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"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.
A detailed 1820 travel guide to continental Europe, with practical information alongside advice on the major sights.
Bryson brings his unique brand of humour to travel writing as he shoulders his backpack, keeps a tight hold on his wallet and heads for Europe. Travelling with Stephen Katz--also his wonderful sidekick in A Walk in the Woods--he wanders from Hammerfest in the far north, to Istanbul on the cusp of Asia. As he makes his way round this incredibly varied continent, he retraces his travels as a student twenty years before with caustic hilarity.
Selected as one of NPR's Best Books of 2019 Selected by National Geographic as one of 12 "great books for travelers this holiday season" 'The prose is colourful and vigorous ... Jubber's journeying has indeed been epic, in scale and in ambition. In this thoughtful travelogue he has woven together colourful ancient and modern threads into a European tapestry that combines the sombre and the sparkling' Spectator 'A genuine epic' Wanderlust Award-winning travel writer Nicholas Jubber journeys across Europe exploring Europe's epic poems, from the Odyssey to Beowulf, the Song of Roland to theNibelungenlied, and their impact on European identity in these turbulent times. These are the stories that made Europe. Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycleemerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today. Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.
"A beautifully written trilogy."—Wanderlust Published to critical acclaim in 2008, Nicholas Woodsworth'sMediterranean Trilogy, released originally in three volumes, is now available in a single paperback edition. Combining travel narrative, history, and reflection on contemporary Mediterranean life, Woodsworth finds an intimacy, a garrulous warmth, and a near-tribal sociability that belongs uniquely to the cities on the fringe of this sea. It is neither African, nor European, nor Middle Eastern, but it is identifiable; it is Mediterranean. This sea, he argues, should not be seen as an empty space surrounded by Europe, Asia, and Africa, but as a single entity, a place from whose coastlines people look not outward, to this country or that capital, but inward, over the water to each other. The sea, Woodsworth tells us, has its own cities, its own life, its own way of being. Woodsworth sets out from Alexandria, discovers the intimacies of Venice rarely witnessed by those on the tourist trail, and then, through Albania and toward the Aegean archipelago, arrives at Istanbul, where he installs himself in a former Benedictine monastery overlooking the Golden Horn. In all these places he finds traces of an older, more sophisticated existence and asks what these cities and their inhabitants owe to the sea. Nicholas Woodsworth was born in Ottawa, Canada. He was the Africa correspondent of theFinancial Times and is the author ofSeeking Provence (Haus Publishing, 2008).