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Next to Africa, India has the largest tribal population (67.7 million) in the world. Indian tribes, spread over the length and breadth of the country, are concentrated in hilly and forest regions. The tribes of India differ considerably from one another in race, language culture and beliefs, and present a spectacle of striking diversity. It is this diversity marked by varied social characteristics and diverse cultural traditions and linguistic traits that lends lustre to the cultural mosaic of India. Encyclopaedia Profile of Indian Tribes, first of its kind, seeks to present a concise by comprehensive account of the socio-cultural profile of all the tribal communities who have been declared as Scheduled Tribes by the Government of India. The tribes are arranged alphabetically in order to facilitate easy reference. Each profile deals with the geographical distribution of the tribal population, the social structure, the means of subsistence and economic organisation, religious beliefs and practice, the political institutions, and modern social changes sweeping the community. At the end of each profile, there is a short bibliography for the more inquisitive reader. Each entry in this four volume set has been contributed by a scholar who has deep personal knowledge and contact with the community. This classic multi-volume set will be extremely useful to scholars studying tribals in India and abroad and to all those interested in a standard reference work on the Indian tribes.
In recent years, there has been a world wide concern about preserving traditional art, folklore, folk music, dance forms, handicrafts & so on. These rich traditions are vanishing day by day, due to rapid changes that are taking place in these societies. Tribal dance forms are no exception to this rule. Efforts are made to preserve & promote these traditions by documenting them, using various techniques. Social Scientists, including Anthropologists in India, have made passing references of tribal dances in various Monographs & books, however there is not a single book on tribal dances of India. Hence, this humble beginning has been made by publishing this book.
Information About Various Dances Of India With Colourful Pictures
"Introduction to Indian dances, fully illustrated."
Presents The Classical World Of The Performing Arts And Folk Literature Of Tribals-Gonds, Pardhans, Kolam, Korku And The Banjara In Maharashtra. Based On The Authors Study While Working Among The Tribes Mentioned Above.
Contents: An Introduction to Tribal Fairs and Festivals, Fairs and Festivals of the Kinnaras of Western Himalaya, Asur Festivals, Festivals of Sauria Paharia, Disuasendra in Santhal Society, Tribal Fairs and Festivals of Rajasthan, Celebration of Life, Fairs and Festivals of the Bhilala Tribe, Tribal Festivals in Maharashtra, Nyokum: The Festival of the Nyishis of Arunachal Pradesh, Tribal Festivals in Kalhandi, Orissa, Influence of Kali Puja Festival on Tribals of West Bengal, Festivals in India: A Theoretical Consideration, Bohada: The Mask Festival of Bharsatmet, Festivals and Fairs of the Nagas, Festivals of Selected Tribes from South India, Vaneshwar Fair, Fairs in Tribal Bihar, Folk Dance in the Season of Fairs and Festivals Amongst Juangs, Gujarat s Tribal Fairs, Toranmal Fir of the Tribals from Satpuda Mountain Ranges, Bhima Shanker Tribal Fair, The Mahalaxmi Fair of Tribals in South Gujarat and Western Maharashtra, Devmogra and Asthamba Fairs.
"The photographs ... of an extensive journey that the artist undertook across the length and breadth of India over a period of five years. She visited dance schools and festivals ... to research classical, folk and tribal dances. She also visitedweaving villages, documenting costumes, textiles and the dancers' interaction with fabric through movement. By highlighting the drapes that are used in dance, Briana Blasko shows us how even a single piece of cloth can hold a sacred position in India"--Publisher's description.
Focusing on the enactment of identity in dance, Indigenous Dance and Dancing Indian is a cross-cultural, cross-ethnic, and cross-national comparison of indigenous dance practices. Considering four genres of dance in which indigenous people are represented--K'iche Maya traditional dance, powwow, folkloric dance, and dancing sports mascots--the book addresses both the ideational and behavioral dimensions of identity. Each dance is examined as a unique cultural expression in individual chapters, and then all are compared in the conclusion, where striking parallels and important divergences are revealed. Ultimately, Krystal describes how dancers and audiences work to construct and consume satisfying and meaningful identities through dance by either challenging social inequality or reinforcing the present social order. Detailed ethnographic work, thorough case studies, and an insightful narrative voice make Indigenous Dance and Dancing Indian a substantial addition to scholarly literature on dance in the Americas. It will be of interest to scholars of Native American studies, social sciences, and performing arts.