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The fiftieth anniversary of the Easter Rising has been held responsible for many things. "Transforming 1916" explores the meaning and memory of the Easter Rising anniversary through parades, statues, pageants, television programs, exhibitions and documentary film. It argues that the fiftieth anniversary of the Easter Rising was not, in fact, an unrestrained celebration of Irelands past but represented instead an attempt to convey a message of modernization and economic progress.
The Easter Rising began at 12 noon on 24 April, 1916 and lasted for six short but bloody days, resulting in the deaths of innocent civilians, the destruction of many parts of Dublin and the true beginning of Irish independence. The 1916 Rising was born out of the Conservative and Unionist parties' illegal defiance of the democratically expressed wish of the Irish electorate for Home Rule; and of confusion, mishap and disorganisation, compounded by a split within the Volunteer leadership. Tim Pat Coogan introduces the major players, themes and outcomes of a drama that would profoundly affect twentieth-century Irish history. Not only is this the story of a turning point in Ireland's struggle for freedom, but also a testament to the men and women of courage and conviction who were prepared to give their lives for what they believed was right.
Children of the Rising is the first ever account of the young lives violently lost during the week of the 1916 Rising: long-forgotten and never commemorated, until now. Boys, girls, rich, poor, Catholic, Protestant - no child was guaranteed immunity from the bullet and bomb that week, in a place where teeming tenement life existed side by side with immense wealth. Drawing on extensive original research, along with interviews with relatives, Joe Duffy creates a compelling picture of these forty lives, along with one of the cut and thrust of city life between the two canals a century ago. This gripping story of Dublin and its people in 1916 will add immeasurably to our understanding of the Easter Rising. Above all, it honours the forgotten lives, largely buried in unmarked graves, of those young people who once called Dublin their home.
So much of the literature on the First World War centers on the trench warfare of the Western Front, and these were essential battlegrounds. But the war was in fact truly a global conflict, and by focusing on a sequence of events in 1916 across many continents, historian Keith Jeffery's magisterial work casts new light on the Great War. Starting in January with the end of the catastrophic Gallipoli campaign, Jeffery recounts the massive struggle for Verdun over February and March; the Easter Rising in Ireland in April; dramatic events in Russia in June on the eastern front; the familiar story of the war in East Africa, where some 200,000 Africans may have died; and the November U.S. presidential race in which Woodrow Wilson was re-elected on a platform of keeping the United States out of the war--a position he reversed within five months. Incorporating the stories of civilians in all countries, both participants in and victims of the war, 1916: A Global History is a major addition to the literature and the Great War by a historian at the height of his powers.
We know from our literary histories that there was a movement called the Irish Literary Renaissance, and that Yeats was at its head. We know from our political histories that there is now a Republic of Ireland because of a nationalistic movement that, militarily, began with the insurrection of Easter Week, 1916. But what do these two movements have to do with one another?... Because I came to history with literary eyes, I could not help seeing history in terms and shapes of imaginative experience. Thus Movement, Myth, and Image came to be the way in which the nature of the insurrection appeared to me. This method of analyzing historical event as if it were a work of art is not altogether as inappropriate as it might seem when the historical event happens to be a revolution. The Irish revolutionaries lived as if they were in a work of art, and this inability to tell the difference between sober reality and the realm of imagination is perhaps one very important characteristic of a revolutionary. The tragedy of actuality comes from the fact that when, in a revolution, history is made momentarily into a work of art, human beings become the material that must be ordered, molded, or twisted into shape. (from the preface)
On Easter Monday 1916, a disciplined group of Irish Volunteers seized the city's General Post Office in what would become the defining act of rebellion against British rule. This book unravels the events in and around the GPO during the Easter Rising of 1916, revealing the twists and turns that the myth of the GPO has undergone in the last century.
At age fifteen, Ned Halloran lost both of his parents--and almost his own life--when the Titanic sank. Determined to keep what little he has, he returns to his homeland of Ireland and enrolls at Saint Edna's school in Dublin. Saint Edna's headmaster is the renowned scholar and poet, Patrick Pearse--who is soon to gain greater fame as a rebel and patriot. Ned becomes deeply involved with the growing revolution . . . and the sacrifices it will demand. Through Ned's eyes, Morgan Llywelyn's 1916 examines the Irish fight for freedom--inspired by poets and schoolteachers, fueled by a desperate desire for independence, and played out in the historic streets of Dublin against the background of World War I. It is a story of the brave men and heroic women who, for a few unforgettable days, managed to hold out against the might of the British Empire. The Irish Century Novels 1916: A Novel of the Irish Rebellion 1921: The Great Novel of the Irish Civil War 1949: A Novel of the Irish Free State 1972: A Novel of Ireland's Unfinished Revolution 1999: A Novel of the Celtic Tiger and the Search for Peace
When Andrew Jackson’s removal policy failed to solve the “Indian problem,” the federal government turned to religion for assistance. Nineteenth-century Catholic and Protestant reformers eagerly founded reservation missions and boarding schools, hoping to “civilize and Christianize” their supposedly savage charges. In telling the story of the Saint Francis Indian Mission on the Sicangu Lakota Rosebud Reservation, Converting the Rosebud illuminates the complexities of federal Indian reform, Catholic mission policy, and pre- and post-reservation Lakota culture. Author Harvey Markowitz frames the history of the Saint Francis Mission within a broader narrative of the battles waged on a national level between the Catholic Church and the Protestant organizations that often opposed its agenda for American Indian conversion and education. He then juxtaposes these battles with the federal government’s relentless attempts to conquer and colonize the Lakota tribes through warfare and diplomacy, culminating in the transformation of the Sicangu Lakotas from a sovereign people into wards of the government designated as the Rosebud Sioux. Markowitz follows the unpredictable twists in the relationships between the Jesuit priests and Franciscan sisters stationed at Saint Francis and their two missionary partners—the United States Indian Office, whose assimilationist goals the missionaries fully shared, and the Sicangus themselves, who selectively adopted and adapted those elements of Catholicism and Euro-American culture that they found meaningful and useful. Tracing the mission from its 1886 founding in present-day South Dakota to the 1916 fire that reduced it to ashes, Converting the Rosebud unveils the complex church-state network that guided conversion efforts on the Rosebud Reservation. Markowitz also reveals the extent to which the Sicangus responded to those efforts—and, in doing so, created a distinct understanding of Catholicism centered on traditional Lakota concepts of sacred power.
The 1916 Revolt was a key event in the history of Central Asia, and of the Russian Empire in the First World War. This volume is the first comprehensive re-assessment of its causes, course and consequences in English for over sixty years. It draws together a new generation of leading historians from North America, Japan, Europe, Russia and Central Asia, working with Russian archival sources, oral narratives, poetry and song in Kazakh and Kyrgyz. These illuminate in unprecedented detail the origins and causes of the revolt, and the immense human suffering which it entailed. They also situate the revolt in a global perspective as part of a chain of rebellions and disturbances that shook the world’s empires, as they crumbled under the pressures of total war.