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The dawn of the twentieth century saw the birth of the New Woman, a cultural and literary ideal that replaced Victorian expectations of domesticity with visions of social, political, and economic autonomy. Although such writers as Edith Wharton and Kate Chopin treated these ideals in well-known literature of that era, marginalized women also explored changing gender roles in works that deserve more attention today. This book is the first study to focus solely on multiethnic women writers' responses to the ideal of the New Woman in America, opening up a world of literary texts that provide new insight into the phenomenon. Charlotte Rich reveals how these authors uniquely articulated the contradictions of the American New Woman, and how social class, race, or ethnicity impacted women's experiences of both public and private life in the Progressive era. Rich focuses on the work of writers representing five distinct ethnicities: Native Americans S. Alice Callahan and Mourning Dove, African American Pauline Hopkins, Chinese American Sui Sin Far, Mexican American María Cristina Mena, and Jewish American Anzia Yezierska. She shows that some oftheir works contain both affirmative and critical portraits of white New Women; in other cases, while these authorsalign their multiethnic heroines with the new ideals, those ideals are sometimes subordinated to more urgent dialogues about inequality and racial violence. Here are views of women not usually encountered in fiction of this era. Callahan's and Mourning Dove's novels allude to women's rights but ultimately privilege critiques of violence against Native Americans. Hopkins's novels trace an increasingly pessimistic trajectory, drawing cynical conclusions about black women's ability to thrive in a prejudiced society. Mena's magazine portraits of Mexican life present complex critiques of this independent ideal of womanhood. Yezierska's stories question the philanthropy of socially privileged Progressive female reformers with whom immigrant women interact. These writers' works sometimes affirm emerging ideals but in other cases illuminate the iconic New Woman's blindness to her own racial and economic privilege. Through her insightful analysis, Rich presents alternative versions of female autonomy, with characters living outside the mainstream or moving between cultures. Transcending the New Woman offers multiple ways of transcending an ideal that was problematic in its exclusivity, as well as an entrée to forgotten works. It shows how the concept of the New Woman can be seen in newly complex ways when viewed through the writings of authors whose lives often embody the New Woman's emancipatory goals-and whose fictions both affirm and complicateher aspirations.
Real-world life lessons about acknowledging and celebrating all the things that make you unique, from TikTok sensation, model and LGBTQI+ advocate, AJ Clementine. AJ Clementine always knew she was a girl. The problem was, she'd been born in a magical shell that looked, on the outside, like a perfect little boy. In her teens, this conflict between her outer and inner selves exploded, igniting years of anxiety and panic attacks. Now fast becoming one of the world's most visible transgender spokespeople, AJ's journey to accept and live as her true self has captivated hundreds of thousands of people on TikTok, Youtube and Instagram, where she has shared her gender transition, what it was like to grow up Wasian in a blended family, and her transformation into a model, influencer and trans advocate. In Girl, Transcending, AJ weaves her experiences, advice, reflections and snippets of inspiration into a powerful tool to help us understand and celebrate what makes each of us unique, not only those in the LGBTQI+ community but anyone finding their way in the world. Honest, positive and empowering, AJ shines a light on her path to self-love and acceptance - the hardest bits, the parts we rarely see - in the hopes of a brighter, more inclusive future for all.
The author critiques the depictions of multiracial Americans in contemporary culture.
Grieving Beyond Gender: Understanding the Ways Men and Women Mourn is a revision of Men Don’t Cry, Women Do: Transcending Gender Stereotypes of Grief. In this work, Doka and Martin elaborate on their conceptual model of "styles or patterns of grieving" – a model that has generated both research and acceptance since the publication of the first edition in 1999. In that book, as well as in this revision, Doka and Martin explore the different ways that individuals grieve, noting that gender is only one factor that affects an individual’s style or pattern of grief. The book differentiates intuitive grievers, where the pattern is more affective, from instrumental grievers, who grieve in a more cognitive and behavioral way, while noting other patterns that might be more blended or dissonant. The model is firmly grounded in social science theory and research. A particular strength of the work is the emphasis placed on the clinical implications of the model on the ways that different types of grievers might best be supported through individual counseling or group support.
Aging in women has traditionally been defined by the menopause, however it is often social and economic changes which are more important to women. In Aging in Women Linda Gannon redresses the balance. From a feminist perspective, she critically reviews current research and provides a more comprehensive analysis of the psychological effects of life-span changes for older women. Some of the topics she explores include second careers, empty-nest, divorce, chronic illness, retirement and sexuality.
This book provides research-based evidence within the Competing Values Framework to examine women's leadership styles, demonstrate their suitability for senior management positions, and show how employers must embrace women in leadership roles in order for their companies to be diversified and globalized. There is abundant proof that women in senior positions can make boardrooms "smarter" and companies more successful. And with a mastery of transformational and transactional roles, women possess a far larger behavioral repertoire to deal with stress than men—an advantage in any crisis situation. Even so, the glass ceiling still exists. Developing Women Leaders in Corporate America: Balancing Competing Demands, Transcending Traditional Boundaries focuses on the research-based Competing Values Framework (CVF), an organizing schema that enables leaders to assess empirically personal strengths and weaknesses, and analyze and manage organizational situations. Each chapter showcases concrete evidence of women's ability to succeed at the top levels of management and their skills that add value to employers, and then utilizes CVF to pinpoint specific challenges for women leaders and identify practical strategies for success. This book will enable women leaders and managers, employers, company executives, leadership development consultants, business educators, HR directors, and trainers to reduce stereotyping associated with women in male-populated careers. The author also explains why women, more than men, possess characteristics that help ensure success in international assignments.
Human sexuality is a very important subject, especially in a cultural context such as ours, in which social and work transformations offer behavioral models that are characterized by a remarkable sexual indeterminacy. In Transcending Gender Ideology, Antonio Malo tries to rethink sexuality with equilibrium and intellectual rigor, using a philosophical approach, since sexuality does not only affect biological aspects or social conditioning, but above all the same essence of the relationship between man and woman. Malo’s reflections begin with the historical evolution of the concept of sexuality: the naturalistic conception, which sees the difference between man and woman as something biological and absolute, and the postmodern conception, which criticizes it by judging human sexuality as a socio-cultural construction or gender. According to Malo, the limitation of the gender approach is to deny the relationship of human sexuality to the body and to the differences between man and woman. In fact, by rejecting these aspects, they end up sustaining a limitless creativity of freedom, which transforms the body into something that is used at will, and relationships as something fluid. Faced with these extremes, Malo proposes a vision of sexuality as a personal condition or sexed condition, received at the time of birth, but which develops, grows and matures through family models, experiences and relationships. Even if based on an original sexual difference, sexed condition covers many other aspects: physical, psychological, social and cultural, as well as behavioral patterns and, above all, the personal integration of sexuality through the gift of oneself in marriage or in celibacy.
"The memoir of Holocaust survivor Estelle Glaser Laughlin, published sixty-four years after her liberation from the Nazis"--Provided by publisher.
"The Middle Place is about calling home. Instinctively. Even when all the paperwork -- a marriage license, a notarized deed, two birth certificates, and seven years of tax returns -- clearly indicates you're an adult, but all the same, there you are, clutching the phone and thanking God that you're still somebody's daughter." For Kelly Corrigan, family is everything. At thirty-six, she had a marriage that worked, a couple of funny, active kids, and a weekly newspaper column. But even as a thriving adult, Kelly still saw herself as George Corrigan's daughter. A garrulous Irish-American charmer from Baltimore, George was the center of the ebullient, raucous Corrigan clan. He greeted every day by opening his bedroom window and shouting, "Hello, World!" Suffice it to say, Kelly's was a colorful childhood, just the sort a girl could get attached to. Kelly lives deep within what she calls the Middle Place -- "that sliver of time when parenthood and childhood overlap" -- comfortably wedged between her adult duties and her parents' care. But she's abruptly shoved into a coming-of-age when she finds a lump in her breast -- and gets the diagnosis no one wants to hear. And so Kelly's journey to full-blown adulthood begins. When George, too, learns he has late-stage cancer, it is Kelly's turn to take care of the man who had always taken care of her -- and show us a woman as she finally takes the leap and grows up. Kelly Corrigan is a natural-born storyteller, a gift you quickly recognize as her father's legacy, and her stories are rich with everyday details. She captures the beat of an ordinary life and the tender, sometimes fractious moments that bind families together. Rueful and honest, Kelly is the prized friend who will tell you her darkest, lowest, screwiest thoughts, and then later, dance on the coffee table at your party. Funny, yet heart-wrenching, The Middle Place is about being a parent and a child at the same time. It is about the special double-vision you get when you are standing with one foot in each place. It is about the family you make and the family you came from -- and locating, navigating, and finally celebrating the place where they meet. It is about reaching for life with both hands -- and finding it.
This multidisciplinary volume investigates different abortion and reproductive practices across time, space, geography, national boundaries, and cultures. The authors specialize in the reproductive politics of Australia, Bolivia, Cameroon, France, ‘German East Africa,’ Ireland, Japan, Sweden, South Africa, the United States, and Zanzibar, with historical focuses on the pre-modern era, nineteenth and twentieth centuries, as well as the present day. This timely work complicates the many histories and ongoing politics of abortion by exploring the conditions in which women have been forced to make these life-altering decisions.