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India’s Kochi-Muziris Biennale has been described as one of the most significant newly emergent biennales, alongside Shanghai, Sharjah and Dakar. However, there have been few sustained and critical studies of these events as specific sites of production and reception of contemporary art. This book, engaging with the Kochi Biennale, provides detailed examination of what the editors term as the ‘biennale effect’ — a layered contestation of place, economics, art and politics. It presents a close reading of the unique context of the biennale as well as sets out a broader critical framework for understanding global contemporary art and its effects. Replete with illustrations, this book will serve as an important and rare resource for scholars and researchers of contemporary art, art history, visual cultures, and media studies.
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
This is a Reference Annual, a yearbook carrying all the information of central government schemes, programmes and policies. Information of States and UTs is also included in the Reference Book.
This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.
This is a Reference Annual, a yearbook carrying all the information of central government schemes, programmes and policies. Information of States and UTs is also included in the Reference Book.
Transcending Reality Charlie Chaplin once said that nobody lives long enough to be anything but an amateur. This expression unequivocally applies to artists, for creating art is a continuous process of learning and discovery. In order to bring the fascinating riches of artistic creativity within the reach of the mankind, ANOKHII has collaborated with artists from around the world in compiling this book. My desire is to arouse creativity and evoke a feeling of depth by bringing the plethoric wealth of art into this book. By faithfully rendering the simplicity and richness of these paintings, this book intends to preserve the ‘universal language’ of art. Painting is produced when diverse range of colours harmonise together. By blending all the remarkable paintings, I wish to create harmony. In Carl Sagan’s words, ‘In the vastness of space and the immensity of time, it is my joy..’ to edit this book. Editing this book has been a huge task. I feel fortunate to have worked on it and want to thank all artists for their contributions, thoughtful opinions and patience. I hope that this book will be an ever-present source of inspiration, offering the remarkable panorama of artists around the world. To anyone who gives close mindfulness, the insights and visions contained in these paintings will extend way beyond to define what art truly is. I extend my sincere thanks and gratitude to all the valuable personalities who supported me in releasing the book
The eleventh exhibition featuring photographs by Jyoti Bhatt, capturing his life and of his contemporaries through Portraits.