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The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's. Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions. A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.
The art of the Eastern Roman Empire and of its capital, Byzantium (Constantinople), found expression throughout the ancient world, particularly in Italian architecture. This superb archive of Byzantine ornament contains a wealth of decorative architectural elements derived from sixth- and seventh-century Italian buildings in Ravenna and in the Venetian church of St. Mark's. Depicted in more than 250 delicate line drawings are splendid perforated marble panels, intricately fashioned stone grilles and cornices, lavish candle brackets, elaborate stone mosaics for floors and ceilings, bronze window guards, as well as an abundance of decorative wreaths, rosettes, mouldings, and medallions. A multipurpose reference for students, artists, and designers, this archive of sumptuous, royalty-free designs will also serve as a rich source of inspiration for anyone working in the fine or applied arts.
This classic bestseller — the inspiration for the PBS series — is an "illuminating and even inspiring" portrait of medieval Spain that explores the golden age when Muslims, Jews, and Christians lived together in an atmosphere of tolerance (Los Angeles Times). This enthralling history, widely hailed as a revelation of a "lost" golden age, brings to vivid life the rich and thriving culture of medieval Spain, where for more than seven centuries Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and where literature, science, and the arts flourished. "It is no exaggeration to say that what we presumptuously call 'Western' culture is owed in large measure to the Andalusian enlightenment...This book partly restores a world we have lost." —Christopher Hitchens, The Nation
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.
"Dolmetsch's Treasury of Ornament is one of the great nineteenth century studies in pattern and design. Each of the plates is accompanied by a detailed text, and the volume is encyclopaedic in its scope, giving a chronological, analytical and comprehensive view of developments in ornamentation from Ancient Egyptain and Grecian Art to seventeenth and eighteenth century Baroque and rococo motifs." --Dust jacket.
This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
This treasury offers the best and most beautiful ornaments from prehistory to the early 19th century. Arranged by period Egyptian, Islamic, Baroque, Victorian, and other eras. Also brief identifying captions. 75 plates. "
Largest collection of decorated artifacts, all in line; prehistoric, Egyptian, Islamic, Baroque, Victorian, other areas, times. 3,700 illustrations.
A new selection of images from Le style dans la peinture decorative, originally published by Dujardin & Cie.