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(Music Sales America). This book is a major collection of traditional Irish slow airs that captures the essence and beauty of Irish traditional music. Included in the 118 airs that make up this fabulous compilation, are some of the great sean-nos (old style) airs as well as tunes by Caloran and other favorite and well-known pieces. Author Tomas O'Canainn has a lifetime of experience both performing and teaching Irish music and his selection of beautiful, soaring and majestic slow airs is ideal for extending your repertoire for any melody instrument. These relatively easy pieces are also suitable for those approaching Irish slow airs for the first time. Includes access to online audio, presenting every tune in the book played by the author and an ensemble of expert traditional musicians so you can hear how the pieces should sound.
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Book with FREE AUDIO DOWNLOAD (180 tracks - each song played slowly, and faster with ornamentation) A great collection of Celtic music arranged for easy tin whistle. Sheet music and whistle tablatures for 90 well-loved Irish and Scottish songs, chosen for beginners. Download link inside.
Waltons of Ireland presents 110 of Ireland's most beautiful and haunting melodies including laments, airs from old Gaelic songs, and O'Carolan compositions. Suitable for all melody instruments, including fiddle/ violin, recorder, flute, tinwhistle in D and others. Waltons Mfg. and UK product #WM1311.
BOOK ONLY (Audio CD available to buy on author's website). Learn to play Irish traditional music on the whistle with this tutor book from Tradschool 104 tunes (28 children's & folk songs + 76 traditional Irish tunes) This book gives a complete introduction to playing Irish music in the traditional style on the tin whistle; it covers all from the very first notes on the instrument to the most advanced ornamentation. The course is broadly divided into two parts, with the shorter first part covering the basics of the whistle while the longer second part (pages 49-296) covers the playing of Irish traditional music on the instrument. It is intended for anybody who wants to play traditional music in the Irish style, from complete beginners to confirmed or advanced players who wish to work on their style or ornamentation. Tablature as well as sheet music is used throughout the book, so it is accessible to the complete beginner; while more advanced players will appreciate the attention to detail in style and ornamentation in the later parts of the book. Contents Introduction Part One Unit 1: Beginning the Whistle Unit 2: Right Hand Notes Unit 3: The Second Octave Unit 4 - Scales Unit 5 - Rhythm, Articulation & Breathing Unit 6 - Putting it together 1 Part Two Unit 7 - Irish Traditional Music Unit 8 - Listening to Irish Music Unit 9 - The Jig Unit 10 - The Hornpipe Unit 11 - The Reel Unit 12 - Ornamentation Ornamentation 1 - The Cut Ornamentation 2 - The Tap Ornamentation 3 - The Slide Ornamentation 4 - The Roll Ornamentation 5 - The Short Roll Ornamentation 6 - The Triplet Ornamentation 7 - The Bounce Ornamentation 8 - The Cran Ornamentation 9 - Combining Ornaments Ornamentation 10 - Staccato Triplets Ornamentation 11 - Summary Unit 13 - Other tunes Unit 14 - Playing in different keys Unit 15 - Playing Irish Music Unit 16 - Putting It Together 2 Unit 17 - Tunes Appendix 1 - Troubleshooting Appendix 2 - Reading Music Appendix 3 - Bibliography Appendix 4 - Tracklist
An exciting collection of 29 traditional tunes from Ireland, arranged for easy fiddle. All tunes are written clearly in standard notation with bow directions. an accompanying CD contains all the tunes, played at a manageable speed, with guitar accompaniment.The collection contains airs, well known songs, polkas, slip jigs, slides, double jigs, hornpipes and reels, all of which are specially arranged by the author with the beginning/intermediate fiddle player in mind. on the CD, the tunes are played 2 or 3 times, so you can really get into the feel of the tune, when playing along. the speed of the tunes is quite slow, but not so slow as to take away from the essential feel of the music.Irish music is rightly popular all over the world. the haunting beauty of the slow airs and infectious foot-tapping rhythms of jigs and reels are here to be discovered in this selection of great traditional music.
A low whistle is a tinwhistle or pennywhistle with a six-finger note below B-flat. Focusing on the low D whistle but applicable to all low whistles, this book and CD set offers everything one needs to know about how to play the low whistle, including ornamentation, history, and fantastic tunes. This book can be used by people that have never played the whistle before. The tutor section covers the basics and moves on to explain Irish decorations in detail. Even if you already play the standard-size tin whistle, you will find many parts of this book useful in terms of technique. The tunes section contains many unusual pieces which have been researched and collected from many sources. These highlight the characteristic sound of the low whistle and range in difficulty from easy to show off! The enclosed free tutor CD contains 79 tracks, covering approximately the first half of the book.
These 102 lilting slow airs with suggested chord changes are suitable for violin, flute, penny whistle, recorder, concertina, accordion, keyboard, harp, hammered dulcimer, etc., accompanied by any chord-capable instrument. Ancient to 19th-century in origin, most of these melodies will seem refreshingly new to modern-day musicians, audiences and even connoisseurs of the Celtic style. The author encourages readers to add their own ornaments once they have learned the basic tunes. Most of the tune titles appear in their original Scots Gaelic or Irish with helpful English translations; the original titles, however, lend this collection an air of authenticity. These melodies are worthy of performance and recording by modern musicians, and one Christmas tune in particular, “Taladh Chriosta” (Christ Child’s Lullaby”), ranks right up there with “What Child Is This/Greensleeves” in its originality and sheer beauty. This collection includes access to online audio of all 102 melodies.
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tes Slominski argues that ethnic nationalism hinders this music's development today in an increasingly multiethnic Ireland and in the transnational Irish traditional music scene. She discusses early 21st century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early 21st century.