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In this compelling book, Elan Golomb identifies the crux of the emotional and psychological problems of millions of adults. Simply put, the children of narcissist—offspring of parents whose interest always towered above the most basic needs of their sons and daughters—share a common belief: They believe they do not have the right to exist. The difficulties experienced by adult children of narcissists can manifest themselves in many ways: for examples, physical self-loathing that takes form of overeating, anorexia, or bulimia; a self-destructive streak that causes poor job performance and rocky personal relationships; or a struggle with the self that is perpetuated in the adult's interaction with his or her own children. These dilemmas are both common and correctable, Dr. Golomb tells us. With an empathic blend of scholarship and case studies, along with her own personal narrative of her fight for self, Dr. Golomb plumbs the depths of this problem, revealing its mysterious hold on the affairs of otherwise bright, aware, motivated, and worthy people. Trapped in the Mirror explores. the nature of the paralysis and lack of motivation so many adults feel stress and its role in exacerbating childhood wrongs why do many of our relationships seem to be "reruns" of the past how one's body image can be formed by faulty parenting how anger must be acknowledge to be overcome and, most important, how even the most traumatized self can be healed. Rooted in a profoundly humanist traditional approach, and suffused with the benefit of the latest knowledge about intrafamily relationships, Trapped in the Mirror offers more than the average self-help book; it is truly the first self-heal book for millions.
Famous professor Joseph Wieder was brutally murdered, and the crime was never solved. Years later when literary agent Peter Katz receives an incomplete memoir written by a student of the murdered professor, he becomes obsessed with solving the crime.
Lily loves all things dark and mysterious, so when she discovers a magic mirror in a locked room it's like a dream come true. Or is it ... Lily now has a new friend who desperately needs her help. But she's also got an older brother who really needs to get a life. Lily will require all eleven fingers, plus a hefty slice of Grandad's chocolate ganache cake, to fix a long-forgotten tragedy that's very close to home.
Jesse Rigsby hates video games—and for good reason. You see, a video game character is trying to kill him. After getting sucked in the new game Full Blast with his friend Eric, Jesse starts to see the appeal of vaporizing man-size praying mantis while cruising around by jet pack. But pretty soon, a mysterious figure begins following Eric and Jesse, and they discover they can't leave the game. If they don't figure out what's going on fast, they'll be trapped for good! With black-and-white illustrations throughout and a cliff hanger at the end of every chapter, this is a great series for kids who think they don’t like to read!
Two sisters. One a witch and a queen. The other transformed by her sister's touch into a mirror--a mirror with voice and memory and magic, but no power to transform herself back to the girl she once was. And then, mysteriously, the queen disappears and another girl finds the mirror. This girl has troubles of her own, but she is also a means to escape and soon the girl and the mirror are on their way to find the magic that will bring both pain and hope to both of them. Mette Harrison's mesmerizing voice spins a breathtaking tale of love, lies, and redemption.
How do novels travel through time? How might they endure in a changing world and reach the readers of an unknowable future? Modernist writers were eager to think of their books as reaching audiences they could not yet imagine. In recent years however, scholars of modernism have focused on pinning them down: putting these books in their context and these authors in their place. By looking to the future, scholars fear that looking to the future will make literature disengaged, irresponsible, or apolitical; the worry is that literature cannot escape its own moment without also evading the hard truths of history. Out of Context suggests an alternative to this scholarship, proposing that literature travels through time not by transcending history, but by adapting to historical change. The chapters of this book each pair a modernist author with a later reader. In each case, this future reader is also a novelist--someone who reads with an eye to form and craft, and who puts what they see to new use in their own novels. James Baldwin adapts Henry James's modes of characterization; Ngugi wa Thiong'o repurposes Joseph Conrad's nonchronological narratives; and Ken Kesey builds on William Faulkner's use of multiple perspectives. Reading the modernists through these authors' eyes offers a different perspective on them. Literary forms, in this history, do not have intrinsic political meanings; they have a multitude of political uses. Rather than see modernist literary form, in all its fragmentation and complexity, as a source of disruption and doubt, these later authors use modernist forms to distill doubts into conviction. The experiments of modernist fiction stand revealed as tools not of political critique but of political commitment.
If you've ever felt trapped by something—a destructive relationship, a dead-end job, a bad habit—you may believe freedom isn't possible for you. But Trapped shows each of us how we can live beyond our most persistent, life-controlling struggles and experience freedom because of one key gospel truth.
There is a group of unrecognized victims whose number is very great. They often do not seek the help they need because they don't recognize they suffer from a problem for which there is a solution. These are the children of narcissistic parents.
Lucy Dwin’s coronation awaits her, and she is brimming with excitement and confidence. Suddenly, she feels tension and uncertainty build within her, and she does not feel as ready for her big day as she presumed, until her special someone, her best friend, Justin Lotto, her parents’ enemy’s son, is there for support and reassurance. One afternoon, he and Lucy go for a stroll in this ‘mysterious’ forest that is near his castle. Once she finds something that seems so ordinary and “fairly basic”, she doesn't mind taking it with her and deciding that she will keep it in her bedroom. Little does she know there’s magic within it that originates from an exotic enchanted realm that she and Justin are bound to explore.
The Adventure holiday of A lifetime It had been billed as the holiday of a lifetime. A destination with everything a holiday maker could possibly want. There were towns and cities where they could shop until they dropped and beaches, clubs and nightlife with all kinds of exotic food and drink and anything else they might feel like trying. There were desserts that stretched into infinity, mountains that scaled incredible heights and seas that could challenge even the most jaded pallet. For those of a quieter persuasion there was an abundance of gently rolling countryside in which to relax. So just where did it all go wrong? Just when was it that their dream holiday turned into the Holiday from Hell? For many people on our planet this could be said to be an apt description of their journey through life. From the pain of individual relationships to the devastation of natural disasters and wars, it’s no wonder we sometimes question the reasons we are here. The Holiday from Hell describes our spiritual journey from the beginning of our holiday on the earth plane to the end of our time in this physical body. It argues that if we change our perceptions of why we are here and begin to understand the origins of some of our political and religious conflicts we can at last begin to enjoy our lives.