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Excerpt from Transactions of the Albany Institute, Vol. 10 But, through Pennsylvania and all the country north and north-west of it, whenever both formations appear, their line of separation is a somewhat crisp one. It is evident from this that over most of the watery oor there occurred almost simultaneously some great physi cal change banishing the conditions favorable for the deposition or secretion of carbonate of lime and permitting the introduction and tranquil precipitation of dark, carbonaceous sandy clay or fine, gritty blue marl. These varying conditions of the formation along the line of contact with the inferior and superior strata have led to considering the Utica slate as an independent formation and, at the same time, as beds of passage between the Trenton and Hudson River formations. Prof. J. D. Danal unites all the rocks between the Chazy limestone and the Medina sandstone epochs under the term Trenton period. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
With alphabetical indexes of firms and trade specialties.