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No other Western settlement story is more famous than the Donner Party’s ill-fated journey through the Sierra Nevada Mountains. But a few years later and several hundred miles south, another group faced a similar situation just as perilous. Scrupulously researched and documented, Grit and Gold tells the story of the Death Valley Jayhawkers of 1849 and the young men who traveled by wagon and foot from Iowa to the California gold rush. The Jayhawkers’ journey took them through the then uncharted and unnamed hottest, driest, lowest spot in the continent—now aptly known as Death Valley. After leaving Salt Lake City to break a road south to the Pacific Coast that would eliminate crossing the snowy Sierra Nevada, the party veered off the Old Spanish Trail in southern Utah to follow a mountaineer’s map portraying a bogus trail that claimed to cut months and hundreds of miles off their route to the gold country. With winter coming, however, they found themselves hopelessly lost in the mountains and dry valleys of southern Nevada and California. Abandoning everything but the shirts on their backs and the few oxen that became their pitiful meals, they turned their dreams of gold to hopes of survival. Utilizing William Lorton’s 1849 diary of the trek from Illinois to southern Utah, the reminiscences of the Jayhawkers themselves, the keen memory of famed pioneer William Lewis Manly, and the almost daily diary of Sheldon Young, Johnson paints a lively but accurate portrait of guts, grit, and determination.
On his long journey home from the Third Crusade, Richard the Lionheart--one of history's most powerful and romantic figures--was ship-wrecked near Venice in the Adriatic Sea. Forced to make his way home by land through enemy countries, he traveled in disguise, but was eventually captured by Duke Leopold V of Austria, who in turn conveyed him to Henry VI, the Holy Roman Emperor. Henry demanded a majestic ransom, and Richard's mother, Eleanor of Aquitaine, raised the historic sum--one quarter of the entire wealth of England--and Richard was returned. But a peculiar legend followed him--that a troubadour named Blondel, a friend of Richard's, had journeyed across Europe singing a song he knew Richard would recognize in order to discover his secret place of imprisonment. David Boyle recreates the drama of the Third Crusade and the dynamic power politics and personalities of the late 12th century in Europe, as well as the growing fascination with romance and chivalry embodied in the troubadour culture. An evocation of a pivotal era, The Troubadour's Song is narrative history at its finest.
Leeds, 1980. Amid the violence and decay, the city was home to an extraordinarily vibrant post-punk scene. Out of that swamp crawled the Sisters of Mercy. Over the next five years, they would rise from local heroes to leading alternative band, before blowing apart on the verge of major rock stardom. Their path was strewn with brilliant singles, astonishing EPs, exceptional album tracks and legendary live shows. Two classic line-ups were created and destroyed: Andrew Eldritch on vocals, Craig Adams on bass, Gary Marx and Ben Gunn – later replaced by Wayne Hussey – on guitars, and a drum machine called Doktor Avalanche. Hussey and Adams styled themselves as the Evil Children and played hard both on and off the stage; neither Gunn nor Marx were natural rock 'n' roll animals, but the latter performed with such abandon that it was hard to believe he also wrote the Sisters' most delicate and beautiful music. Eldritch was the most peculiar and compelling of them all, a singular and mesmerising amalgam of T. S. Eliot and David Bowie who staked a powerful claim to be the greatest rock star of his generation. Drawing on dozens of interviews with band members and key figures in the Sisters' journey, Paint My Name in Black and Gold is the most complete account yet of how – against the odds and all reasonable expectation – these young men came to make transcendent and life-changing music.
Like 'Game of Thrones' with real history. The complete set of four award-winning books: Historical Fiction series The Troubadours Quartet Set in the period following the Second Crusade, Jean Gill's spellbinding romantic thrillers evoke medieval France with breathtaking accuracy. She captures the soul of the age and the characters who lived in it. The characters leap off the page and include amazing women like Eleanor of Aquitaine and Ermengarda of Narbonne, who shaped history in battles and in bedchambers. Four Discovered Diamonds Awards; Historical Novel Society Editor's Choice Three out of three: Readers Favourite 5* Awards; Winner of the Global Ebooks Award for Best Historical Fiction Book 1 Song at Dawn: 1150 in Provence On the run from abuse, Estela wakes in a ditch with only her lute, her amazing voice, and a dagger hidden in her underskirt. Her talent finds a patron in Eleanor of Aquitaine and more than a music tutor in the Queen's finest troubadour and Commander of the Guard, Dragonetz los Pros. Meanwhile, their enemies gather, ready to light the political and religious powder-keg of medieval Narbonne. Book 2 Bladesong: 1151 in The Holy Land Estela, the troubadour, is following the destiny of her beautiful voice. Dragonetz, her passionate knight, has a dangerous mission to fulfil. Divided by the times they love in, they fight to be together. Imprisoned in Damascus, Dragonetz suffers the mind games inflicted by his anonymous enemies, as he is forced to remember the traumatic events of the crusade, two years earlier. Instead of remaining safely at home, Estela is desperate to rescue Dragonetz at all costs. She sets out for the Holy Land, never realising that the person she thinks will be her knight's saviour might actually be his doom. Can Estela get him out alive, despite Nur-ad-Din, the Muslim Atabeg; Mélisende, the Queen of Jerusalem; and an avenger from the past? Will she still want to, when she knows what they've done to him? Book 3 Plaint for Provence: 1152 in Les-Baux-de-Provence The Troubadours, Estela and her lover, Dragonetz, are embroiled in two rival claims for power as their feuding liege lords gather in Provence. If the peace fails, Dragonetz' sword will decide the winner and friends will die. Dragonetz weaves a precarious path through the rival factions at court where an uneasy truce prevails behind the chivalry of hunt and tournament. Meanwhile, Estela faces her own demons. Confronted with her childhood abusers, threatened and attacked, she confides in her friends. Tragically, one of those friends is Dragonetz' worst enemy and Estela has no idea of what he is capable. In this third volume of the Troubadours Quartet, Jean Gill, the 'master of historical intrigue', continues to weave the gripping adventures of Dragonetz and Estela seamlessly into real historical events. Medieval France comes alive in all its facets, from healing with leeches to training a goshawk. Book 4 Song Hereafter: 1153 in Hispania and the Isles of Albion Dragonetz has failed Eleanor of Aquitaine once. Now that she plans to be Queen of England he could make amends. Although prepared to risk his own life on an impossible quest, a knight should protect his lady, or so say the troubadour songs. His lady, however, plays to a different tune and she wants partnership, not protection. Estela and Dragonetz fight their enemies, both on the battlefield and in the courts of Christendom, from the sophistication of Zaragossa to the wilds of Wales. Can they win through to song hereafter, together? Or have they broken one rule too many?
The others are still known only to relatively small groups of enthusiasts - critics, knowledgeable collectors, and other musicians. This book tells their stories."--BOOK JACKET.
« This book is a gift! Norma Livo brings to life the enduring power of story and song, using her special blend of knowledge, passion, inspiration, and humor. The result is a sheer joy to read, an invaluable resource - and a symphony of the human soul. »--Quatrième de couverture