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A sudden loss in Haverhill leaves an old family friend behind, 18-year-olds Augustus and Allister Biggs have just the thing to get Bud Persly's mind off of his mother's death - the mysterious, yet charming, J.Q. Lazarus and his band of quirky carnies. With the ring leader in need of land for his upcoming two-week carnival, the Biggs twins persuade Bud to let J.Q. use his newly-inherited property. But when Augustus starts to question the ring leader's true intentions, he discovers a secret too horrifying to imagine. In a race against time, Augustus must act quickly to save his friends and Haverhill before they are changed forever.
This fun and colorful title explains what a traveling carnival is and all of the exciting games, foods, events, animals and more that can be found at one. This title is at a Level 3 and is specifically written for transitional readers. Aligned to Common Core Standards and correlated to state standards. Dash! is an imprint of Abdo Zoom, a division of ABDO.
"Reminiscent of ... the gritty writings of Studs Terkel and John Steinbeck, with a dash of Jack Kerouac, Tony Horwitz, and even Hunter S. Thompson." Review!"Majestic ... Deep Observations About Life!" -- Chicago Tribune. American OZ is a rollicking, gritty, adventurous story of life in the secretive subculture of traveling carnivals. You'll never see your state fair or street festival the same way again. Comerford writes a bold, inspiring true story of a year working on the road behind the scenes with the colorful characters and legends of carnivals. He shares stories of freaks, a carnival pimp, and the last King of the Sideshows. A dunk tank insult-clown is shot. Masked gunmen rob his carnival. And a young showman friend dies a shocking death on the road. It's a new classic American road story as he hitchhikes to shows in California, New Jersey, New York, Chicago, Alaska, Minnesota, Oklahoma, Texas, Georgia, and Florida where he works in a freak show. He becomes the #1 hitchhiker in the USA and a top agent at the State Fair of Texas. He travels to the dangerous foothills of Mexico to see the new face of the American carny. He exposes the truths about seasonal work, labor abuse, and living between two worlds. People seek love and meaning in their lives on the road. Comerford finds we're all connected in more ways than we know."An American Masterpiece!" -- Kerry Lavelle, author/lawyer
Evil comes in frightening and familiar forms in this terrifying novel from #1 New York Times bestselling author Dean Koontz. Once there was a girl who ran away and joined a traveling carnival. She married a man she grew to hate—and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands... Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children—Joey loves monster movies and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins, because the carnival is coming back to town...
A summer by the seashore turns into a fantastical adventure for Tess & Max in this magical tale filled with excitement, acrobatics, hypnosis, and wonder. Tess and Max are back in England for another summer with their Aunt Evie--this time by the seashore in South Devon. And they're incredibly excited about the travelling carnival that's come to town. There are rides, games, acrobats, The House of Mirrors--and even a psychic, with a beautiful wagon all her own. In a visit to the psychic's wagon, while Tess is being hypnotized, the wagon seems to move. Before Tess can shake herself out of the hypnosis, before Max can do anything, they seem to be travelling--along with the rest of the carnival--too quickly for the two of them to jump out. But where are they going and what awaits them? Will they be caught in a world different from their own? And do the Baranova twins, acrobats who miss their sister almost as much as Tess and Max miss their family, hold the keys to the mystery? Internationally bestselling author Amy Ephron returns with a companion novel to The Castle in the Mist and creates a magical tale filled with adventure, mystery, fantasy, family, and fun. Praise for Carnival Magic: "Full of wonder and real-life enchantment, Amy Ephron's Carnival Magic is a charming adventure that will make a believer out of anyone!" —Rachel Vail, author of Well, That Was Awkward and the Friendship Ring series "Tess is a thoroughly modern heroine: She's athletic, impulsive, and fearless . . . The siblings are authentic children [and] the fantastic elements are the stuff of daydreams. Perfect for classroom read-alouds." —Kirkus Reviews "The short chapters filled with mystery and action will have readers eagerly continuing to discover the secrets that await them. . . . Fans of the first book will be eager for this fun middle-grade fantasy with a classic sensibility." —Booklist "The setting is contemporary—yet the language and tone feel distinctly nostalgic. This novel, which works as a stand alone, will captivate readers who enjoy their whimsy with a dash of risk." —School Library Journal "[Carnival Magic is] a softer otherworldly take on childhood mystery, reminiscent of classics like A Secret Garden . . . [it] is in itself an escape. Tess especially follows in that lineage of strong, intelligent female characters – a sort of Lucy Pevensie/Hermione Granger hybrid who is a leader, who believes in magic." —Teen Vogue "Amy Ephron has always been a magical storyteller. . . . In Carnival Magic, the companion book to Ephron’s successful The Castle in the Mist . . . Tess and Max are teaching children and their parents about the power of thoughtful decision-making, loyalty, and self-confidence. Life lessons and carnival rides . . . the perfect beach read for all ages." —Parade “Ephron renders this magical world with such assertive beauty that readers of all ages, who are fortunate enough to believe in the power of magic, will enjoy immersing themselves in the roller-coaster fun of these stories, and come to trust, even if for a short time, that in this ‘alternate universe’ it is possible for us to come together and ‘touch the sky.’” —Jewish Journal
Encounter the scariest clowns and freakiest curiosities under the big top, in stories by Stephen Graham Jones, Laird Barron, Priya Sharma, and others. With an introduction from Katherine Dunn Ladies and gentlemen, step right up for fifteen tales of terrifying rides, supernatural sideshows, and petrifying performers guaranteed to keep you up all night—with Hugo and Bram Stoker Award–winning editor Ellen Datlow as the ringmaster. In Stephen Graham Jones’s “The Darkest Part,” three men are driven to madness by the clown that has haunted them since one misguided Tunnel of Love ride during their childhoods. The deaths of three circus performers—two brothers and a beautiful fire dancer—become the burning obsession of an author who wrote a book about the tragedy in “The Firebrand” by Priya Sharma. “Skullpocket” by Nathan Ballingrud takes you to an alternate fantasy world where a well-respected ghoul from a town near Chesapeake Bay grieves the death of his one true love, a freak show attraction known as the Orchid Girl. Under the tent, you’ll find more chilling stories by Genevieve Valentine, Robert Shearman, N. Lee Wood, Nick Mamatas, A. C. Wise, Terry Dowling, Joel Lane, Glen Hirshberg, Jeffrey Ford, Dennis Danvers, and Livia Llewellyn. “To Datlow’s credit a number of her selections take the dark carnival theme into provocative new territory. . . . Ballingrud’s tale is a magnificent piece of storytelling. Accompanied by another 14 estimable acts, it makes admission into Nightmare Carnival well worth the price.” —Locus “There’s not a bad story in the bunch.” —Horror DNA
In 1911, the operators of Coney Island's Luna Park premiered a miniature, radically banked racetrack for staged automobile races that seemed to defy gravity. For a fee, patrons would watch from the perimeter of the 85-foot wooden saucer as daredevil drivers raced on the steep angle of the tiny track. The attraction created a sensation and was quickly copied with a show that featured motorcycle riders performing breathtaking stunts. When portable versions were made available, every traveling carnival owner in the United States rushed to have one. Motordromes with perfectly vertical walls soon followed, which permitted riders on their Indian motorcycles to climb, sometimes to a height of 20 feet, with nothing but centrifugal force between them and a trip to the trauma ward. And when full-grown lions were added to pursue riders in the arena, no one could resist buying a ticket! The Wall of Death, a name these shows received in 1917, remained a staple attraction on American carnival midways until the 1970s.