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In 1728 a stranger handed a letter to Governor Yue calling on him to lead a rebellion against the Manchu rulers of China. Feigning agreement, he learnt the details of the plot and immediately informed the Emperor, Yongzheng. The ringleaders were captured with ease, forced to recant and, to the confusion and outrage of the public, spared. Drawing on an enormous wealth of documentary evidence - over a hundred and fifty secret documents between the Emperor and his agents are stored in Chinese archives - Jonathan Spence has recreated this revolt of the scholars in fascinating and chilling detail. It is a story of unwordly dreams of a better world and the facts of bureaucratic power, of the mind of an Emperor and of the uses of his mercy.
It was a time of war. A time of battles. And a time of Treason. As the Lancastrian forces struggle to win the English crown in the Wars of the Roses, Martin Robsart sees his parents killed and his home destroyed. Orphaned and alone, he grows up to serve his cousins, the Yorkist kings Edward IV and Richard III. And the boy becomes first a man - and then a soldier. But on the blood-soaked battlefields of the Wars of the Roses, he learns the true cost of loyalty and of love - and of betrayal. Treason is a meticulously researched and brilliantly written story that brings the Wars of the Roses vividly to life - and sheds new light on Richard III. It is a sweeping historical adventure story that is perfect for fans of Bernard Cornwell, Robyn Young and Simon Scarrow. Treason is the winner of the SimeGen Reviewers Choice Award and the EPPIE Award for Historical Fiction 'I so much enjoyed reading Treason.' - Elizabeth George, best-selling author of the Inspector Lynley mysteries 'A gem.' - T A G Hungerford 'Sweeping, grand, ambitious ... a fascinating historical novel, a wonderful work of fiction, and a romance of ages.' - Kara L Wolf 'Sublime ... historical fact melds seamlessly with historical fiction.' - Historical Novel Society Review 'Treason is a lesson in history and storytelling, marrying one to the other with skill and bloody effectiveness.' - Richard Foreman, author of 'Augustus: Son of Rome.'
‘Gripping’ The Times ‘Fans of Philippa Gregory and other historical fiction writers will love Anne O’Brien’s A Tapestry of Treason’ Yours
Under the Tudor monarchy, English law expanded to include the category of "treason by words." Rebecca Lemon investigates this remarkable phrase both as a legal charge and as a cultural event. English citizens, she shows, expressed competing notions of treason in opposition to the growing absolutism of the monarchy. Lemon explores the complex participation of texts by John Donne, Ben Jonson, and William Shakespeare in the legal and political controversies marking the Earl of Essex's 1601 rebellion and the 1605 Gunpowder Plot. Lemon suggests that the articulation of diverse ideas about treason within literary and polemical texts produced increasingly fractured conceptions of the crime of treason itself. Further, literary texts, in representing issues familiar from political polemic, helped to foster more free, less ideologically rigid, responses to the crisis of treason. As a result, such works of imagination bolstered an emerging discourse on subjects' rights. Treason by Words offers an original theory of the role of dissent and rebellion during a period of burgeoning sovereign power.
When Muslim terrorists infiltrate the Navy Chaplain Corps, Lieutenant Zack Brewer, just three years out of law school, is pitted against the world's greatest defense attorney in the court-martial of the century.
History tells us that the intelligent, wealthy, and powerful Margaret of York had everything any woman could want, except for love. The acclaimed author of A Rose for the Crown takes us between the lines of history and into her heart. It is 1461: Edward, son of Richard of York, ascends to the throne, and his willful sister, Margaret, immediately becomes a pawn in European politics as Edward negotiates her marriage. The young Margaret falls deeply in love with Anthony Woodville, the married brother of Edward's queen, Elizabeth. But Edward has arranged for his sister to wed Charles, son of the Duke of Burgundy, and soon Margaret is setting sail for her new life. Her official escort: Anthony Woodville. Margaret of York eventually commanded the respect and admiration of much of Europe, but it appears to history that she had no emotional intimate. Anne Easter Smith's rare gift for storytelling and her extensive research reveal the love that burned at the center of Margaret's life, adding a new dimension to the story of one of the fifteenth century's most powerful women.
Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s renowned play, Richard III. In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the Wars of the Roses. During this time, the house of York came to dominate England. At its heart were three charismatic brothers—King Edward IV, and his two younger siblings George and Richard—who became the figureheads of a spectacular ruling dynasty. Together, they looked invincible. But with Edward’s ascendancy the brothers began to turn on one another, unleashing a catastrophic chain of rebellion, vendetta, fratricide, usurpation, and regicide. The brutal end came at Bosworth Field in 1485, with the death of the youngest, then Richard III, at the hands of a new usurper, Henry Tudor, later Henry VII, progenitor of the Tudor line of monarchs. Fascinating, dramatic, and filled with vivid historical detail, The Brothers York is a brilliant account of a conflict that fractured England for a generation. Riven by internal rivalries, jealousy, and infighting, the three York brothers failed to sustain their power and instead self-destructed. It is a rich and bloody tale as gripping as any historical fiction.
Red Sparrow is now a major motion picture starring Jennifer Lawrence and Joel Edgerton! The thrilling sequel to Red Sparrow—CIA insider Jason Matthews’s compulsively readable New York Times bestseller and Edgar Award winner—featuring Russian spy Dominika Egorova and CIA agent Nate Nash “shimmers with authenticity. The villains are richly drawn...the scenes of them on the job are beyond chilling” (The New York Times Book Review). Captain Dominika Egorova of the Russian Intelligence Service despises the oligarchs, crooks, and thugs of Putin’s Russia—but what no one knows is that she is also working for the CIA. Her “sparrow” training in the art of sexual espionage further complicates the mortal risks she must take, as does her love for her handler Nate Nash—a shared lust that is as dangerous as treason. As Dominika expertly dodges exposure, she deals with a murderously psychotic boss, survives an Iranian assassination attempt and attempts to rescue an arrested double agent—and thwart Putin’s threatening flirtations. A grand, wildly entertaining ride through the steel-trap mind of a CIA insider, Palace of Treason is a story “as suspenseful and cinematic as the best spy movies” (The Philadelphia Inquirer)—one that feels fresh and so possible, in fact, that it’s doubtful this novel can ever be published in Russia.