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From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women of power and agency found in these pages are indeed worth knowing, and this volume will introduce many female figures to even the most established scholars in early modern studies. Rather than using the conventional alphabetical format of the standard biographical encyclopedia, this volume is divided into categories of women. Since many women will fit in more than one category, each woman is placed in the category that best exemplifies her life, and is cross referenced in other appropriate sections. This structure makes the book an interesting read for seasoned scholars of early modern women, while students need not already be familiar with these subjects in order to benefit from the text. Another unusual feature of this reference work is that each entry begins with some incident from the woman’s life that is particularly exciting or significant. Some entries are very brief while others are extensive. Each includes a source listing. The book is well illustrated and liberally sprinkled with quotations of the time either by or about the women in the text.
Offers alphabetical listings of more than two thousand locations, including gardens, historic houses, museums, and natural sites.
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
The urge to create pictures of our world has been with us ever since early man daubed a fingerful of pigment on a rock, or used primitive colours to create exquisite images of the beasts he hunted - images so breathtakingly powerful they have never been surpassed, however sophisticated we have become. This book tells the story of what painting has meant to us, and how its role has changed over the centuries. In the crisp, unstuffy commentary on each of 150 landmark works, Christie's art expert Roy Bolton leads us through the development of painting until our own age, where painting as a painterly craft has been overtaken by a proliferation of new forms introduced by contemporary art. To the question, 'Is the death of painting upon us?' the introductory chapter by Matthew Collings, the multi-award-winning TV art presenter, art historian and cultural critic, gives an inspiring answer: 'Painting justifies itself. Rather than pathetically struggling to keep up with the new freak-show culture of videos and installations, painting will only be worth having if it reconnects with its own inner life, where the old and the new are the same.' Roy Bolton's selection takes us from the Ancient World, via the Italian Renaissance, Rococo and Classicism to Impressionism, Modernism and the Contemporary World. Each painting, with its context and artist, is explained in terms designed to encourage us to judge art for ourselves. Written with authority and full of original and helpful insights, this is a history of art for our times. 'While I find it interesting to think about all sorts of art, I prefer painting to any of it. Painting is soulful, important, serious and humane.' Matthew Collings 'We need to de-mystify art by stripping it down to its bare essentials, then rebuilding it ourselves, using our own minds and eyes, without all the pompous clutter.' Roy Bolton
Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.
The remarkable treasure of gold and silver from England and France which Richard II had amassed by the end of his reign in 1399 is fully revealed for the first time in this richly illustrated book. The author explores the nature of the objects themselves, their provenance and later fate, and examines the crucial role the treasure played in diplomacy and in financing the Hundred Years War, especially at the time of Agincourt. --
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