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Moses wrote that God created man, a living soul. Plato wrote that God geometrizes. If the soul is thought of as the threefold principle of life--thinking, feeling, and action--and the triangle is a form with three sides, is there a connection? The author's dream experience seems to say yes. Join the Harry Kretz in a journey in realizing that geometric constructions relate to and express states of the human soul.
J.P. Moreland—Christian philosopher, theologian, and apologist—issues a call to recapture the drama and power of kingdom living—to cultivate a revolution of Evangelical life, spirituality, thought, and Spirit-led power. Drawing insights from the early church, he unpacks three essential ingredients of this revolution: Recovery of the Christian mind. Renovation of Christian spirituality. Restoration of the power of the Holy Spirit. Western society is in crisis: the result of our culture's embrace of naturalism and postmodernism, and a biblical worldview has been pushed to the margins. Christians have been strongly influenced by these trends, with the result that their personal lives often reflect the surrounding culture more than the way of Christ, and the church's transforming influence on society has waned as a result. Kingdom Triangle is divided into two major sections: The first examines and provides a critique of secular worldviews and shows how they have ushered in the current societal crisis. The second lays out a strategy for the Christian community to regain the potency of kingdom life and influence in the world. Moreland believes that evangelical Christianity can mature and lead the surrounding society out of the meaningless morass it finds itself in with humility and vision. With clear insight, he puts the thoughtful Christian in a position to understand our current cultural struggle and to return to a responsible presentation of "the way of Christ" as not just a way of right living, but also a way of knowledge and meaningful life.
It is surely not coincidental that the term 'soul' should mean not only the centre of a creature's life and consciousness, but also a thing or action characterised by intense vivacity ('that bike's got soul!'). It also seems far from coincidental that the same contemporary academic discussions that have largely cast aside the language of 'soul' in their quest to define the character of human mental life should themselves be so bloodless, or so lacking in soul. The Resounding Soul arises from the opposite premise: that the task of understanding human nature is bound up with the more critical task of learning to be fully human. The papers collected here are derived from a conference in Oxford sponsored by the Centre of Theology and Philosophy and explore the often surprising landscape that emerges when human consciousness is approached from this angle. Drawing upon literary, philosophical, theological, historical, and musical modes of analysis, these essays remind the reader of the power of the ancient language of soul over against contemporary impulses to reduce, fragment, and overly determine human selfhood.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866?1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of šber das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
Centuries before the Christian era, crosses were used as pagan emblems. Early Christians did not employ the symbolism of the cross, which came into general use three centuries after the death of Jesus and has since come to be recognized around the world as a symbol of sacrifice and redemption. This fascinating book begins with legends, and proceeds to an exploration of the many facts, myths, and curious customs and superstitions connected with the history of the cross. In simple, direct language, this volume recounts the notable events and stories of people whose lives are interwoven with the symbol of the cross, such as the crusaders, who wore heraldic crosses as emblems of valor and bravery. Numerous illustrations depict the variety of forms and uses of the cross, as well as the symbols that appear upon many crosses, and the text traces their similarity and significance to the symbolism found in religious paintings, mosaics, and stained glass. The history, the legends, and the art and symbolism with which the cross is intimately connected form the keynote of this study, which is presented in a reverent spirit and a manner accessible to readers of every background.
For the first time in one volume in English are the spiritual writings of this outstanding intellectual figure (1401-1464) whose work anticipated modern problems of ecumenicity and pluralism, empowerment and reconciliation, and tolerance and individuality.