was a ubiquitous feature of modernist and postmodernist literature and film. While in the wake of the post-postmodern “return to the real” cultural criticism has little time for discussions of reflexivity, it remains a key topic in narratology, as does fictionality. The latter is commonly defined opposition to the real and the factual, but remains conditioned by historical, cultural, discursive, and medium-related factors. Reflexivity blurs the boundaries between fact and fiction, however, by giving fiction a factual edge or by questioning the limits of factuality in non-fictional discourses. Fictionality, factuality, and reflexivity thus constitute a complex triangle of concepts, yet they are rarely considered together. This volume fills this gap by exploring the intricacies of their interactions and interdependence in philosophy, literature, film, and digital media, providing insights into a broad range of their manifestations from the ancient times to today, from East Asia through Europe to the Americas.
Climate and Crises: Magical Realism as Environmental Discourse makes a dual intervention in both world literature and ecocriticism by examining magical realism as an international style of writing that has long-standing links with environmental literature. The book argues that, in the era of climate change when humans are facing the prospect of species extinction, new ideas and new forms of expression are required to address what the novelist Amitav Gosh calls a "crisis of imagination." Magical realism enables writers to portray alternative intellectual paradigms, ontologies and epistemologies that typically contest the scientific rationalism derived from the European Enlightenment, and the exploitation of natural resources associated with both capitalism and imperialism. Climate and Crises explores the overlaps between magical realism and environmental literature, including their respective transgressive natures that dismantle binaries (such as human and non-human), a shared biocentric perspective that focuses on the inter-connectedness of all things in the universe, and, frequently, a critique of postcolonial legacies in formerly colonised territories. The book also challenges conventional conceptions of magical realism, arguing they are often influenced by a geographic bias in the construction of the orthodox global canon, and instead examines contemporary fiction from Asia (including China) and Australasia, two regions that have been largely neglected by scholarship of the narrative mode. As a result, the monograph modifies and expands our ideas of what magical realist fiction is.
Offering an interdisciplinary approach to narrative, this book investigates storyworlds and minds in narratives across media, from literature to digital games and reality TV, from online sadomasochism to oral history databases, and from horror to hallucinations. It addresses two core questions of contemporary narrative theory, inspired by recent cognitive-scientific developments: what kind of a construction is a storyworld, and what kind of mental functioning can be embedded in it? Minds and worlds become essential facets of making sense and interpreting narratives as the book asks how story-internal minds relate to the mind external to the storyworld, that is, the mind processing the story. With essays from social scientists, literary scholars, linguists, and scholars from interactive media studies answering these topical questions, the collection brings diverse disciplines into dialogue, providing new openings for genuinely transdisciplinary narrative theory. The wide-ranging selection of materials analyzed in the book promotes knowledge on the latest forms of cultural and social meaning-making through narrative, necessary for navigating the contemporary, mediatized cultural landscape. The combination of theoretical reflection and empirical analysis makes this book an invaluable resource for scholars and advanced students in fields including literary studies, social sciences, art, media, and communication.
From his role in The Terminator to his more recent work as Governator of California, Arnold Schwarzenegger has played a major role in American popular culture. This accessible and entertaining biography traces the trajectory of Arnold's career-sports figure turned movie star turned entrepreneur turned politician. Elected as governor of California in 2003, Arnold Schwarzenegger now dramatically and vividly represents the determination and, to a great extent, the relentlessness necessary for achieving great fame, political power, and iconic status. While many readers will have read about his benchmark achievements, this biography will reveal the surprising complexities behind the public scenes and put them into a larger cultural context. Photos and a timeline of significant events round out this insightful biography. From his role in The Terminator to his more recent work as Governator of California, Arnold Schwarzenegger has played a major role in American popular culture. This biography traces the fascinating trajectory of Arnold's career-sports figure turned movie star turned entrepreneur turned politician. Elected as governor of California in 2003, Arnold Schwarzenegger now dramatically and vividly represents the determination and, to a great extent, the relentlessness necessary for achieving great fame, political power, and iconic status. Arnold's life has been characterized by public notoriety. While many readers will have heard or read about his benchmark achievements, this biography will reveal the surprising complexities behind the public scenes and put them into a larger cultural context. Photos and a timeline of significant events round out this entertaining and insightful biography.
Does fiction enhance reality, or threaten our sense of what is real? What, if anything, is special about experiencing fictional works and worlds? Today we speak casually of parallel universes and virtual reality; how much do we really know about what these phenomena involve? In Fictionality, Karen Petroski explains how philosophers and literary theorists have approached these questions in the Western literary tradition, from Greek antiquity to the present day. The book introduces readers to both long-running and contemporary debates about: The value and dangers of engagement with fiction The origins of fictional artworks, especially literary works, in Western literature The role played by imagination in engaging with fiction The peculiarities of fictional "worlds" The structure of linguistic reference within fictional artworks The functions of fictionality in non-linguistic artworks such as film and television The role played by fictionality outside artworks, for example, in philosophy, law, and politics Fictionality offers an accessible and comprehensive introduction to this field of increasing critical and theoretical interest. Bringing together theoretical insights from a variety of perspectives, it will be an essential resource for anyone studying fictionality.