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Explore the living tradition of trance dancing, the practice of connecting with the subtle energies and secret knowledge of spirits through rhythmic movement to music. Written by an expert teacher who has trained and performed with top dancers in Paris, London, and Cairo, this meticulously researched, hands-on book delves into the history and modern practice of ecstatic dance. Discover a range of religious and spiritual trance dance traditions—from Egyptian zar ceremonies to Sufi whirling dervish techniques—and the entities you can contact through them. You’ll also find a detailed how-to section that provides a safe, effective, and fun way to connect with the ethereal realm from within your own home. Praise: “This is a must-read book. Keep Ms. Henkesh’s book in your reference library for the well-researched richness of its information and its understanding of the many types of zar.”—Sahra C. Kent (Saeeda), dance ethnologist and founder of Journey through Egypt “Yasmin writes beautifully and with great joy. She has done impressive research . . . into the mystifying corners of the supernatural and into the remarkable interfaces between body and mind.”—Robert Lebling, author of Legends of the Fire Spirits “Through a deep exploration of myth and science, history and belief, [Henkesh] reveals a compelling insight into these unusual yet ancient practices. Definitely a valuable resource.”—Laura Tempest Zakroff, fusion and sacred dance pioneer, performer, instructor, and author of The Witch's Cauldron
This book is intended to construct a basis for the understanding of the rites and practices associated with exorcism, or jinn eviction as it is performed within the maraboutic institution called zawiya. Jinn eviction as it occurs in the maraboutic institution reproduces ideologies and social hierarchies of traditional society through the use of a variety of healing symbols and rituals. These symbols are delved into for the benefit of understanding the perennial cultural foundations of the discourse and practice of power in Morocco. The result is an ethnography of possession that has combined meticulous ethnographic field work with critical discourse analysis.
This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.
'In this book Chris Allaun provides us with a wonderful road map of the different routes into the places that exist outside of time, space, and the five senses as we know them. He has also given us some valuable tools and techniques for using them. This is a delightful, inspiring, and enjoyable read.' Rev. Angie Buchanan, Senior Clergy of Earth Traditions, Certified Death Midwife Otherworld: Ecstatic Witchcraft for the Spirits of the Land is about establishing relationships with the spirits of the land. Many books talk about Faeries, but this book not only teaches about the Elves and Faery folk, but also how to have a working relationship with the spirits of plants, animals, and the land itself. Otherworld also teaches how to perform animal magick including shapeshifting for magick, healing, and establishing a deeper connection with animal spirits and discusses ecstatic trance techniques that will help practitioners work with the land spirits in a deep and profound way.
Ritual trance has always been closely associated with music—but why, and how? Gilbert Rouget offers and extended analysis of music and trance, concluding that no universal law can explain the relations between music and trance; they vary greatly and depend on the system of meaning of their cultural context. Rouget rigorously examines a worldwide corpus of data from ethnographic literature, but he also draws on the Bible, his own fieldwork in West Africa, and the writings of Plato, Ghazzali, and Rousseau. To organize this immense store of information, he develops a typology of trance based on symbolism and external manifestations. He outlines the fundamental distinctions between trance and ecstasy, shamanism and spirit possession, and communal and emotional trance. Music is analyzed in terms of performers, practices, instruments, and associations with dance. Each kind of trance draws strength from music in different ways at different points in a ritual, Rouget concludes. In possession trance, music induces the adept to identify himself with his deity and allows him to express this identification through dance. Forcefully rejecting pseudo-science and reductionism, Rouget demystifies the so-called theory of the neurophysiological effects of drumming on trance. He concludes that music's physiological and emotional effects are inseparable from patterns of collective representations and behavior, and that music and trance are linked in as many ways as there are cultural structures.
This important textbook provides a critical introduction to the social anthropology of religion, focusing on more recent classical ethnographies. Comprehensive, free of scholastic jargon, engaging, and comparative in approach, it covers all the major religious traditions that have been studied concretely by anthropologists - Shamanism, Buddhism, Islam, Hinduism, Christianity and its relation to African and Melanesian religions and contemporary Neopaganism. Eschewing a thematic approach and treating religion as a social institution and not simply as an ideology or symbolic system, the book follows the dual heritage of social anthropology in combining an interpretative understanding and sociological analysis. The book will appeal to all students of anthropology, whether established scholars or initiates to the discipline, as well as to students of the social sciences and religious studies, and for all those interested in comparative religion.
Create an authentic path of Witchcraft that works for you. How does a modern Witch embrace tradition while navigating a complex contemporary life? How can you remain true to your own authenticity when you're surrounded by a whole world of magical theories, practices, deities, and paths? Weave the Liminal explores what it means to truly be a Witch in the modern world. Through the accessible lens of Modern Traditional Witchcraft, Laura Tempest Zakroff helps you formulate a personalized Witchcraft practice and deepen your work with spirits, ancestors, familiars, and the energies of the liminal realm. This book is a guide to connecting to your deepest feelings and intuitions about your roots, your sense of time, the sources of your inspiration, and the environments in which you live. It supports your experience of spellcrafting and ritual, and teaches you about metaphysical topics like working with lunar correspondences and creating sacred space. Discover valuable insights into practical issues such as teachers, covens, oaths, and doing business as a Witch. Modern Traditional Witchcraft is a path of self-discovery through experience. Let Weave the Liminal be your guide and companion as you explore the Craft and continue evolving the rich pattern of your magical life. Praise: "Laura Tempest Zakroff has made Witchcraft accessible to beginners in a way that changes generations. You'll be recommending this book for decades to come."—Amy Blackthorn, author of Blackthorn's Botanical Magic
Many global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions. The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship. This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.
Women are working internationally to build a world based on gender equality and justice. Their concerns are shaped by conditions in their own countries and regions, and also by conditions for women in other parts of the world. Links forged by globalization, international relations, United Nations gender equality and development programs, and women's nongovernmental organizations connect their futures. This groundbreaking reference set documents the achievements and current challenges for all women, providing distortion-free and newly available information about women's status, in matters from education to violence, in more than 130 countries in the world's most populated areas. Written by an international host of contributing specialists, this set is accessible to high school students and above. Its consistent narrative coverage and relevant statistics are ideal for research and comparisons. Readers will find that conceptions of women's issues vary by country as the set illuminates diverse perspectives and contemporary practices that shape the variations in equality and well-being among women. Judicious inclusion of historical processes helps frame the issues in a holistic perspective. Volume maps, individual country maps, tables, photos, and indexes by set and volume are also included.
Dancing for Health explains the cognitive, emotional, and physical dimensions of dance in a spectrum of stress management approaches. Designed for anyone interested in health and healing, this book offers lessons learned from the experiences of people of different cultures and historical periods, as well as current knowledge, on how to resist, reduce, and dance away stress in the disquieting times of the 21st century.