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Drawing insight from W.E. B. Du Bois, Frederick Douglass and Toni Morrison, Terrence L. Johnson recasts the debate on the proper role of religion in politics as one about liberalism's failure to address the moral issues implicated in human suffering, subjugation and death as they emerge within political responses to antiblack racism, imperialism and sexism.
The Souls of W. E. B. Du Bois is a collection of articles that treat Du Bois on the subject of religion by reintroducing his life and work to an audience that may be familiar with his work generally but may never have seen analyses of his study of religion. Because the project includes articles that examine both Du Bois's personal religious life along with his examination of religion, the editors seek to add not only to our knowledge of Du Bois's scholarly contributions but also hope to shed light on his personal life and religiosity. Also, in treating the biography and career of a thinker whose work covers much of the twentieth century, the editors intend this work to address larger issues related to religion in the United States over the course of the century.
Based on a thematic and topical structure, this handbook provides scholars and advanced students detailed description, analysis, and constructive discussions concerning African American theology - in the forms of black and womanist theologies. This volume surveys the academic content of African American theology by highlighting its sources; doctrines; internal debates; current challenges; and future prospects, in order to present key topics related to the wider palette of black religion in a sustained scholarly format.
Who are the "Nones"? What does humanism say about race, religion and popular culture? How do race, religion and popular culture inform and affect humanism? The demographics of the United States are changing, marked most profoundly by the religiously unaffiliated, or what we have to come to call the "Nones". Spread across generations in the United States, this group encompasses a wide range of philosophical and ideological perspectives, from some in line with various forms of theism to those who are atheistic, and all sorts of combinations in between. Similar changes to demographics are taking place in Europe and elsewhere. Humanism: Essays on Race, Religion and Popular Culture provides a much-needed humanities-based analysis and description of humanism in relation to these cultural markers. Whereas most existing analysis attempts to explain humanism through the natural and social sciences (the "what" of life), Anthony B. Pinn explores humanism in relation to "how" life is arranged, socialized, ritualized, and framed. This ground-breaking publication brings together old and new essays on a wide range of topics and themes, from the African-American experience, to the development of humanist churches, and the lyrics of Jay Z.
Many have used the term 'tragic' to refer to African American religious and cultural experience. After a studied meditation on and articulation of the 'tragic vision,' Johnson argues that African American Christian Consciousness is an expression of the tragic and a tragic expression of the Christian Faith.
David Ritz presents his uniquely candid and and intimate account of the tumultuous life of the Prince of Soul music, Marvin Gaye. Author Ritz has assembled years of conversations and interviews from his life as a close friend and lyricist to the gifted Soul sensation, and tells the Marvin Gaye story with fly-on-the-wall accuracy and detail. From his early years as an abused child in the slums of Washington DC, through his rise to the very peaks of the Motown phenomenon, his fall from grace and subsequent comeback, to his untimely death at the hands of his father, Marvin's story is the stuff of legends. The cast of characters includes the Jacksons, Smokey Robinson, Diana Ross and countless other icons of the world of soul music.The definitive biography of an enormously gifted and sensitive musician.
Tragedy to Triumph will take the reader into a world of suffering of innocent children in the name of religion while the children were held captive for over twenty two years while a self proclaimed preacher evaded the law. In this story four adults were directly responsible for the atrocities that occurred against the children. What was seemingly a normal family to the outside world was anything but normal. Inside the home innocence was lost and hearts were broken while the children continued to suffer in silence. This book is written in hopes of saving lives and bring to the forefront the insidious disease that permeated our family leaving chaos in its wake. This book is also about a love that existed between a brother and sister as they lived in two separate worlds living by “Faith”, believing they were to see one another again.
This collection of essays explores the gamut of Toni Morrison’s novels from her earliest to her most recent. Each of the essays examines the various ways in which Morrison’s work delineates and interrogates Western culture’s ideological norms of mothers, motherhood, and mothering. The essays consider Morrison’s female, and in some cases male, characters as challenging the concept that mothering and motherhood is a stable notion. The essays reveal both that mothering is a central concept in Morrison’s work and that an examination of this pervasive notion illuminates her corpus as a whole. Toni Morrison on Mothers and Motherhood offers a wide range of scholarship that provides a compelling look at Morrison’s work through an array of interdisciplinary approaches that are grounded in feminist/gender studies. This interdisciplinary collection of essays will be of interest to scholars and critics concerned with the notions of how we define mother/motherhood/mothering and the problem of its interpretation within Western society, as well as those engaged in the interpretation of African-American literature, and Morrison’s work in particular.
Ralph Ellison is justly celebrated for his epochal novel Invisible Man, which won the National Book Award in 1953 and has become a classic of American literature. But Ellison’s strange inability to finish a second novel, despite his dogged efforts and soaring prestige, made him a supremely enigmatic figure. Arnold Rampersad skillfully tells the story of a writer whose thunderous novel and astute, courageous essays on race, literature, and culture assure him of a permanent place in our literary heritage. Starting with Ellison’s hardscrabble childhood in Oklahoma and his ordeal as a student in Alabama, Rampersad documents his improbable, painstaking rise in New York to a commanding place on the literary scene. With scorching honesty but also fair and compassionate, Rampersad lays bare his subject’s troubled psychology and its impact on his art and on the people about him.This book is both the definitive biography of Ellison and a stellar model of literary biography.