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Studienarbeit aus dem Jahr 2014 im Fachbereich Amerikanistik - Literatur, Note: 1,0, Universität Hamburg (Institut für Anglistik und Amerikanistik), Veranstaltung: Family Affairs: Recent American Memoir, Sprache: Deutsch, Abstract: The recollection of traumatic memories is often fraught with enormous difficulties for a person affected by trauma. This is due to a disruption of memories, something that Cathy Caruth alludes to in her definition of trauma in Unclaimed Experience: Trauma, Narrative and History by stating that the "response to the event occurs in the often delayed, uncontrolled, repetitive appearance of hallucinations and other intrusive phenomena". In her definition, Caruth refers to the distorted powers of recollection that very often only allow the traumatised person to access small fragments, if any at all, of the traumatic event. Even though this derangement of memories constitutes a type of psychological defence, and therewith temporarily serves the psyche as a means of protection, it is not conducive to one's mental health in the longer term. A much more beneficial long-term effect on the psyche of traumatised persons can be achieved through the conscious narration of trauma. In order for the traumatic event not to be triggered arbitrarily, the traumatic event must consciously be placed into the context of one's own life story. Based on Mary Karr's novel The Liars' Club, this term paper not only reveals what it is that initially prevents the author from the sincere coping with trauma, but also analyses how Karr makes use of her post-traumatic experiences in the writing process in order to overcome these. So as to better illustrate the underlying themes of trauma, this paper includes several subsections that will help to gain further insights into the subject matter. Firstly, I would like to introduce the psychological effects of trauma and I hence included a subsection on Post-Traumatic Stress Disorder that shall introduce the basic relevance whic
Studienarbeit aus dem Jahr 2014 im Fachbereich Amerikanistik - Literatur, Note: 1,0, Universität Hamburg (Institut für Anglistik und Amerikanistik), Veranstaltung: Family Affairs: Recent American Memoir, Sprache: Deutsch, Abstract: The recollection of traumatic memories is often fraught with enormous difficulties for a person affected by trauma. This is due to a disruption of memories, something that Cathy Caruth alludes to in her definition of trauma in Unclaimed Experience: Trauma, Narrative and History by stating that the “response to the event occurs in the often delayed, uncontrolled, repetitive appearance of hallucinations and other intrusive phenomena”. In her definition, Caruth refers to the distorted powers of recollection that very often only allow the traumatised person to access small fragments, if any at all, of the traumatic event. Even though this derangement of memories constitutes a type of psychological defence, and therewith temporarily serves the psyche as a means of protection, it is not conducive to one’s mental health in the longer term. A much more beneficial long-term effect on the psyche of traumatised persons can be achieved through the conscious narration of trauma. In order for the traumatic event not to be triggered arbitrarily, the traumatic event must consciously be placed into the context of one’s own life story. Based on Mary Karr’s novel The Liars’ Club, this term paper not only reveals what it is that initially prevents the author from the sincere coping with trauma, but also analyses how Karr makes use of her post-traumatic experiences in the writing process in order to overcome these. So as to better illustrate the underlying themes of trauma, this paper includes several subsections that will help to gain further insights into the subject matter. Firstly, I would like to introduce the psychological effects of trauma and I hence included a subsection on Post-Traumatic Stress Disorder that shall introduce the basic relevance which trauma implicates. Secondly, I included a subsection on the two different pattern of defense of dissociation and repression as these frequently appear throughout the memoir. Following this, I added a section regarding the narration of trauma. A first subsection on the Narrative Exposure Therapy allows the reader to learn about a psychotherapeutic approach which is often used for the treatment of people suffering from Post-Traumatic Stress Disorder. A second subsection on certain writing strategies encompassing the narration of trauma shall complete the theoretical framework of this paper.
This is not your mother’s memoir. In The Chronology of Water, Lidia Yuknavitch, a lifelong swimmer and Olympic hopeful escapes her raging father and alcoholic and suicidal mother when she accepts a swimming scholarship which drug and alcohol addiction eventually cause her to lose. What follows is promiscuous sex with both men and women, some of them famous, and some of it S&M, and Lidia discovers the power of her sexuality to help her forget her pain. The forgetting doesn’t last, though, and it is her hard-earned career as a writer and a teacher, and the love of her husband and son, that ultimately create the life she needs to survive.
Mary Karr describes herself as a black-belt sinner, and this -- her fourth collection of poems --traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord -- but not yet!" has anyone brought such smart-assed hilarity to a conversion story. Karr's battle is grounded in common loss (a bitter romance, friends' deaths, a teenage son's leaving home) as well as in elegies for a complicated mother. The poems disarm with the arresting humor familiar to readers of her memoirs, The Liars' Club and Cherry. An illuminating cycle of spiritual poems have roots in Karr's eight-month tutelage in Jesuit prayer practice, and as an afterword, her celebrated essay on faith weaves the tale of how the language of poetry, which relieved her suffering so young, eventually became the language of prayer. Those of us who fret that poetry denies consolation will find clear-eyed joy in this collection.
Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre. Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate. Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.
The Liars' Club brought to vivid, indelible life Mary Karr's hardscrabble Texas childhood. Cherry, her account of her adolescence, "continued to set the literary standard for making the personal universal" (Entertainment Weekly). Now Lit follows the self-professed blackbelt sinner's descent into the inferno of alcoholism and madness—and to her astonishing resurrection. Karr's longing for a solid family seems secure when her marriage to a handsome, Shakespeare-quoting blueblood poet produces a son they adore. But she can't outrun her apocalyptic past. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in "The Mental Marriott," with an oddball tribe of gurus and saviors, awakens her to the possibility of joy and leads her to an unlikely faith. Not since Saint Augustine cried, "Give me chastity, Lord—but not yet!" has a conversion story rung with such dark hilarity. Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr's relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it.
The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem
"Searing . . . explores how identity forms love, and love, identity. Written in engrossing, intimate prose, it makes us rethink how blood’s deep connections relate to the attachments of proximity."—Andrew Solomon, author of Far from the Tree In the early 1980s, Mary Hall is a little girl growing up in poverty in Camden, New Jersey, with her older brother Jacob and parents who, in her words, were "great at making babies, but not so great at holding on to them." After her father leaves the family, she is raised among a commune of mothers in a low-income housing complex. Then, no longer able to care for the only daughter she has left at home, Mary's mother sends Mary away to Oklahoma to live with her maternal grandparents, who have also been raising her younger sister, Rebecca. When Mary is legally adopted by her grandparents, the result is a family story like no other. Because Mary was adopted by her grandparents, Mary’s mother, Peggy, is legally her sister, while her brother, Jacob, is legally her nephew. Living in Oklahoma with her maternal grandfather, Mary gets a new name and a new life. But she's haunted by the past: by the baby girls she’s sure will come looking for her someday, by the mother she left behind, by the father who left her. Mary is a college student when her sisters start to get back in touch. With each subsequent reunion, her family becomes closer to whole again. Moving, haunting, and at times wickedly funny, Bastards is about finding one's family and oneself.
From Mary Karr comes this gorgeously written, often hilarious story of her tumultuous teens and sexual coming-of-age. Picking up where the bestselling The Liars' Club left off, Karr dashes down the trail of her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom. Fleeing the thrills and terrors of adolescence, she clashes against authority in all its forms and hooks up with an unforgettable band of heads and bona-fide geniuses. Parts of Cherry will leave you gasping with laughter. Karr assembles a self from the smokiest beginnings, delivering a long-awaited sequel that is both "bawdy and wise" (San Francisco Chronicle).
The author, a poet, recounts her difficult childhood growing up in a Texas oil town.