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In Ethiopia and Eritrea manuscripts, often beautifully illustrated, have been for centuries the principal means of recording not just the Scriptures but also historical information. Ethiopic manuscripts thus provide a unique window into the life and culture of Ethiopians and Eritreans up to the twenty-first century. The collection of Ethiopic manuscripts in the Bodleian Library in Oxford is one of the most significant in Europe. The Bodleian acquired its first Ge'ez manuscript in 1636 and further expanded its collection in 1843, when it acquired twenty-four of the manuscripts that the Scottish explorer James Bruce had brought back from Ethiopia and Eritrea. During the twentieth and twenty-first centuries the Bodleian Library has continued to expand its holdings of Ethiopic manuscripts through new acquisitions. Especially noteworthy are the forty-five manuscripts that the former Oxford University Medical Officer Bent Juel-Jensen bequeathed to the library at his death in 2007. The essays in this lavishly illustrated volume shed light on Ethiopia and Eritrea's fascinating past by looking at some of the most remarkable Ethiopic manuscripts kept at the Bodleian Library. The first three essays function as an introduction and examine the history of the collection, the classical Ethiopic (Ge'ez) language, and the production of manuscripts in Ethiopia and Eritrea. The remaining nine contributions - each devoted to one of the Bodleian's manuscripts - explore different facets of the manuscript tradition of Ethiopia and Eritrea. With its unique focus on the Bodleian's collection, this landmark volume presents a comprehensive and accessible overview of the context in which Ethiopic manuscripts were produced and makes the library's treasures more accessible to scholars and the interested public.
The present volume contains twelve chapters authored by specialists of Asian, African and European manuscript cultures reflecting on the cohesion of written artefacts, particularly manuscripts. Assuming that 'codicological units' exist in every manuscript culture and that they are usually composed of discrete elements (such as clay tablets, papyrus sheets, bamboo slips, parchment bifolios, palm leaves), the issue of the cohesion of the constituents is a general one. The volume presents a series of case studies on devices and strategies adopted to achieve this cohesion by manuscript cultures distant in space (from China to West Africa) and time (from the third millennium bce to the present). This comparative view provides the frame for the understanding of a phenomenon that appears to be of essential importance for the study of the structure of written artefacts. Regardless of the way in which cohesion is realised, all strategies and devices that allow the constituents to be kept together are subsumed under the term 'binding'. Thus, it is possible to highlight similarities, convergences, and unique physical and technical methods adopted by various manuscript cultures to face a common challenge.
The Catalogue of the Ethiopic Manuscript Imaging Project (EMIP), volume 7, provides a full catalog for the collection of fifty-four manuscripts in the Meseret Sebhat Le-Ab collection at Mekane Yesus Seminary in Addis Ababa, Ethiopia. These include one late fifteenth- or early sixteenth-century manuscript of Jubilees and the Minor Prophets. Each catalog entry provides a full physical description, a listing of contents (with incipits), illuminations, varia (known works added later), notes on codicology andscribal practice, as well as a full quire map. Opening articles provide an introduction to the collection, a biography of Alaqa Meseret's life and work, an introduction to the Ethiopian musical tradition of Saint Yared, and a study on the textual character of the manuscript of Jubilees. Four indices (works, names, miniatures, and scribal practice) provide quick access for the researcher.
The Catalogue of the Ethiopic Manuscript Imaging Project (EMIP), volume 7, provides a full catalog for the collection of fifty-four manuscripts in the Meseret Sebhat Le-Ab collection at Mekane Yesus Seminary in Addis Ababa, Ethiopia. These include one late fifteenth- or early sixteenth-century manuscript of Jubilees and the Minor Prophets. Each catalog entry provides a full physical description, a listing of contents (with incipits), illuminations, varia (known works added later), notes on codicology andscribal practice, as well as a full quire map. Opening articles provide an introduction to the collection, a biography of Alaqa Meseret's life and work, an introduction to the Ethiopian musical tradition of Saint Yared, and a study on the textual character of the manuscript of Jubilees. Four indices (works, names, miniatures, and scribal practice) provide quick access for the researcher.