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This book brings together research from medical and film archives to illustrate the cultural impact of film and literature in its relationship to the discourse of plastic surgery in the 1920s. This different take on reading the body after the First World War enables students of multiple disciplines, and readers interested in both Hollywood and post-war culture, to understand some of the complexities of medical interventions gained after the First World War and the way in which they filtered into the world of Hollywood film making. It also allows readers who may not be familiar with these two 1920s stars to access the films of Lon Chaney and the books and films of Elinor Glyn and gain new insights into 1920s visual culture. For ease of readership, the book is organised so that each of the main chapters focuses on a particular film (either Lon Chaney or Elinor Glyn). This is particularly useful for use in the classroom or for online education. Readers can refer to the film directly, aided by illustrations of frames from the films. This book tells the story of how two stars of Hollywood film transformed their character’s faces on screen through a close reading of three films in the 1920s. It reveals how they applied their embodied knowledge of surgery and surgical procedures to broaden their audience’s emotional and intellectual understanding of the treatment of deformity and disability.
"I came into this world Sean John Marshall. I am twenty-seven years old, and was born and raised in Colorado Springs, Colorado. I am a fine artist, author, a proud father of one beautiful baby girl, and an all-around entrepreneur. But all of my pursuits came to an abrupt halt when I was consumed by a life of crime. For so long I became a part of a problem. Growing up in and around the streets, Ive caused much destruction in my lifetime. Ive been a part of gang violence, sold drugs, and was involved in countless thefts and armed robberies. Now my life's focus is to inspire, teach, uplift and mend. I now use life's experiences to grow and learn. I feel obligated to pass on all the insight and knowledge I've obtained throughout the years to whoever I can. By doing so, people can learn from my mistakes and use me as an example, because I've seen darker truths that people need not witness themselves. I've walked rocky paths on which those can only stumble. And if by sharing my views on paper and pouring my heart out through a pen can inspire or save just one life, if by writing I can prevent someone from making some of the same mistakes I've made, I will have done my part. I will have at least saved one soul from having to suffer the afflictions I've faced. And for that reason alone, I write. And for that reason alone, I'll forever share my truths"--Colophon.
This book reviews the cross-disciplinary debate sparked by renewed interest in Elinor Glyn’s life and legacy by film scholars and literary and feminist historians and offers a range of views of Glyn's cultural and historical significance and areas for future research. Elinor Glyn was a celebrity figure in the 1920s. In the magazines she gave tips on beauty and romance, on keeping your man and on the contentious issue of divorce. Her racy stories were turned into films – most famously, Three Weeks (1924) and It (1927). Decades on the ‘It Girl’ remains in common currency, defining the sexy, sassy and alluring young woman. She was beloved by readers of romance, and her films were distributed widely in Europe and the Americas. They were viewed by the judiciary as scandalous, but by others—Hollywood and the Spanish Catholic Church—as acceptably conservative. Glyn has become a peripheral figure in histories of this period, marginalized in accounts of the youth-centred ‘flapper era’. This book features scholarship by Stacy Gillis, Annette Kuhn, Nickianne Moody, Caterina Riba and Carme Sanmartí, Lisa Stead, Karen Randell, and Alexis Weedonand includes, translated for the first time, the intertitles for Márton Garas, 1917 film of Three Weeks, Három hét by Orsolya Zsuppán. The chapters in this book were originally published as a special issue of Women: A Cultural Review.
Dive into Wendy Lawton's newest teen fiction series based on the reality television craze called Real TV - Real Transformations. In Changing Faces, Olivia O'Donnell wins a total fashion makeover on the hot, new reality TV show of the same name. After her whirlwind trip to Hollywood, she comes home sporting a polished, uptown look. As she deals with her over-committed schedule and the changed attitude of those around her, she has to face the fact that her polish is only skin deep.
In contrast to most migration studies that focus on specific “foreigner” groups in Germany, this study simultaneously compares and contrasts the legal, political, social, and economic opportunity structures facing diverse categories of the ethnic minorities who have settled in the country since the 1950s. It reveals the contradictory, and usually self-defeating, nature of German policies intended to keep “migrants” out—allegedly in order to preserve a German Leitkultur (with which very few of its own citizens still identify). The main barriers to effective integration—and socioeconomic revitalization in general—sooner lie in the country’s obsolete labor market regulations and bureaucratic procedures. Drawing on local case studies, personal interviews, and national surveys, the author describes “the human faces” behind official citizenship and integration practices in Germany, and in doing so demonstrates that average citizens are much more multi-cultural than they realize.
Desperation can make people do strange things...Janet sacrificed her freedom for a man who didn't love her and took the heat for a crime he committed. After years in jail and being reunited with her daughter, Brandy, Janet is finally starting her life afresh. Kevin comes into her life and is the solid foundation during an unstable time in her life. However, Kevin has his own drama to contend with. His beautiful ex-girlfriend, Chara cannot seem to understand that Kevin has moved on with his life. After all she broke up with him. Chara doesn't see it that way. Kevin belongs to her. No one will take what belongs to her ask the other women who made that same mistake. Janet's daughter, Brandy endured much suffering and pain while her mom was in prison. Tyrone was the one man who she thought would always be there for her, that was until he abandoned her. Familiar Strangers, Changing Faces explores how desperation can push men and women to the edge of sanity.
Changing Faces - America's Wealth AdvisorsThe Place for Aspiring and Young Financial Services Professionals i.e. "Young" In Business"
Have you ever wanted to be someone else? What if you could temporarily become whatever alter ego you selected through the magic of professional costume make-up artistry a la "Mrs. Doubtfire?" You could achieve the Modern American Dream of advancing career, while completely avoiding personal responsibility as someone else! Just think of the mischief and blackmail possibilities! Mark Hyde was a fairly successful junior stock analyst. However, there was an unending wave of young workaholics, just like him, competing for the same pot of gold. How would he rise above the pack without sticking his neck out too far? As a clothing analyst, Mark needed to gain access to the hip-hop culture that sets the apparel trends for young people, black and white. Unfortunately, Mark wasn't very fly as a white guy. However, his cousin, Cindy, worked in Hollywood with the world's best costume make-up artists. Ta da! Introducing J'Marcus White! After Mark's boss coerced him into upgrading a stock recommendation so his firm could reap the lucrative underwriting fee that accompanied the secondary stock offering, the investment community uncovered this illegal quid pro quo, and Mark was made the scapegoat. Could he get his life back? Maybe J'Marcus could help.
How can a man be in two places at once? An evil, ancient as time itself is inadvertently set free and begins to feed, threatening the Drycenian home world and all of her people with extinction. A crime of unimaginable horror promises to destroy a bond of friendship that once transcended the gulf between two alien races. An unspeakable murder with just one obvious suspect. As Vincent faces execution, his friends find a truth so terrifying that none wishes to believe it. What was once just whispered tales around the firesides of drunken men, is now these friends' horrifying reality, and one for which they must find a solution before it is too late for Vincent. A cold and primitive world, half a galaxy away, proves to hold the only thread of hope for resolution, held within the memory of a mysterious spiritual leader. As the Drycenians continue to die, the friends must find out how to kill an evil so ancient, it is thought to be nothing more than legend.
One man's tale of running from a life that has fallen apart, running open-heartedly into the mysteries of India. Drawn by a vision, he journeys into the Himalayas, encountering angels in strange disguise. Meanwhile, a frightening inward collapse of identity takes its inexorable course. His fevered mind hears the erotic whispers of a woman he knows to be his true love - but is she real or a divine creation of his delirious imagination? She urges him to abandon scepticism, to allow himself to be vulnerable, that these are the doorways to a greater love than he has ever known. A tale of an unplanned pilgrimage to the four corners of the earth and to the heart of the Self.