Download Free Treadmill To Oblivion Book in PDF and EPUB Free Download. You can read online Treadmill To Oblivion and write the review.

In the spring of 1932, I had finished a two-year run in Threes A Crowd, a musical revue in which I appeared with Clifton Webb and Libby Holman. The following September I was to go into a new show. I had no contract; merely the producers promise. When I returned to New York to start rehearsals, I discovered that there was to be no show. It had been a hot summer. Many people hadn’t been able to keep things. One of the things the producer hadn’t been able to keep was his promise. With the advance of refrigeration, I hope that along with the frozen foods someday we will have frozen conversation. A person will be able to keep a frozen promise indefinitely. This will be a boon to show business where more chorus girls are kept than promises. With no immediate plans for the theater, I began to wonder about radio. Many of the big-name comedians were appearing on regular programs. In the theater the actor had uncertainty, broken promises, constant travel and a gypsy existence. In radio, if you were successful, there was an assured season of work. The show could not close if there was nobody in the balcony. There was no travel and the actor could enjoy a permanent home. There may have been other advantages but I didn’t need to know them. The pioneer comedians on radio were Amos and Andy, Ray Knight and his Cuckoo Hour, the Gold Dust Twins, Stoopnagle and Budd and the Tasty Yeast Jesters. With the exception of Amos and Andy, who had been playing smalltime vaudeville theaters under the name of Sam and Henry, the others were trained and developed in radio. All of these artists performed their comedy routines in studios without audiences. Their entertainment was planned for the listener at home. In the early 1930’s when the Broadway comedians descended on radio, things went from hush to raucous. The theater buffoon had no conception of the medium and no time to study its requirements. The Broadway slogan was “Its dough—lets go!” Eddie Cantor, Jack Pearl, Ed Wynn, Joe Penner and others were radio sensations. They brought their audiences into the studios, used their theater techniques and their old vaudeville jokes, and laughter, rehearsed or spontaneous, started exploding between the commercials. The cause of this merriment was not always clear. The bewildered set owner in Galesburg, Illinois, suddenly realized that he no longer had to be able to understand radio comedy. As he sat in his Galesburg living room he knew that he had proxy audiences sitting in radio studios in New York, Chicago and Hollywood watching the comedians, laughing and shrieking “Vass you dere, Charlie” and “Wanna buy a duck” for him.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Much Ado About Me, first published in 1956, is the autobiography of comedian Fred Allen's childhood and vaudeville career. (His long career in radio is documented in his other book, Treadmill to Oblivion). Much Ado About Me is a warm wise and wonderfully entertaining autobiography, jammed with extraordinary events and even more extraordinary people. Here is Fred Allen's early life in the suburbs of Boston; his apprenticeship in the Boston Public Library; the happy exciting round of Amateur Nights; the wonderful, improbable world of Scollay Square; the hopes, the anxieties and the fantastic adventures of a smalltime entertainer billed as Freddy James, the "World's Worst Juggler." From his first stage appearances on 'Amateur Nights' to his U.S. and international tours, Much Ado About Me is a warm and entertaining look at one of America's top stage performers and the golden age of Vaudeville. Included are 8 pages of illustrations.
Tracing a career that lasted from 1912 into the 1950s, Havig describes the "verbal slapstick" style that was Fred Allen's hallmark and legacy to American comedy.
It’s a good thing you found this book when you did. As it is written for you, the person who loves music and lyrics and putting the two together to create beautiful works of art. The book you are holding in your hands right now is one of the most dynamic expressions of the modern-day poet—otherwise known as a lyricist. Herein lies not just words, but words that captivate your senses, catapult your imagination, and palpitate sensations you never knew you had. These lyrical twists and turns tell stories that make you laugh, pull at your heartstrings, push your imagination to the brim of existence, and takes you on a journey to the center of your mind. Listen as a whirlwind of characters come to life before your ears and eyes. “It’s just another hungry day in our hometown of thieves, begging the blind for some sweet sunshine...” “All is lost if nothing’s found.” “She was a butterfly by day and a firefly by night” “Take me to your island before all my passion drowns” “I’ve been waiting for your lonely tides to capture seasons out of time. Fold your gentle majesty into lone soliloquies.” There are also eighty songs, inspired by Jim Morrison, and fifty songs worth of lyrics inspired by Emily Dickinson, and a tribute to others’ section. Let these musical-lyrical rhymes be your guiding light on your way toward shining your own light.
Created in 1787, the United States Senate is one of the two chambers of the Congress of the United States, the other being the House of Representatives. In the Senate, each state is equally represented by two members, regardless of population; as a result, the total membership of the body is 100. Senators serve for six-year terms that are staggered so elections are held for approximately one-third of the seats (a "class") every second year. The Vice President of the United States is the presiding officer of the Senate but is not a senator and does not vote except to break ties. The Senate is regarded as a more deliberative body than the House of Representatives; the Senate is smaller and its members serve longer terms, allowing for a more collegial and less partisan atmosphere that is somewhat more insulated from public opinion than the House. The Senate has several exclusive powers enumerated in the Constitution not granted to the House; most significantly, the President must ratify treaties and make important appointments "with the Advice and Consent of the Senate" (Article I). This fully-indexed chronology and institutional bibliography traces the sometimes tumultuous history of this august body.