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Traveler, there is no road; you make your path as you walk.
Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Author Lisa Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere's longest-lived colonial power, Spain.
Traveler, There Is No Road offers a compelling and complex vision of the decolonial imagination in the United States from 1931 to 1943 and beyond. By examining the ways in which the war of interpretation that accompanied the Spanish Civil War (1936–1939) circulated through Spanish and English language theatre and performance in the United States, Lisa Jackson-Schebetta demonstrates that these works offered alternative histories that challenged the racial, gender, and national orthodoxies of modernity and coloniality. Jackson-Schebetta shows how performance in the US used histories of American empires, Islamic legacies, and African and Atlantic trades to fight against not only fascism and imperialism in the 1930s and 1940s, but modernity and coloniality itself. This book offers a unique perspective on 1930s theatre and performance, encompassing the theatrical work of the Cuban, Puerto Rican, and Spanish diasporas in the United States, as well as the better-known Anglophone communities. Jackson-Schebetta situates well-known figures, such as Langston Hughes and Clifford Odets, alongside lesser-known ones, such as Erasmo Vando, Franca de Armiño, and Manuel Aparicio. The milicianas, female soldiers of the Spanish Republic, stride on stage alongside the male fighters of the Lincoln Brigade. They and many others used the multiple visions of Spain forged during the civil war to foment decolonial practices across the pasts, presents, and futures of the Americas. Traveler conclusively demonstrates that theatre and performance scholars must position US performances within the Americas writ broadly, and in doing so they must recognize the centrality of the hemisphere’s longest-lived colonial power, Spain.
Pilgrimage is a spiritual discipline not many consider. In these pages Arthur Paul Boers describes his month-long journey on the Camino de Santiago in Spain, a classic pilgrimage route that ends at the cathedral where St. James is buried, opening to us his incredible story of renewed spirituality springing from an old, old path walked by millions before.
"Antonio Machado (1875-1939) was a member of Spain's famous "Generation of '98," and one of the great poets of the twentieth century. Intensely introspective and mediative, his poetry is grounded in the Spanish landscape and deeply influenced by his wife's early death, his own uprootedness, and the civil war and severe poverty which afflicted Spain."--BOOK JACKET.
A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.
A stunning, poetic memoir “that will transport readers to a time when a nation’s youth searched for meaning against the backdrop of the Vietnam War” (Publishers Weekly). When she joins a pair of hitchhikers on a trip to California, a young Midwestern woman embarks on a journey of memory, beauty, and realization. This true story, set in 1971, recounts a fateful, nine-day trip into the American counterculture that begins on a whim and quickly becomes a mission to unravel a tragic mystery. The narrator’s path leads her to Berkeley, San Francisco, Mill Valley, Big Sur, and finally to an abandoned resort motel that has become a down-on-its-luck commune in the desert of southern Colorado. The Glimpse Traveler describes with wry humor and deep feeling what it was like to witness a peculiar and impossibly rich time. “A perceptive, engaging, intimate chronicle of the early 1970s, the road-weary hippie hitchhikers, the anti-war sentiment, the dope-induced haze. Boruch . . . captures this very specific, significant time and place with exquisite clarity and lyric detail and description.” —Dinty Moore, author of Between Panic and Desire
The Road Within is a book of transformation, of lessons learned, maps drawn and burned, and spiritual blessings bestowed by that great and hard teacher -- travel. Learn what mystics and saints have always known -- that wondrous things await people who are in touch with themselves, with the world, and with God. Authors featured in this very different kind of travel book include Annie Dillard, Huston Smith, Natalie Goldberg, Andrew Harvey, Barry Lopez, and Bill Buford.
This collection captures the wackiest experiences of writers whose travels took a detour, such as Dave Barry vainly trying to learn more Japanese than how to order a beer, and Mary Roach, who discovers that utilizing an Antarctic outhouse at the very moment a seal chooses to use its opening as a blowhole may not be the best way to start the day.
The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.