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This gathering of autobiographical essays focuses on different experiences and periods of the author’s life and hybrid identity: a childhood spent in Austria, teenage years in an American school and then a lycèe in France, coming to the U.S. as a young adult and attending college, studying in England for two years, and then settling permanently in the U.S. into an academic career. The word “essay” in the title is meant in its original or French sense, as an attempt or trial. The twenty-four items in this gathering are a kaleidoscopic collection of such attempts at different modes of self-reflexivity. They are arranged not so much in the chronological order of their composition as by way of loosely assembled thematic clusters. “True lies” suggests that by transforming lived experiences into language--by way of memory, imagination, and reflection--and often years and decades later, we inevitably alter them as we write them down. But we also re-experience them, and in so doing shift them into another register. These recollections cover a wide range of experiences: Stelzig’s early years, his absurd encounter with a barber in Salzburg, his mysterious Buddha experience in Hong Kong, his travel misadventure in Spain, his career as an aspiring poet, his commitment to teaching Shakespeare’s plays, his love of dogs and of tennis, and the death of a nineteen-year old Austrian au pair girl. True Lies is divided into three parts. “Austrian Roots” addresses Stelzig’s early years, including his relationship with his Austrian parents. “Adult Branchings” focuses on his American adult life and identity. The final section, “Falling Leaves,” is for the most part a set of reflections on the later stages of life and the sense of mortality and of time running out—the challenge of “being in time” and the question of “what remains.”
Catherine Lloyd Burns's The Half-True Lies of Cricket Cohen is an outlandish tale of a grandmother and her granddaughter whose us-against-the-world friendship teaches them both about what it means to tell the truth. Cricket Cohen is not a liar. She just enhances the truth. Often. Cricket is a natural-born storyteller. She is also a part-time geologist, a Greek professor, and a certified brain surgeon with a thriving private medical practice. Yes, her patients are all stuffed animals, but the work is still very demanding. Despite her busy schedule, Cricket always has time for Dodo, her equally imaginative grandmother. And one Manhattan weekend when Cricket finds herself in hot water with her teacher and thoroughly fed up with her controlling parents, she and Dodo hit the pavement. What could possibly go wrong when two people with a habit of confusing fact and fantasy take off looking for adventure? Lots, it turns out, and eleven-year-old Cricket finds herself face-to-face with some hard truths about love, family, and getting home again.
A fledgling entertainment writer stumbles into the gig of a lifetime writing a teenage pop star’s memoir and soon realizes that the young celebrity's squeaky-clean image is purely a work of fiction. Struggling writer Holly Gracin is on the verge of moving back home to upstate New York when she gets hired to write the memoirs of eighteen-year-old Daisy Mae Dixson, a former Nickelodeon child star who has moved seamlessly into both blockbuster movies and pop music. Holly quickly realizes that Daisy’s wholesome public image is purely a work of fiction, as Holly finds herself trailing the star as she travels around the world on yachts, gets stalked by paparazzi, and sneaks out of five-star hotels in the dead of night. As Holly struggles to write a flattering portrait of a teenage millionaire who only eats “nightshades” and treats her employees like slaves, Daisy has a public meltdown—and suddenly, her book is the cornerstone of resurrecting her image. But working at all hours trailing a pop star has taken its toll, and Holly must decide if becoming the ultimate insider is worth losing a starring role in her own life. Fun, juicy, and inspired by Rachel Stuhler’s own stranger-than-fiction experiences as a celebrity ghost writer, Absolutely True Lies is an entertaining look at how the lifestyles of the rich and famous aren’t always what they seem.
A fledgling entertainment writer stumbles into the gig of a lifetime writing a teenage pop star’s memoir and soon realizes that the young celebrity's squeaky-clean image is purely a work of fiction. Struggling writer Holly Gracin is on the verge of moving back home to upstate New York when she gets hired to write the memoirs of eighteen-year-old Daisy Mae Dixson, a former Nickelodeon child star who has moved seamlessly into both blockbuster movies and pop music. Holly quickly realizes that Daisy’s wholesome public image is purely a work of fiction, as Holly finds herself trailing the star as she travels around the world on yachts, gets stalked by paparazzi, and sneaks out of five-star hotels in the dead of night. As Holly struggles to write a flattering portrait of a teenage millionaire who only eats “nightshades” and treats her employees like slaves, Daisy has a public meltdown—and suddenly, her book is the cornerstone of resurrecting her image. But working at all hours trailing a pop star has taken its toll, and Holly must decide if becoming the ultimate insider is worth losing a starring role in her own life. Fun, juicy, and inspired by Rachel Stuhler’s own stranger-than-fiction experiences as a celebrity ghost writer, Absolutely True Lies is an entertaining look at how the lifestyles of the rich and famous aren’t always what they seem.
People of all times and in all cultures have produced and consumed fiction in a variety of forms, not only for entertainment, but also to spread knowledge, religious or political beliefs. Furthermore, fiction has taken part in reflecting and shaping the cultural identity of communities as well as the identity of individuals. This volume aims to explore the concept and the use of fiction from different epochs, in different cultures and in different forms, both ancient and more recent. It covers a broad field of interests, from ancient literature, art, philosophy and theater to Bollywood productions, television series and modern electronic media. Twenty-three scholars from ten countries and from different areas and fields of interests in the Humanities assembled in Stockholm on a conference in August 2012 to exchange views on "Fiction in Global Contexts". This volume presents the results of their discussions. It contains fresh perspectives on issues and topics such as: the nature of fiction fiction and its relationship to "truth" the demand for and the function and uses of fiction the development of fiction from ancient to modern times different forms of fiction fiction in social contexts or in a gender perspective
TRUE LIES is a book that attempts to counter the culture and the lies that the media is sending our young generation today, messages about sex, substance abuse, violence, and suicide. These "lies" as Chalmers calls them are having a major impact on today's young people, as they begin to believe these lies as truth. The effects are evident, with the high rates of suicide, violence, homicide, self-abuse, sexually transmitted diseases, and a general feeling of hopelessness among young people today. Chalmers not only dismantles these lies, but also addresses other important topics that are close to his heart, like bullying, crime prevention, and internet safety. Chalmers passionately addresses these lies on a level and in a way that teens not only understand, but more than that, are moved to want to make changes in their lives. If you are a teenager, this book will open your eyes and make you think. If you are a parent, this book is a must for your son or daughter PHIL CHALMERS has been studying youth culture and speaking to teens for 25 years. He has written several books over those years directed at teens, including the best seller "Can You Handle The Truth?" He has appeared on numerous media outlets, including Montel Williams, Howard Stern The E! Network, and Spike TV. Chalmers recent book "Inside the Mind of a Teen Killer" is getting rave reviews nationwide, changing the way people think about teen violence. Chalmers knows how to speak to teens, and addresses them in school assemblies nationwide, which he has been doing or over 20 years. For more information about Phil Chalmers and his school assembly program, log on to TrueLiesAssembly.com or PhilChalmers.com.
Steven Hyden explores nineteen music rivalries and what they say about life in this "highly entertaining" book (Rolling Stone) perfect for every passionate music fan. Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually -- what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing. Through Hendrix vs. Clapton, Hyden explores burning out and fading away, while his take on Miley vs. Sinead gives readers a glimpse into the perennial battle between old and young. Funny and accessible, Hyden's writing combines cultural criticism, personal anecdotes, and music history -- and just may prompt you to give your least favorite band another chance.
Original Comedy/Jokes, Glorious Nostalgia, Astounding Science, Thought provoking Satire/Take-offs, Gripping Short Stories, Deep Mystical musings, Self-Help, and even a novel about saving of the universe and the fall of an Empire. Plus, the Theory of Everything deeply explored.
New York Times bestselling author Nora Roberts weaves scandal, celebrity secrets, and murder into an explosive novel of Hollywood almost too wicked not to be true: the story of a legendary actress who knows too much—and the woman she’s chosen to reveal it all. . . . Eve Benedict is the kind of subject who could make any biographer’s career. Last of the movie goddesses, she has two Oscars, four ex-husbands, and a legion of lovers, both famous and infamous. Now she is ready to write a tell-all memoir that has even Hollywood’s richest and most powerful worried. Julia Summers never dreamed of being chosen to tell Eve’s story. But even if it means transplanting herself and her ten-year-old son from their quiet life in Connecticut to the withering limelight of Beverly Hills, it’s an opportunity too great to pass up. But Julia never imagined how far someone would go to keep Eve Benedict’s book from being published . . . until she discovers just how dark Eve’s secrets are. And the one man Julia hopes she can trust—Eve’s stepson, Paul Winthrop—may have the most to gain if his stepmother’s story is never told . . . and if Julia’s life ends before she can write a word of the truth. “Roberts does a beautiful job weaving together the movie star’s tittilating tales and the love story that develops.”—USA Today
If you abandon your life to discover yourself, can you discover your life by abandoning yourself? One October morning, Dave Cicirelli announced on Facebook that he was quitting his job and heading west. Many thought him brave-or crazy. No one guessed he was lying. Fed up with Facebook's superficiality, Dave fictionalized his profile. "Fake Dave" set off on a wild adventure, including TP'ing an Amish horse and buggy and being kidnapped by a religious cult. But what began as a prank quickly became a social experiment. Hundreds of people started following and connecting over Fake Dave's journey. Meanwhile, the real Dave was increasingly isolated by this secret and its implications. Hilarious and profoundly honest, FAKEBOOK explores our cultural obsession with social media and its powerful impact on our relationships, both online and in real life.