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By reading the work of the British modernists - Dorothy Richardson, Sylvia Townsend Warner, Mary Butts and Virginia Woolf - through the lens of material culture, this text argues that women's imaginative work is inseparable from their ambivalent, complicated relation to Britain's imperial history.
Cheryl Strayed's Wild meets Katherine Center's How to Walk Away in Kathleen Basi's debut novel about an unconventional road trip and what it means to honor the ones we love. It's one year after the death of her husband and twin teenagers, and Miriam Tedesco has lost faith in humanity and herself. When a bouquet of flowers that her husband always sends on their anniversary shows up at her workplace, she completely unravels. With the help of her best friend, she realizes that it's time to pick up the pieces and begin to move on. Step one is not even cleaning out her family's possessions, but just taking inventory starting with her daughter's room. But when she opens her daughter's computer, she stumbles across a program her daughter has created detailing an automated cross-country road trip, for her and her husband to take as soon-to-be empty nesters. Seeing and hearing the video clips of her kids embedded in the program, Miriam is determined to take this trip for her children. Armed with her husband's guitar, her daughter's cello, and her son's unfinished piano sonata, she embarks on a musical pilgrimage to grieve the family she fears she never loved enough. Along the way she meets a young, pregnant hitchhiker named Dicey, whose boisterous and spunky attitude reminds Miriam of her own daughter. Tornadoes, impromptu concerts, and an unlikely friendship...whether she's prepared for it or not, Miriam's world is coming back to life. But as she struggles to keep her focus on the reason she set out on this journey, she has to confront the possibility that the best way to honor her family may be to accept the truths she never wanted to face. Hopeful, honest, and tender, A Song for the Road is about courage, vulnerability, and forgiveness, even of yourself, when it really matters.
Although a long-established and influential genre, this is the first comprehensive study of the European road cinema. Crossing New Europe investigates this tradition, its relationship with the American road movie and its aesthetic forms. This movement examines such crucial issues as individual and national identity crises, and phenomena such as displacement, diaspora, exile, migration, nomadism, and tourism in postmodern, post-Berlin Wall Europe. Drawing on the work of Said, Hall, Shields, Urry, Bauman, Deleuze and Guattari and other critical theorists, Crossing New Europe adopts a broad interpretation of "Europe" and discusses directors and films who have long been associated with the road movie, such as Wim Wenders (Alice in the Cities, Lisbon Story) and Aki Kaurismäki (Leningrad Cowboys Go America!), and other more recent contributions such as Run Lola Run, Dear Diary and The Last Resort.
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
A woman is drawn into a shadowy family legacy in this “mysterious and brooding” novel from the author of Dreams of Origami (Taranaki Daily News). When her grandmother dies, Chloe is left in possession of all Miriam’s belongings, including a curious silver amulet. But the necklace is more than just an odd piece of jewelry. When Chloe puts it on, she discovers its power to sweep her away to another world, one of illusion, duplicity, and danger. As her friends and family’s concern grows for her mental health, Chloe delves deeper into the mysteries of her grandmother’s past. Soon, she’ll find herself a pawn in an ancient love story that has haunted the women in her family for generations, and is sought out by an intriguing stranger that may be the key to secrets of her family’s history.
Ideas and concepts of liminality have long shaped debates around the uses and practices of space in constructions of identity, particularly in relation to different forms of travel such as tourism, migration and pilgrimage, and the social, cultural and experiential landscapes associated with these and other mobilities. The ritual, performative and embodied geographies of borderzones, non-places, transitional spaces, or ‘spaces in-between’ are often discussed in terms of the liminal, yet there have been few attempts to problematize the concept, or to rethink how ideas of the liminal might find critical resonance with contemporary developments in the study of place, space and mobility. Liminal Landscapes fills this void by bringing together variety of new and emerging methodological approaches of liminality from varying disciplines to explore new theoretical perspectives on mobility, space and socio-cultural experience. By doing so, it offers new insight into contemporary questions about technology, surveillance, power, the city, and post-industrial modernity within the context of tourism and mobility. The book draws on a wide range of disciplinary approaches, including social anthropology, cultural geography, film, media and cultural studies, art and visual culture, and tourism studies. It brings together recent research from scholars with international reputations in the fields of tourism, mobility, landscape and place, alongside the work of emergent scholars who are developing new insights and perspectives in this area. This timely intervention is the first collection to offer an interdisciplinary account of the intersection between liminality and landscape in terms of space, place and identity. It therefore charts new directions in the study of liminal spaces and mobility practices and will be valuable reading for range of students, researchers and academics interested in this field.
From the winner of the Western Downs Library Mini Romance Competition 2011 Set in the hills of Rathdowney where the shadows stretch for miles up lush green valleys this is the story of a woman (Cora Brantly) who returns home to raise cattle and to raise her sons in the place that she herself was raised. When a truck loaded with her cattle rolls over, when cows are calving, when fences are down and a fox invaids the hen house, she has only herself to rely on. But it's not all hardship, there are shows to go to, family to reunite with, rodeos to and weddings to attend, and handsome new friends to make. * * * ... I have just finished reading your book, I must say I enjoyed reading it. It has a great story to it and unlike a lot of novels the author is well acquainted with the subject J.M. ... I loved the relationship between the boys and their grandmother K.Z. ... Will be telling my girlfriends to add "Ben" to their reading list L***a ... LOVE the book L.C.
Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her ex-husband, the loss of close friends and, later, of growing old.
Miriam Butterman moved from New York to Panama eight years ago and hasn’t returned since. Working as a freelance writer, editor, and English teacher, Miriam has settled into a new life in Panama, moving beyond the "international hire" category. She has also worked in the hospitality industry, which has provided her with even deeper insight into the resources available to Panama newcomers. Here, Miriam shares her firsthand advice, helping to make the move and transition process easy for all who follow in her footsteps. This relocation guide also includes practical advice on how to rent or buy a home for a variety of needs and budgets. With extensive color and black-and-white photos, illustrations, and maps, Moon Living Abroad in Panama helps those moving to find their bearings as they settle into new homes and lives abroad.